11.5
Table Of Contents
- Copyright
- Preface
- Support
- Before you start
- More about MAGIX
- Introduction
- Tutorial
- Program desktop overview
- Mouse functions and mouse modes
- Button overview
- Functional overview
- Effects and effect plug-ins
- What effects are there, and how are they used?
- Saving effect parameters (preset mechanism)
- Dehisser
- "Sound FX" (object editor, mixer channels, Mixmaster)
- Parametric equalizer (track effects, mixer channels, Mixmaster)
- MAGIX Mastering Suite (Mixmaster)
- Vintage Effects Suite (track effects, mixer channels, mix master)
- Essential FX
- Vandal SE
- Track dynamics
- Track delay/reverb
- Elastic Audio Easy
- General information on the Elastic Audio editor
- Edit window
- Axes labelling and legends
- Fundamentals of the Elastic Audio editor
- Description of all control elements
- Playback control
- Tools in the Elastic Audio easy editor
- Applications of the Elastic Audio easy editor
- Pitch-sliced-objects and VIP objects
- Fundamental frequency analysis correction
- Keyboard commands and mouse-wheel assignments
- Installing VST plug-ins
- Effect calculations
- Samplitude 11.5 Producer as an external effects device
- Automation
- Mixer
- MIDI in Samplitude 11.5 Producer
- MIDI editor
- Notation display, movement, zoom
- Synchronized MIDI editor and VIP screen view
- Multi-object editing (MO editing)
- Using the MIDI editor: Selecting events
- Editing events: Piano roll
- Controller editor
- List editor (midi event list)
- Drum editor
- Score editor
- Opening the score editor
- Score editor modes
- Linear view
- Page view
- Score sheet
- Editing MIDI data in the score sheet
- Adjusting and optimizing the score
- Note allocation in multiple staves
- Multi-voice notation
- MIDI score settings dialog
- Stave settings
- Note display: Interpretation options
- Notation symbols
- Page format settings
- Printing score
- Print notes
- Quantize
- MIDI editor shortcuts
- Software / VST instruments
- Installing VST plug-ins
- Load instruments
- Loading routing settings with software instruments
- Load effects plug-ins
- Route MIDI instrument inputs
- Instruments with multi-channel outputs
- Adjust instrument parameters
- Play and monitor instruments live
- Routing VST instruments using the VSTi manager
- Preset management
- Freezing instruments (freeze)
- Tips on handling virtual instruments
- ReWire
- Surround sound
- Synchronization
- Burning CDs
- Tools and wizards
- File menu
- Edit menu
- Track menu
- Object menu
- Object editor
- MIDI editor
- Wave editing
- Edit
- New MIDI object
- New synth object
- Cut objects
- Copy objects
- Insert objects
- Delete objects
- Duplicate and move
- Duplicate objects multiple
- Build loop object
- Split objects
- Split objects on marker position
- Split objects on marker position
- Trim objects
- Trim MIDI objects
- Group objects
- Mute objects
- Lock objects
- Unlock objects
- Locking options
- Separate MIDI objects according to channels
- Quantization
- Object effects
- Select objects
- Groups
- Move object
- Snap point (Hotspot)
- Object color / name
- Tempo and beat recognition
- Harmony Agent
- Harmony display
- Audio ID
- Timestretch/pitchshift patcher
- Playback / Record menu
- Automation menu
- Effects menu
- CD menu
- View Menu
- Tasks menu
- Online menu
- Help menu
- Preset keyboard shortcuts
- General settings
- Project settings
- Index
Synchronization 241
www.magix.com
MIDI clock output device: Here you have to select the driver via which
Samplitude 11.5 Producer should send MIDI clocks for synchronization.
BPM: Here you have to enter the tempo you want to send MIDI clocks.
SMPTE/MTC input device: Here you have to select the driver via which
Samplitude 11.5 Producer should receive MIDI timecode for synchronization.
Sync velocity: The greater the sync velocity, the faster Samplitude 11.5
Producer will follow a tempo change of the sync master; however, this also
means that the pitch fluctuation in the audio material is greater. Only use
values greater than 100 if Samplitude 11.5 Producer does not synchronize
precisely in standard cases.
MTC output device: Here you have to select the driver via which Samplitude
11.5 Producer should send MIDI timecode for synchronization.
Type: Select the proper frame rate. Use 24 frames for cinematic
synchronization, 25 frames for PAL video, and audio synchronization, 30
frames for NTSC video.
Pre-roll-frames: You can specify, how many frames Samplitude 11.5 Producer
is to ignore before the synchronization starts. Here you can account for the
fact, that certain analog instruments need time to reach the correct speed. In
order to have Samplitude 11.5 Producer link up to the proper time values, a
certain pre-roll frame count can be specified.
SMPTE offset: The SMPTE offset is indicated in milliseconds and in SMPTE
frames. The offset is removed from the incoming SMPTE time code signal to
line up differences between tape material and recorded samples in Samplitude
11.5 Producer. With an offset of “60:00:00” milliseconds (1 hour) a tape that
was previously stripped can be synchronized, if the start point for the
recording/playback starts at 1 hour. Samplitude 11.5 Producer will, however,
start at the correct beginning position.
FX: With this parameter, possible inaccuracies during the positioning of long
samples can be equalized. Requirement is a flawless synchronization at the
sample beginning. Follow the instructions in the chapter “problem solutions”.
Key: G