11.0

Effects and effect plug-ins 119
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Drive:
Both of the individual filters of the connections mentioned above have
the ability to overmodulate themselves internally. With the "Drive“ dial,
you can regulate the amount of overmodulation. The more you turn
this dial up, the more the signal is overmodulated. In this case, the
parameters of the internal workings of the filter interact with one
another. Increasing drive weakens the resonance, but, at the same
time, the signal gets more volume, more bass and becomes
acoustically fuller.
Note: The two smaller dials from this section are explained under
"Modulation".
"Modulation" section
You can automate your effects via the settings in the modulation
section.
Here, you’ll find the so-called low frequency oscillator (LFO), which
resonates with adjustable speed. You can influence the speed and
type of resonance.
To influence the resonance, use the two small dials in both the
reduction and filter areas. These four dials display modulation targets.
Example: You’ve left the dial for the sample rate at its default setting.
Change the small dial beneath from its middle position to either side.
The modulation for the dial value is added to the sample rate: The
LFO now controls these parameters proportionately and the sample
rate reduction resonates at this modulation.
You can use this technique on other dials as well. You just have to
make sure that the main dial isn’t turned up to full, because then the
modulation wouldn’t have any effect. The modulation is always added
to the set value.
Example: Turn the small dial beneath the "bits" dial fully to the left
(Value: -50) and the one beside it (beneath "sample rate") to the right
(+50). You’ve now assigned a modulation to both parameters with
the LFO. They are not changed uniformly, but rather opposite to one
another: A negative setting is nothing more than an inversion of the
modulation, so you’re effectively turning down the control signal.