11.5
Table Of Contents
- Copyright
- Preface
- Support
- Before you start
- More about MAGIX
- Introduction
- Tutorial
- Program desktop overview
- Mouse functions and mouse modes
- Button overview
- Functional overview
- Effects and effect plug-ins
- What effects are there, and how are they used?
- Saving effect parameters (preset mechanism)
- Dehisser
- "Sound FX" (object editor, mixer channels, Mixmaster)
- Parametric equalizer (track effects, mixer channels, Mixmaster)
- MAGIX Mastering Suite (Mixmaster)
- Vintage Effects Suite (track effects, mixer channels, mix master)
- Essential FX
- Vandal SE
- Track dynamics
- Track delay/reverb
- Elastic Audio Easy
- General information on the Elastic Audio editor
- Edit window
- Axes labelling and legends
- Fundamentals of the Elastic Audio editor
- Description of all control elements
- Playback control
- Tools in the Elastic Audio easy editor
- Applications of the Elastic Audio easy editor
- Pitch-sliced-objects and VIP objects
- Fundamental frequency analysis correction
- Keyboard commands and mouse-wheel assignments
- Installing VST plug-ins
- Effect calculations
- Samplitude 11.5 Producer as an external effects device
- Automation
- Mixer
- MIDI in Samplitude 11.5 Producer
- MIDI editor
- Notation display, movement, zoom
- Synchronized MIDI editor and VIP screen view
- Multi-object editing (MO editing)
- Using the MIDI editor: Selecting events
- Editing events: Piano roll
- Controller editor
- List editor (midi event list)
- Drum editor
- Score editor
- Opening the score editor
- Score editor modes
- Linear view
- Page view
- Score sheet
- Editing MIDI data in the score sheet
- Adjusting and optimizing the score
- Note allocation in multiple staves
- Multi-voice notation
- MIDI score settings dialog
- Stave settings
- Note display: Interpretation options
- Notation symbols
- Page format settings
- Printing score
- Print notes
- Quantize
- MIDI editor shortcuts
- Software / VST instruments
- Installing VST plug-ins
- Load instruments
- Loading routing settings with software instruments
- Load effects plug-ins
- Route MIDI instrument inputs
- Instruments with multi-channel outputs
- Adjust instrument parameters
- Play and monitor instruments live
- Routing VST instruments using the VSTi manager
- Preset management
- Freezing instruments (freeze)
- Tips on handling virtual instruments
- ReWire
- Surround sound
- Synchronization
- Burning CDs
- Tools and wizards
- File menu
- Edit menu
- Track menu
- Object menu
- Object editor
- MIDI editor
- Wave editing
- Edit
- New MIDI object
- New synth object
- Cut objects
- Copy objects
- Insert objects
- Delete objects
- Duplicate and move
- Duplicate objects multiple
- Build loop object
- Split objects
- Split objects on marker position
- Split objects on marker position
- Trim objects
- Trim MIDI objects
- Group objects
- Mute objects
- Lock objects
- Unlock objects
- Locking options
- Separate MIDI objects according to channels
- Quantization
- Object effects
- Select objects
- Groups
- Move object
- Snap point (Hotspot)
- Object color / name
- Tempo and beat recognition
- Harmony Agent
- Harmony display
- Audio ID
- Timestretch/pitchshift patcher
- Playback / Record menu
- Automation menu
- Effects menu
- CD menu
- View Menu
- Tasks menu
- Online menu
- Help menu
- Preset keyboard shortcuts
- General settings
- Project settings
- Index
242 Burning CDs
www.magix.com
Burning CDs
Burning Red Book-compatible audio CDs is a vital feature of Samplitude 11.5
Producer. You won't require any other software for writing a CD. You can also
write CDs "on the fly", and all processing is performed in real time during the
write process. Since trackbouncing was not performed first and no image is
created, no extra space is required on the hard disk.
However, sufficient system resources must be available for processing while
writing. If your PC is too slow and writing is interrupted, then you can of course
revert to the conventional trackbouncing method.
Red Book
To standardize the data structure of CDs and to make them compatible with
the CD drives, Sony and Philips laid down individual standards for the various
types of CDs. The names simply arose from the color of the books in which
these standards were recorded. The term "Red Book" is common language for
the Compact Disc Audio Standard. The requirements listed here have to be
observed for industrial CD production. Audio CD players only read CDs
created according to the Red Book format. It is therefore necessary to first
convert PC files into this format before writing them onto an audio disc
compatible with any audio CD player.
Writing
Some years ago, there was only a small number of select studios which were
able to do CD mastering. Today, writing audio CDs is nothing exceptional and
continuously dropping prices for CD-R burners and media make them available
to nearly everyone.
The audio material is stored digitally on the CD, this data is read by the CD
player, and then it is transformed back to the analog plane. While in action,
track indexes indicate to the CD player which songs start at which position.
Samplitude 11.5 Producer can also write an audio CD from the program
directly. Before the write process starts, the track indexes are directly set in
the VIP window, and then Samplitude 11.5 Producer converts stereo sum and
indexes into a data stream which is fed to the CD burner.










