11.5
Table Of Contents
- Copyright
- Preface
- Support
- Before you start
- More about MAGIX
- Introduction
- Tutorial
- Program desktop overview
- Mouse functions and mouse modes
- Button overview
- Functional overview
- Effects and effect plug-ins
- What effects are there, and how are they used?
- Saving effect parameters (preset mechanism)
- Dehisser
- "Sound FX" (object editor, mixer channels, Mixmaster)
- Parametric equalizer (track effects, mixer channels, Mixmaster)
- MAGIX Mastering Suite (Mixmaster)
- Vintage Effects Suite (track effects, mixer channels, mix master)
- Essential FX
- Vandal SE
- Track dynamics
- Track delay/reverb
- Elastic Audio Easy
- General information on the Elastic Audio editor
- Edit window
- Axes labelling and legends
- Fundamentals of the Elastic Audio editor
- Description of all control elements
- Playback control
- Tools in the Elastic Audio easy editor
- Applications of the Elastic Audio easy editor
- Pitch-sliced-objects and VIP objects
- Fundamental frequency analysis correction
- Keyboard commands and mouse-wheel assignments
- Installing VST plug-ins
- Effect calculations
- Samplitude 11.5 Producer as an external effects device
- Automation
- Mixer
- MIDI in Samplitude 11.5 Producer
- MIDI editor
- Notation display, movement, zoom
- Synchronized MIDI editor and VIP screen view
- Multi-object editing (MO editing)
- Using the MIDI editor: Selecting events
- Editing events: Piano roll
- Controller editor
- List editor (midi event list)
- Drum editor
- Score editor
- Opening the score editor
- Score editor modes
- Linear view
- Page view
- Score sheet
- Editing MIDI data in the score sheet
- Adjusting and optimizing the score
- Note allocation in multiple staves
- Multi-voice notation
- MIDI score settings dialog
- Stave settings
- Note display: Interpretation options
- Notation symbols
- Page format settings
- Printing score
- Print notes
- Quantize
- MIDI editor shortcuts
- Software / VST instruments
- Installing VST plug-ins
- Load instruments
- Loading routing settings with software instruments
- Load effects plug-ins
- Route MIDI instrument inputs
- Instruments with multi-channel outputs
- Adjust instrument parameters
- Play and monitor instruments live
- Routing VST instruments using the VSTi manager
- Preset management
- Freezing instruments (freeze)
- Tips on handling virtual instruments
- ReWire
- Surround sound
- Synchronization
- Burning CDs
- Tools and wizards
- File menu
- Edit menu
- Track menu
- Object menu
- Object editor
- MIDI editor
- Wave editing
- Edit
- New MIDI object
- New synth object
- Cut objects
- Copy objects
- Insert objects
- Delete objects
- Duplicate and move
- Duplicate objects multiple
- Build loop object
- Split objects
- Split objects on marker position
- Split objects on marker position
- Trim objects
- Trim MIDI objects
- Group objects
- Mute objects
- Lock objects
- Unlock objects
- Locking options
- Separate MIDI objects according to channels
- Quantization
- Object effects
- Select objects
- Groups
- Move object
- Snap point (Hotspot)
- Object color / name
- Tempo and beat recognition
- Harmony Agent
- Harmony display
- Audio ID
- Timestretch/pitchshift patcher
- Playback / Record menu
- Automation menu
- Effects menu
- CD menu
- View Menu
- Tasks menu
- Online menu
- Help menu
- Preset keyboard shortcuts
- General settings
- Project settings
- Index
238 Synchronization
www.magix.com
stop signals and, in extended formats, the precise timing information, which
are continuously transmitted.
Samplitude 11.5 Producer understands and transmits the synchronization
formats MIDI-Clock (MC) and MIDI timecode (MTC).
MIDI Clock
MIDI Clock only contains the SPP (song position pointer) and the start/stop
signals. There is no continuous timing information embedded in the MIDI clock
signal, nor is this transmitted. This type of synchronization is principally
therefore only suitable for starting and stopping. The greatest drawback of this
type of synchronization is the fact that Samplitude 11.5 Producer can verify
though whether the audio tracks are played back in full sync, but MIDI Clock
does not provide further continuous time information to allow the internal
position to be compared with the external signal.
You can use this type of synchronization if your system combination shows no
timing changes.
MIDI Time Code (MTC)
If you require a reliable integration of the MIDI tracks of an internal sequencer
into Samplitude 11.5 Producer's audio tracks, use of the MTC format is
recommended.
MIDI Time Code or “MTC” includes so-called time information in addition to the
MIDI Clock signals, although only start synchronization occurs in Samplitude
11.5 Producer. It is therefore important that both systems have a word
clock or are connected to any other type of digital audio clock. This helps to
successfully avoid drifting.
Chase Lock Sync
If fluctuations in speed occur, Samplitude 11.5 Producer can make
adjustments in slave mode that ensure exact temporal synchronization. This
function is called "chase lock". The settings can be changed in the
Synchronization dialog. This option should always be used if a part of the
synchronization cannot be clocked centrally via black burst, word clock, or the
digital input, and Samplitude 11.5 Producer is the "slave". This is the case if
the timecode is located on a track featuring a multitrack machine. If the
systems are coupled via a central digital audio clock, then chase lock should
not be activated. Please note that resampling to the recording in real time
according to the timecode fluctuations will be applied if "Chase Lock" is active.










