11.5

Table Of Contents
Effects and effect plug-ins 153
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1. wave editing (destructive editing),
2. Manipulations on the object level in virtual projects (real-time processing),
3. Volume and panorama automation, including track volume fader in the
mixer or VIP (real-time processing),
4. Real-time effects in the mixer tracks (real-time processing),
5. Real-time effects in the "mix master" section (real-time processing).
When working with volume, panorama, and filter manipulations, the sequence
is not important. For example, it isn't important whether you apply a filter
function first and then change the volume, or vice versa. Even when working
with multiple effects, the input signal level is unimportant. this includes reverb,
delay (echo), resampling and timestretching, or pitchshifting.
However, all dynamics functions and those that remove or reduce noise
(dehisser and noise reduction) are dependent on the input signal level and in
some cases on the frequency response of the input signal. If you have found
an optimal setting for the parameters, then you should not apply other changes
to effects blocks that precede these types of effects.
Samplitude 11.5 Producer as an external effects
device
With the help of ASIO driver support, you can also use Samplitude 11.5
Producer as an external effects device. The signal is pushed through the
real-time effects section by Samplitude 11.5 Producer and then sent again. All
real-time effects from the mixer can be used directly: MAGIX AmpSimulation ,
MAGIX Multimax, reverb, echo, compressor, 4-band equalizer, and vocoder.
You need an ASIO driver for your sound card (required).
Here’s how it works:
In the system dialog ("Y"), select the “ASIO software monitoring with track
effects“ option from the “Record options“ tab.
Connect your instrument (e.g a guitar amp) to the sound card.
Select one or more real-time effects for the track activated for recording.
Play it. The sound now has the selected effects added to it.