11.0

Project settings 509
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support this feature, as is currently the case with the ARC44 and
ARC88 4 or 8 channel.
MIDI clock input device: Here the driver must be selected from
which Samplitude 11 Producer will receive MIDI clocks for the
synchronization.
BPM: Here you have to enter the tempo at which you want to receive
MIDI clocks.
MIDI clock output device: Here you have to select the driver via
which Samplitude 11 Producer should send MIDI clocks for
synchronization.
BPM: Here you have to enter the tempo you want to send MIDI
clocks.
SMPTE/MTC input device: Here you have to select the driver via
which Samplitude 11 Producer should receive MIDI timecode for
synchronization.
Sync velocity: The greater the sync velocity, the faster Samplitude 11
Producer will follow a tempo change of the sync master; however,
this also means that the pitch fluctuation in the audio material is
greater. Only use values greater than 100 if Samplitude 11 Producer
does not synchronize precisely in standard cases.
MTC output device: Here you have to select the driver via which
Samplitude 11 Producer should send MIDI timecode for
synchronization.
Type: Select the proper frame rate. Use 24 frames for cinematic
synchronization, 25 frames for PAL video, and audio synchronization,
30 frames for NTSC video.
Pre-roll-frames: You can specify, how many frames Samplitude 11
Producer is to ignore before the synchronization starts. Here you can
account for the fact, that certain analog instruments need time to
reach the correct speed. In order to have Samplitude 11 Producer
link up to the proper time values, a certain pre-roll frame count can
be specified.
SMPTE offset: The SMPTE offset is indicated in milliseconds and in
SMPTE frames. The offset is removed from the incoming SMPTE time
code signal to line up differences between tape material and