11.5
Table Of Contents
- Copyright
- Preface
- Support
- Before you start
- More about MAGIX
- Introduction
- Tutorial
- Program desktop overview
- Mouse functions and mouse modes
- Button overview
- Functional overview
- Effects and effect plug-ins
- What effects are there, and how are they used?
- Saving effect parameters (preset mechanism)
- Dehisser
- "Sound FX" (object editor, mixer channels, Mixmaster)
- Parametric equalizer (track effects, mixer channels, Mixmaster)
- MAGIX Mastering Suite (Mixmaster)
- Vintage Effects Suite (track effects, mixer channels, mix master)
- Essential FX
- Vandal SE
- Track dynamics
- Track delay/reverb
- Elastic Audio Easy
- General information on the Elastic Audio editor
- Edit window
- Axes labelling and legends
- Fundamentals of the Elastic Audio editor
- Description of all control elements
- Playback control
- Tools in the Elastic Audio easy editor
- Applications of the Elastic Audio easy editor
- Pitch-sliced-objects and VIP objects
- Fundamental frequency analysis correction
- Keyboard commands and mouse-wheel assignments
- Installing VST plug-ins
- Effect calculations
- Samplitude 11.5 Producer as an external effects device
- Automation
- Mixer
- MIDI in Samplitude 11.5 Producer
- MIDI editor
- Notation display, movement, zoom
- Synchronized MIDI editor and VIP screen view
- Multi-object editing (MO editing)
- Using the MIDI editor: Selecting events
- Editing events: Piano roll
- Controller editor
- List editor (midi event list)
- Drum editor
- Score editor
- Opening the score editor
- Score editor modes
- Linear view
- Page view
- Score sheet
- Editing MIDI data in the score sheet
- Adjusting and optimizing the score
- Note allocation in multiple staves
- Multi-voice notation
- MIDI score settings dialog
- Stave settings
- Note display: Interpretation options
- Notation symbols
- Page format settings
- Printing score
- Print notes
- Quantize
- MIDI editor shortcuts
- Software / VST instruments
- Installing VST plug-ins
- Load instruments
- Loading routing settings with software instruments
- Load effects plug-ins
- Route MIDI instrument inputs
- Instruments with multi-channel outputs
- Adjust instrument parameters
- Play and monitor instruments live
- Routing VST instruments using the VSTi manager
- Preset management
- Freezing instruments (freeze)
- Tips on handling virtual instruments
- ReWire
- Surround sound
- Synchronization
- Burning CDs
- Tools and wizards
- File menu
- Edit menu
- Track menu
- Object menu
- Object editor
- MIDI editor
- Wave editing
- Edit
- New MIDI object
- New synth object
- Cut objects
- Copy objects
- Insert objects
- Delete objects
- Duplicate and move
- Duplicate objects multiple
- Build loop object
- Split objects
- Split objects on marker position
- Split objects on marker position
- Trim objects
- Trim MIDI objects
- Group objects
- Mute objects
- Lock objects
- Unlock objects
- Locking options
- Separate MIDI objects according to channels
- Quantization
- Object effects
- Select objects
- Groups
- Move object
- Snap point (Hotspot)
- Object color / name
- Tempo and beat recognition
- Harmony Agent
- Harmony display
- Audio ID
- Timestretch/pitchshift patcher
- Playback / Record menu
- Automation menu
- Effects menu
- CD menu
- View Menu
- Tasks menu
- Online menu
- Help menu
- Preset keyboard shortcuts
- General settings
- Project settings
- Index
240 Synchronization
www.magix.com
In this case you should use a virtual MIDI router for internally linking the
programs like "Hubis MIDI Loopback" from the Samplitude 11.5 Producer
studio CD-ROM.
Wherever possible, please use MTC -25 frames/sec., since unlike the MIDI
clock, no tempo changes have to be taken into account.
If Samplitude 11.5 Producer is running as master, please set the FX factor to
1.0.
Slave synchronization with real "chase lock": Samplitude 11.5 Producer
supports real "chase lock" synchronization, i.e. audio playback can be
controlled precisely by a received time code signal (MC or MTC). In this case
not only the starting point of audio playback is controlled externally, but sync
also controls playback speed if "chase lock" is activated. This way Samplitude
11.5 Producer can follow the sync of analog tape machines or VCRs for quite
some time, which always have a certain slip, without delay.
This is a very powerful feature which many "professional" systems only offer at
a high price!
By entering the "sync velocity", you can influence the speed of the tempo
adjustment. The greater the sync velocity, the faster Samplitude 11.5 Producer
will follow a tempo change of the sync master; however, this also means that
the pitch fluctuation in the audio material is greater.
Only use values greater than 100 if Samplitude 11.5 Producer does not
synchronize precisely in standard cases.
The "chase lock" synchronization uses a real-time resampling routine requiring
a certain CPU power. Anything as fast as a Pentium 90 processor should
suffice.
When using the hardware pitching feature, the chase lock synchronization uses
direct access to the sample rate of the sound card in 1 Hz steps. This achieves
particularly precise synchronization without additional CPU load. However, the
sound card has to support this feature, as is currently the case with the ARC44
and ARC88 4 or 8 channel.
MIDI clock input device: Here the driver must be selected from which
Samplitude 11.5 Producer will receive MIDI clocks for the synchronization.
BPM: Here you have to enter the tempo at which you want to receive MIDI
clocks.