11.0
Table Of Contents
- Copyright
- Preface
- Support
- Before you start
- MAGIX News Center
- Introduction
- Tutorial
- Program desktop overview
- Mouse functions and mouse modes
- Button overview
- Functional overview
- Effects and effect plug-ins
- What effects are there, and how are they used?
- Saving effect parameters (preset mechanism)
- Dehisser
- Sound FX (object editor, mixer channels, mixmaster)
- Parametric equalizer (mixer channels, mix master)
- MAGIX Mastering Suite
- Vintage Effects Suite (track effects, mixer channels, mix ma
- Essential FX
- Vandal
- Track dynamics (track effects, mixer channels)
- Track delay/reverb (track effects)
- Elastic Audio easy
- Installation of VST plug-ins
- Effect calculations
- Samplitude 11 Producer as an external effects device
- Automation
- Mixer
- MIDI in Samplitude 11 Producer
- MIDI editor
- Software / VST instruments
- Installation of VST plug-ins
- Load instruments
- Routing settings during software instrument loading
- Load effects plug-ins
- Route MIDI instrument inputs
- Instruments with multi-channel outputs
- Adjust instrument parameters
- Play and monitor instruments live
- Routing of VST instruments using the VSTi manager.
- Preset management
- Freezing instruments (freeze)
- Tips on handling virtual instruments
- ReWire
- Synth objects
- Auto Jam Session
- Managers
- Surround sound
- Burning CDs
- File menu
- New Virtual Project (VIP)
- Open
- Load / Import
- Save project
- Save project as
- Save complete VIP in
- Save project as template
- Burn project backup on CD
- Save object
- Save session
- Rename project
- Delete HD wave project
- Delete virtual projects
- Export audio
- Make podcast
- Batch processing
- Connect to the Internet
- FTP download
- Send project via email
- Close project
- Exit
- Edit menu
- Menu view
- Track menu
- Object menu
- Range menu
- Effects menu
- Tools menu
- Playback / Record menu
- Menu tempo
- MIDI menu
- New MIDI object
- New MIDI track
- MIDI editor
- MIDI object editorCtrl + O
- Glue MIDI objects
- Trim MIDI objects
- MIDI bouncing
- Separate MIDI objects according to channels
- MIDI quantization (start and length)
- MIDI start quantization
- MIDI length quantization
- Cancel MIDI quantization
- Track information
- Track MIDI record
- VST instrument editor
- Metronome active
- Metronome settings
- MIDI settings
- MIDI record modes
- MIDI panic – All notes off
- CD menu
- Load audio CD track(s)
- Set track
- Set subindex
- Set pause
- Set CD end
- Set track markers automatically
- Set track indices on object edges
- Remove index
- Remove all indices
- Make CD
- Show CD-R drive information
- Show CD-R disc information
- CD track options
- CD disc options
- CD text / MPEG ID3 editor
- Set pause time
- Set start pause time
- CD arrange mode
- Get CD info (FreeDB Internet)
- FreeDB options
- Audio ID
- Options menu
- Window menu
- Tasks menu
- Online menu
- Help menu
- Preset keyboard shortcuts
- General settings
- Project settings
- Index
124 Effects and effect plug-ins
www.magix.com
Reverb parameters
• Input/output: In this case, the input level is positioned into the plug-
in or its output level. Metering shows the precise level ratios.
Note: Input/output is available for all preset essentialFX plug-ins. The
conditions are always identical with those described here.
• Mode: Select the desired algorithm here. The following options are
available:
- Plate: Simulates a reverb plate. Very dense reflection pattern,
penetrating but musically open 'metallic' appeal. Very good for drums
and vintage special effects.
- Room: Small room reverb. Mid to high diffusion of the signal, low to
mid reverberation time. Well suited for adding a 'dry' natural sound to
instrumental, spoken, or vocal recordings.
- Hall: Mid to large hall. Low to mid diffusion, later responsiveness as
a room. Ideal for simulation as concert spaces and for large
soundscapes.
• Size: The size of the room being simulated or of the reverb plate.
This setting has a direct effect on the distance of the reflection and
indirectly on the resonance behavior: smaller rooms/reverb plates
possess a larger inclination for natural resonance, and larger plates
exhibit less of this effect.
• Time: Length of reverberation time (in seconds). This value refers to
the RT60 time, i.e. how long the reverberation requires for the level
to fall 60 dB.
• Damping: Real rooms and reverb plates dampen certain frequencies
according to their construction. This is most often audible in upper
frequencies. This parameter allows upper frequencies to be specified
at which the reverberation will be severely dampened. In some
cases, the "Time" parameter should be adjusted, since sometimes
the subjectively perceived reverberation time will also be affected.
• Modulation: For several critical signals, the reverberation may
produce disturbing resonance. These may be scattered via temporal
modulation of the algorithm's delay signals. Exaggerated application
of this may cause this with tonal signals may even sound like a
chorus effect. Lower dosages may underscore the liveliness of the
reverberation. In this case, the modulation applies a random pattern,
the intensity of which may be visualized via the mod display.










