11.0
Table Of Contents
- Copyright
- Preface
- Support
- Before you start
- MAGIX News Center
- Introduction
- Tutorial
- Program desktop overview
- Mouse functions and mouse modes
- Button overview
- Functional overview
- Effects and effect plug-ins
- What effects are there, and how are they used?
- Saving effect parameters (preset mechanism)
- Dehisser
- Sound FX (object editor, mixer channels, mixmaster)
- Parametric equalizer (mixer channels, mix master)
- MAGIX Mastering Suite
- Vintage Effects Suite (track effects, mixer channels, mix ma
- Essential FX
- Vandal
- Track dynamics (track effects, mixer channels)
- Track delay/reverb (track effects)
- Elastic Audio easy
- Installation of VST plug-ins
- Effect calculations
- Samplitude 11 Producer as an external effects device
- Automation
- Mixer
- MIDI in Samplitude 11 Producer
- MIDI editor
- Software / VST instruments
- Installation of VST plug-ins
- Load instruments
- Routing settings during software instrument loading
- Load effects plug-ins
- Route MIDI instrument inputs
- Instruments with multi-channel outputs
- Adjust instrument parameters
- Play and monitor instruments live
- Routing of VST instruments using the VSTi manager.
- Preset management
- Freezing instruments (freeze)
- Tips on handling virtual instruments
- ReWire
- Synth objects
- Auto Jam Session
- Managers
- Surround sound
- Burning CDs
- File menu
- New Virtual Project (VIP)
- Open
- Load / Import
- Save project
- Save project as
- Save complete VIP in
- Save project as template
- Burn project backup on CD
- Save object
- Save session
- Rename project
- Delete HD wave project
- Delete virtual projects
- Export audio
- Make podcast
- Batch processing
- Connect to the Internet
- FTP download
- Send project via email
- Close project
- Exit
- Edit menu
- Menu view
- Track menu
- Object menu
- Range menu
- Effects menu
- Tools menu
- Playback / Record menu
- Menu tempo
- MIDI menu
- New MIDI object
- New MIDI track
- MIDI editor
- MIDI object editorCtrl + O
- Glue MIDI objects
- Trim MIDI objects
- MIDI bouncing
- Separate MIDI objects according to channels
- MIDI quantization (start and length)
- MIDI start quantization
- MIDI length quantization
- Cancel MIDI quantization
- Track information
- Track MIDI record
- VST instrument editor
- Metronome active
- Metronome settings
- MIDI settings
- MIDI record modes
- MIDI panic – All notes off
- CD menu
- Load audio CD track(s)
- Set track
- Set subindex
- Set pause
- Set CD end
- Set track markers automatically
- Set track indices on object edges
- Remove index
- Remove all indices
- Make CD
- Show CD-R drive information
- Show CD-R disc information
- CD track options
- CD disc options
- CD text / MPEG ID3 editor
- Set pause time
- Set start pause time
- CD arrange mode
- Get CD info (FreeDB Internet)
- FreeDB options
- Audio ID
- Options menu
- Window menu
- Tasks menu
- Online menu
- Help menu
- Preset keyboard shortcuts
- General settings
- Project settings
- Index
262 Synth objects
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Down sample (dwnsmple): Sample rate reduction. Ideal for creating
the "old school sound" of older digital drum machines. As it is
increased, the result becomes darker.
Lo-fi decay (lofi dcy): Time constant of the by-product of the three
lo-fi effects which makes the sound "dirty". Only the beginning of the
drum sound of the lo-fi effects is affected if the decay is low. For
instance, this makes the kick of a kick drum sound more interesting.
Filter modes (flt mode): Filter mode: High cut – sound portions above
the cut-off frequency are filtered out. Band pass (BP) – Sound
portions above and below the cut-off frequency are filtered out. Low
cut - All sound portions below the cut-off frequency are filtered out.
This mode is set as a preset and can not be changed.
Filter frequency (flt freq): The cut-off frequency of the filter.
Filter resonance (flt reso): Filter resonance which increases the
sound portions at the cut-off frequency of the filter. If the resonance
is high, the filter itself can also be used as an oscillator.
Filter modulation -/+ (flt mod -+): Regulates how much and in which
direction the filter envelope curve moves the filter frequency in which
direction.
Filter-Modulation decay (flt mod dcy): Decay time of the filter curve.
Smaller values with high resonance create a "zapping" sound of the
filter, greater values create the typical sweep sound.
Filter modulation velocity (flt mod vel): Specifies how much the filter
modulation depth depends on the velocity. If this value is increased,
louder beats will generate higher filter curves than quieter ones.
24 dB: The filter can operate with a slope of 12 dB or 24 dB. This
mode is set as a preset and cannot be changed.
Comb filter (comb filt on): You can activate a comb filter, a feedback
delay that creates resonance-like sounds comparable to a plucked
string. The delay time and feedback levels are permanently linked fo
the filter parameters (frequency and resonance). This comb filter is
set as a preset and can not be changed.
Compressor: Controls the compressor strength. This lets you
increase the "power" of the drum sound.










