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Table Of Contents
- Copyright
- Welcome
- Table of Contents
- System Requirements
- Contact
- Installation
- System settings
- What's new in Samplitude Pro X/Pro X Suite?
- 64 Bit Version
- Tempo-Map and Tempo track
- Revised visualizations
- SE-cleaning effects
- Advanced Docking-/Manager concept
- Revised Object Editor
- Advanced essentialFX Suite
- Soundpool manager
- Independence
- Content Packs
- True Resynthesis Timestretching (TRTS) (offline)
- Spectral view
- Spectral mode
- Multifunction input field with help-function
- Controller Artist Series support
- New MIDI functions
- New functions
- What's new in 11.2?
- What’s New in Version 11.1?
- Screen Elements
- Samplitude Quick Start
- General Functions in the Project Window
- Object-oriented audio editing
- Object Editor
- Methods for Working with Objects
- Integrating wave files as objects in the VIP
- Integrating sections from wave projects as objects
- The difference between loading and importing audio files
- Integrating CD tracks as objects into VIP
- Selecting objects and clearing selection
- Object handles
- Select multiple objects; clear selection of multiple objects; reverse selection
- Moving objects
- Changing the length and start time of an object
- Duplicating, copying, and inserting objects
- Mute objects
- Change waveform view
- Edit fades in the object editor or by using the handles
- Reverb in the object
- Locking objects
- Editing an object destructively
- Moving to a defined position
- Group/ungroup objects
- Linking objects
- Overlapping objects
- Gluing objects
- Looping objects
- Trimming objects
- Replacing an audio file below the object
- Moving audio material below the object
- Manager
- Mixer
- Effects – organization and workflow
- Effects and Plug-ins in an Overview
- Real-time effects at track, object, and master level
- Cleaning/Restoration Suite (optional)
- DirectX and VST effects
- VST Instruments
- MAGIX Plug-ins
- Object synths
- MAGIX synths
- Robota Pro
- Robota - technical data
- Robota - sound synthesis
- Robota - master section
- Robota - sequencer
- Programming a new drum pattern:
- Robota - snapshots
- Robota - groove control
- Robota - setups, drum kits, presets, and patterns
- Robota - config view
- Robota - PATTERN/DRUM KIT PLAY section
- Robota - GROOVE PRESET section
- Robota - MACHINE GLOBALS section
- Robota - CONFIG MEMORY section
- Vita
- Revolta 2
- Robota Pro
- Plug-ins at track, object, and master level
- Remix Agent
- Stereo Editor
- Surround Sound
- Adding a new project with a Surround mixer
- Converting an existing stereo VIP into a VIP with mixer in surround format
- Project Surround setup
- Surround panning
- Surround panorama module
- Panorama modes in the Surround panorama module
- 2-channel Surround mode
- Stereo and mono signal processing in surround projects
- Alternating between stereo and Surround formats
- Automating the Surround panorama module
- Effects in Surround projects
- Editing Surround sound automation
- Surround bouncing
- MIDI in Samplitude
- MIDI Editors
- Open MIDI Editor
- Working with the MIDI Editor
- MIDI editor: mouse mode/toolbar
- MIDI editor: Editing fields
- MIDI functions
- Quantize
- Step recording via keyboard or controller keyboard
- Cell Edit Mode
- Velocity Mode
- Matrix Editor (Piano Roll Editor)
- Drum Editor
- Controller Editor
- Event list
- Multi object editing (MO-Editing)
- Score Editor
- Open Score Editor
- Score Editor Modes
- Score sheet
- Editing MIDI data in the score sheet
- Adjusting and optimizing the score
- Note allocation in multiple systems
- Multi-voice notation
- MIDI score settings
- Note system settings
- Display quantization
- Interpretation options
- Notation symbol
- Page format settings
- Print notes
- Score editor – tips
- Score music XML export
- MIDI editor shortcut keys
- Tempo Editing
- Tempo and Time signature changes in the tempo map...
- Tempo markers
- Tempo Map Modes: BPM Mode / Grid Fit Mode
- Tempo Change: BPM Marker
- Time Signature Marker
- Grid Position Marker
- Grid Tapping
- Tempo Track
- Edit in the Tempo Track (only BPM Mode)
- Tempo Scaling / Change Global Tempo...
- Tempo Map Dialog
- Tempo and Time Signature Dialog
- Manipulating the Tempo Marker in Timestretch Mouse Mode
- Software-Instrumente/VST-Plug-Ins/ReWire
- Installing VST plug-ins
- Load software instruments
- Apply plug-ins at wave level
- Load plug-ins at object level
- Load plug-ins at track level
- Load plug-ins at master level
- Loading routing settings with software instruments
- VST MIDI out + Audio out recording
- Routing VST instruments using the VSTi manager
- Instruments with multi-channel outputs
- Plug-in panel - graphical interface
- Plug-in parameter dialog
- Plug-in menu functions
- Play and monitor instruments live
- VST instrument preset selection
- Sidechain Input
- Freezing VST instruments
- "Inactive" state for VST instruments and VST effects
- ReWire Client Application
- Automation
- Track automation - Basic procedures
- Automation modes
- Object automation
- Master automation
- Automation – context menu
- MIDI controller automation
- VST plug-in/VST parameters dialog
- Recording automation in "Read" mode
- "Draw" mode
- Edit automation curves
- Move automation curve with audio/MIDI data
- Automation/MIDI controller settings
- Synchronization
- Hardware Controller
- Preset keyboard shortcuts
- Signal Flow
- Glossary
- Active section
- Audio markers
- Automation
- AUX bus
- Clip
- Clip for audio files (Wave projects)
- VirtClip for virtual projects
- Context menu
- Crossfade
- Destructive editing
- Fade
- Grid/marker bar
- Handles
- Hybrid Engine and economy tracks
- Latency
- Latency comparison
- Level fader
- Lock
- Markers
- Menu
- MIDI object
- Monitoring
- Mouse mode
- Object editor
- Object-oriented
- Objects
- Play cursor
- Range
- Routing
- Scroll bars
- Scrub
- Section
- Setup button in the VIP
- Status display
- Submix bus
- Surround AUX bus
- Surround sound in Samplitude
- Surround master
- Surround bus
- System settings
- Tempo markers
- Time input field
- Title bar
- Toolbar
- Tooltips
- Track
- Track header
- VIP - virtual projects
- VirtClip
- Visualization
- Wave editing
- Wave projects
- Work area
- Zoom
- Menu reference
- File Menu
- New Virtual Project (VIP)
- Open Project
- Load/Import
- Save Project
- Save Project as...
- Save Project Copy...
- Save Project as Template...
- Save project as EDL...
- Save Object...
- Save Session...
- Export Audio
- WAV
- MP3...
- MP3 with external encoder
- MPEG...
- Windows Media...
- Real Audio...
- AAC...
- FLAC...
- OGG Vorbis...
- AIFF...
- AIFF File with QuickTime...
- Mono / Stereo Convert
- Save in format
- Export as Dump
- 32-bit float as 16-bit / 20-bit / 24-bit
- Export to "MAGIX Video Pro X"...
- Export Video Sound...
- Export MIDI File...
- List Export
- Trackbouncing
- Range Bouncing (Internal Mixdown)
- MIDI bouncing
- Export project as AAF/OMF
- Rename Project...
- Clean up
- Close Project
- Project Properties
- Program Preferences
- System options
- Path Settings
- Varispeed and Scrub Settings
- Varipitch/Varispeed mode
- MIDI Options...
- Synchronization Active
- Synchronization Setup...
- MMC Setup...
- Shortcuts and Menu Settings
- MIDI editor/Special buttons/Mouse wheel/Mouse
- Edit Toolbars
- Reset Toolbars
- Font Selection…
- Font for Time Display…
- Font for Manager…
- Metronome Options…
- Draw Setup
- Color Settings
- Undo Definitions...
- Dithering Options...
- Advanced Buffer Settings…
- Resampling Quality Options…
- Locking options
- Set Preroll Time…
- Destructive Effect Calculation…
- More
- Exit
- Recent File
- Edit Menu
- Mouse mode
- Object Mode
- Undo
- Restore
- Undo History
- Delete Undo History
- Copy
- Cut
- Split
- Insert
- Delete
- Silence
- Tempo
- Range
- Range All
- Manipulate Range
- Move Range Start Left
- Move Range Start Right
- Move Range End Left
- Move Range End Right
- Range to Beginning
- Range to End
- Flip Range Left
- Flip Range Right
- Find zero crossings
- Beginning of Range -> 0
- Beginning of Range <- 0
- End of Range -> 0
- End of Range <- 0
- 0 -> Range <- 0
- Range start to left marker
- Range Start to Left Object Border
- Range end to right marker
- Range End to Right Object Border
- Range Over All Selected Objects
- Remove Range
- Range Not Over Tracks
- Range Over Current Track
- Range Over All Tracks
- Range Length
- Split Range
- Split Range for Video
- Store Range
- Get Range
- Get Range Length
- Range Manager…
- Recall Last Range
- Crossfade
- Batch Processing...
- More
- Track Menu
- Object Menu
- Object Editor...
- MIDI Editor...
- Edit audio file
- New MIDI Object
- New MIDI object in the range
- New Synth Object
- Edit
- Cut Objects
- Copy Objects
- Insert Objects
- Delete Objects
- Duplicate Objects
- Duplicate Objects Multiple
- Creating looped objects
- Split Objects
- Split objects at Marker Positions
- Split Objects at Track Marker Positions
- Split Objects at Audio Marker Positions
- Heal/Unsplit Objects
- Trim Objects
- Trim MIDI Objects
- Glue Objects
- Mute Objects
- Lock Objects
- Unlock Objects
- Lock Definitions…
- Edit Copy of the Wave Project
- Edit Root VIP
- Demix MIDI Objects by MIDI Channels
- Quantization
- Audio Quantization Wizard
- Define transients
- Consolidate Transients
- Create Groove
- Create MIDI trigger from transients
- Create Groove Template from Transients
- Split at Transients
- Quantize object position (hard)
- Quantization setting - Soft Q
- Offset
- Quantize object position (AQ)
- Soft AQ
- Remove Object Gaps
- Undo/Redo/Reset Quantization
- Reset Audio Object Quantization
- Quantize Settings - Preset
- Quantize Settings - Default
- Quantize Settings - Grid
- Q Threshold
- Q Window
- Swing
- Show Grid/Time Signature
- Audio Quantization – Tutorial
- MIDI Note Quantize (Standard)
- MIDI Humanize Q
- MIDI Quantize Settings...
- Extended MIDI Quantize
- Reset MIDI Quantization
- MIDI Input Q (global)
- Audio Quantization Wizard
- Object effects
- Selecting Objects
- Groups
- Moving objects
- Hotspot
- Takes
- Object Color/Name
- Freeze Objects
- Remix Agent – Tempo and Beat Recognition
- Remix Agent – Applications
- Remix Agent – Requirements
- Launch Remix Agent
- Remix Agent – Working Method
- Step 1: Checking the start marker
- Step 2: Check the automatic tempo and bar recognition
- Correction of beat positions and tempo
- Step 3: Determining the start of a bar
- Step 4: Application of BPM and beat recognition
- Create remix objects
- Create remix objects – audio quantization
- Remix objects in "Loop" mode
- Create remix objects – set arrangement tempo to the object tempo
- Adapt tempo
- Apply arrangement tempo to object tempo
- Set arrangement tempo to object tempo
- Save tempo and bar info
- audioid
- Comparisonics Audio Search…
- Time Stretch/Pitch Shift Patcher...
- More
- Object Manager...
- Playback Menu
- Play Once
- Play Loop
- Play in Range/Loop
- Play with Preload
- Play Only Selected Objects
- Play Cut
- Restart Play
- Stop
- Stop and Go to Current Position
- Playback Mode
- Playback parameters
- Record
- Record Mode/Punch In
- Record Options
- Further recording Options
- Monitoring
- Move Play Cursor
- Markers
- Save marker
- Marker on Range Borders
- Set Markers on Silence
- Rename Marker
- Delete Marker
- Delete All markers
- Delete Markers in Range
- Set New Audio Marker
- Copy Audio Marker to VIP Marker
- Copy VIP Marker to Audio Marker
- Audio marker manager
- Set Start Marker
- Set End Marker
- Delete Punch Markers
- Additional Punch Start Marker
- Additional Punch End Marker
- Delete Additional Punch Markers
- Set new Tempo marker
- Set New Time Signature marker
- Set new grid marker positions
- Ignore all Tempo Markers, Use Project Tempo
- Marker manager
- Auto JamSession
- Retrospective Recording (MIDI Pre-Recording)
- MIDI Record Mode
- MIDI Panic – All Notes Off
- Automation Menu
- Effects Menu
- Notes concerning offline effects editing
- Advanced options for offline effect calculation
- Amplitude
- Dynamics Effects
- What Compressors are Available in Samplitude?
- Which compressor should be used and when?
- Dynamics (Compressor/Expander/Gate/Limiter)
- Advanced Dynamics
- Advanced dynamics – general controls and presets
- Advanced dynamics – editing the reference line (graphically)
- Advanced dynamics – editing the reference line (parametrically)
- Gate
- Limiter
- Advanced dynamics – envelope
- Advanced Dynamics - Dynamic parameter
- Advanced dynamics – dynamic scope
- Advanced dynamics – tips and tricks
- Multiband Dynamics
- Multiband dynamics – overview
- Multiband dynamics – general controls
- Reference line
- Setup
- Bypass dyn. (bypass dynamics):
- Bypass all:
- Multiband dynamics – setups and parameters
- Parameters for the dynamic sections
- Output parameters:
- Mode
- Out (all)
- Limiter on/edit (only in the master area of the mixer and in the object editor):
- Separation frequencies
- Band separation (in the setup area)
- Multiband dynamics – filter bank for experts
- Tips & tricks: strategies to manage the flood of parameters
- Step 1: Global presets for all bands
- Step 2: Fine-tuning of individual bands
- Comparing at constant volume levels
- sMax11
- efx_Compressor
- AM-Munition, AM-Track, AM-Phibia, AM-Pulse
- Frequency/Filters
- Parametric EQ
- EQ116
- FFT Filter/Sound Cloner
- Sound Cloner functions
- Sound cloner controls
- FFT Filter/Spectral Analysis (Offline)
- FFT-Analysis filter - First step
- 1. Filtering and frequency analysis
- 2. Filtering in Direct Draw mode
- 3. Dynamic Filter mode (fading between two filter curves).
- 4. Filtering a sample/object with the frequency response of another sample/object
- 5. Transferring the frequency response (spectral envelope) from one sample/object to another
- FFT filter – graphical view
- Overview of the curves
- Faders and zoom buttons
- Switch for the display views
- FFT filter – controls
- Filter
- Filter mode
- Draw mode
- FFT filter – expert dialog
- Analysis parameters
- Filter parameters
- Display
- Filter transition
- FFT - Filter - The right settings
- Frequency analysis
- Filters
- FFT Filter - Problems and solutions
- Modulation effects when using extreme filter settings for low frequency ranges
- Problems with the realtime preview when using higher rates:
- It is not possible to completely hide certain areas of the spectrum.
- You have corrected the frequency response of a sample and then analyze the result once again. The result does not match the corrected frequency response (the blue line before performing filtering).
- Also resonance-like sounds arise in wideband band passes.
- In the "Fade start" or "Fade end" filter mode, fading is not applied uniformly.
- Brilliance Enhancer
- Filtox
- Delay/Reverb
- Delay
- Room Simulator
- Room Simulator - general controls
- Room Simulator - banks and presets
- Room Simulator saving/loading/deleting presets
- Impulse response
- Graphic display
- Curves
- Freely definable envelope curve
- Pre-delay
- Convert impulse response to mono
- Calculate mono
- Room Simulator - parameters
- Parameter presets
- Envelope, EQ
- Parameters for editing reverb frequencies
- Mix, volume, reset
- Performance/options
- Overview of the impulse response parameter
- Quality
- Internal block length
- Length of the impulse response
- Sample rate of impulse reply
- Impulse response resolution
- Room simulation - Tips and tricks
- Room Simulator – Problems and Solutions
- eFX_Reverb
- eFX_StereoDelay
- Ecox/Variverb
- Time/Pitch
- Resampling / Time Stretching / Pitch Shifting
- Resampling
- Timestretching/Pitchshifting
- Default
- Beat marker stretching (smoothed)
- Smoothed
- Beat marker slicing
- Beat marker stretching
- Long overlap
- Setting and evaluating beat markers
- Attack recognition threshold
- Reset Beat-Marker: All Beat markers are removed.
- Monophonic voice
- Universal HQ
- True Resynthesis Timestretching (TRTS)
- Elastic Audio
- Elastic Audio – general
- Elastic Audio - editing modes
- Elastic Audio – "Relative" mode
- Overview of graphics in "Relative" mode
- Elastic Audio – "Direct" mode
- Overview of graphics in "Direct" mode
- Elastic Audio – basics
- Opening Elastic Audio Editor
- Interaction between Elastic Audio Editor and objects in the arranger window
- Loading objects into the Elastic Audio Editor
- Elastic Audio: Description of all control elements
- Edit VIP object
- Options for automatic pitch correction
- Harmonizer
- Pitch (fundamental frequency)
- Playback control
- Toolbar
- Controls for global display options
- Using Elastic Audio Editor
- Pitch slice objects and VIP objects
- Elastic Audio: Overview of keyboard commands and configuration of the mouse wheel.
- Selecting slice objects and VIP objects
- Tone pitch automation including changes to the length (resampling)
- Pitch automation without change in length
- Pitch correction (intonation correction) with monophonic audio material
- Manual correction of the whole pitch of a pitch slice
- Automatic correction of the whole pitch of a melody slice.
- Automatic correction of the pitch characteristic with quantization
- Correct pitch increase or decrease
- Create frequency modulations like warblers and vibrato
- Creating second voices or harmonizing effect
- Resampling / Time Stretching / Pitch Shifting
- Distortion
- Restoration
- Stereo/Phase
- Modulation/Special
- Convolution (Offline)
- Convolution – problems and solutions
- After pressing the preview button or the OK button, the program does not seem to respond any more.
- The output signal is overmodulated
- The resulting signal contains a strong DC offset
- Heavy hard disk activity or an error message concerning insufficient memory is produced
- Vocoder
- eFX_Chorus/Flanger
- eFX_Phaser
- Corvex
- Backward
- Convolution (Offline)
- MIDI velocity dynamics
- Sample manipulation
- Plug-Ins...
- essentialFX
- MAGIX Plug-Ins
- Further Console Elements:
- Analog Modelling Suite: AM-Track
- Analogue Modelling Suite: AM-Pulse
- Analog Modelling Suite: AM-Phibia
- Analog Modelling Suite: AM-Munition
- CORVEX – chorus/flanger
- ECOX – Echo/Delay
- FILTOX – Multimode Filter
- VariVerb Pro
- Vandal
- Version limits of Vandal SE versus Vandal:
- Special Features of Vandal
- VANDAL Quick Start
- Components
- Stomp Boxes (pedals)
- Overdrive/Distortion
- Modulation effects
- Delay / Reverb
- Volume/Dynamics
- Filter/EQ
- Others
- Amplifier
- Amplifier Concept
- Amp/Cabinet Template
- Guitar Amp
- Circuit Philosophy
- Preamp Channels
- Pre & Post Gain
- Voicing
- Equalization
- Reverb
- Master
- Bass Amplifier
- Gain Control
- Contour
- Comp (Opto Compressor)
- Drive
- Equalization
- Master
- Cabinet Simulation
- Speaker Selection
- Guitar
- Bass
- Housing Selection
- Guitar
- Bass
- Microphones
- Advanced Settings
- Rack effects (FX1/FX2)
- Console
- Waveform Generator
- SMPTE Generator
- Process Only Left/Right Stereo Channel
- Process Effects Offline
- CD/DVD Menu
- Import Audio CD Track(s)…
- Import Audio DVD…
- Make CD...
- Create DVD-Audio...
- Indices (Track markers)
- CD-Title-/ Index-Manager
- CD disc options
- CD-Text/MP3-ID-Editor
- Set Pause Time
- Set Start Pause Time
- CD Arrange Mode
- Get freeDB Title Info
- freeDB Options
- Search CD Online and Set Track Indices
- Show CDR Drive Information…
- Show CDR Disc Information…
- audioid
- View Menu
- Mixer
- Transport Console
- Time Display
- Visualization
- Video Window
- Track Editor
- Manager/Docker
- Manager
- New Manager...
- Control bars
- Autoscroll
- Autoscroll Soft
- Rebuild Graphic Data
- Clips
- Hide Submix/AUX Busses
- Grid view
- VIP Display Mode
- Overview Mode
- Fix vertically
- Store Position and Zoom Level
- Get Position And Zoom Level
- Store Zoom Level
- Get Zoom Level
- Horizontal
- Vertical
- Cascade
- Tile
- Untile
- Window
- System information
- FTP Download...
- 1, 2, ...
- Help Menu
- Index
FILE MENU 493
Gray out muted objects/tracks: Muted objects and tracks will be shown gray.
The second column is especially useful for a more clear crossfade display.
Standard: The waveform of the second object is drawn over the waveform of the first
object:
Envelope only: When this radio button is selected, only the waveform outline (envelope) is
drawn. Both objects are well visible in crossfades:
Transparent: If this button is selected, the colors of both crossfade waveforms are
overlapped. The waveforms appear against a dark background. We recommend
combining this and the "Waveform colors -> Red/blue alternation" to optimize the display
of crossfade areas:
Interleaved: When this option is selected, a sample of the left object and a sample of the
right object will be drawn. You may then visually assess the fade area, a task made
especially easy if the adjacent objects have different colors: