11.0
Table Of Contents
- Copyright
- Preface
- Support
- Before you start
- MAGIX News Center
- Introduction
- Tutorial
- Program desktop overview
- Mouse functions and mouse modes
- Button overview
- Functional overview
- Effects and effect plug-ins
- What effects are there, and how are they used?
- Saving effect parameters (preset mechanism)
- Dehisser
- Sound FX (object editor, mixer channels, mixmaster)
- Parametric equalizer (mixer channels, mix master)
- MAGIX Mastering Suite
- Vintage Effects Suite (track effects, mixer channels, mix ma
- Essential FX
- Vandal
- Track dynamics (track effects, mixer channels)
- Track delay/reverb (track effects)
- Elastic Audio easy
- Installation of VST plug-ins
- Effect calculations
- Samplitude 11 Producer as an external effects device
- Automation
- Mixer
- MIDI in Samplitude 11 Producer
- MIDI editor
- Software / VST instruments
- Installation of VST plug-ins
- Load instruments
- Routing settings during software instrument loading
- Load effects plug-ins
- Route MIDI instrument inputs
- Instruments with multi-channel outputs
- Adjust instrument parameters
- Play and monitor instruments live
- Routing of VST instruments using the VSTi manager.
- Preset management
- Freezing instruments (freeze)
- Tips on handling virtual instruments
- ReWire
- Synth objects
- Auto Jam Session
- Managers
- Surround sound
- Burning CDs
- File menu
- New Virtual Project (VIP)
- Open
- Load / Import
- Save project
- Save project as
- Save complete VIP in
- Save project as template
- Burn project backup on CD
- Save object
- Save session
- Rename project
- Delete HD wave project
- Delete virtual projects
- Export audio
- Make podcast
- Batch processing
- Connect to the Internet
- FTP download
- Send project via email
- Close project
- Exit
- Edit menu
- Menu view
- Track menu
- Object menu
- Range menu
- Effects menu
- Tools menu
- Playback / Record menu
- Menu tempo
- MIDI menu
- New MIDI object
- New MIDI track
- MIDI editor
- MIDI object editorCtrl + O
- Glue MIDI objects
- Trim MIDI objects
- MIDI bouncing
- Separate MIDI objects according to channels
- MIDI quantization (start and length)
- MIDI start quantization
- MIDI length quantization
- Cancel MIDI quantization
- Track information
- Track MIDI record
- VST instrument editor
- Metronome active
- Metronome settings
- MIDI settings
- MIDI record modes
- MIDI panic – All notes off
- CD menu
- Load audio CD track(s)
- Set track
- Set subindex
- Set pause
- Set CD end
- Set track markers automatically
- Set track indices on object edges
- Remove index
- Remove all indices
- Make CD
- Show CD-R drive information
- Show CD-R disc information
- CD track options
- CD disc options
- CD text / MPEG ID3 editor
- Set pause time
- Set start pause time
- CD arrange mode
- Get CD info (FreeDB Internet)
- FreeDB options
- Audio ID
- Options menu
- Window menu
- Tasks menu
- Online menu
- Help menu
- Preset keyboard shortcuts
- General settings
- Project settings
- Index
508 Project settings
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with long tracks. This new synchronization technology was specially
developed for connecting Samplitude 11 Producer with MIDI
sequencers such as Cakewalk, Cubase, Logic, Evolution Audio, MIDI
Connections, etc. which can run on the same PC in multitasking
mode.
In this case you should use a virtual MIDI router for internally linking
the programs like "Hubis MIDI Loopback" from the Samplitude 11
Producer studio CD-ROM.
Wherever possible, please use MTC -25 frames/sec., since unlike the
MIDI clock, no tempo changes have to be taken into account.
If Samplitude 11 Producer is running as master, please set the FX
factor to 1.0.
Slave synchronization with real "chase lock": Samplitude 11
Producer supports real "chase lock" synchronization, i.e. audio
playback can be controlled precisely by a received time code signal
(MC or MTC). In this case not only the starting point of audio
playback is controlled externally, but sync also controls playback
speed if "chase lock" is activated. This way Samplitude 11 Producer
can follow the sync of analog tape machines or VCRs for quite some
time, which always have a certain slip, without delay.
This is a very powerful feature which many "professional" systems
only offer at a high price!
By entering the "sync velocity", you can influence the speed of the
tempo adjustment. The greater the sync velocity, the faster
Samplitude 11 Producer will follow a tempo change of the sync
master; however, this also means that the pitch fluctuation in the
audio material is greater.
Only use values greater than 100 if Samplitude 11 Producer does not
synchronize precisely in standard cases.
The "chase lock" synchronization uses a real-time resampling routine
requiring a certain CPU power. Anything as fast as a Pentium 90
processor should suffice.
When using the hardware pitching feature, the chase lock
synchronization uses direct access to the sample rate of the sound
card in 1 Hz steps. This achieves particularly precise synchronization
without additional CPU load. However, the sound card has to