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200 EFFECTS AND PLUG-INS IN AN OVERVIEW
Parameters
- Decay: Reverberation length
- Damp: Damping of highs to simulate absorption via air, wall materials, and objects
- Mod: Modulation strength
 Lo-fi
This algorithm gives the sound a little bit of "grit", or a certain measure of signal destruction
depending on its setting. An ideal partner for creative sound design. The simulation of early
digital synthesizes or samplers is equally possible, since their AD/DA converters were
anything but "true" in the character of their sound. The sample rate from the output of the
lo-fi effect can be continuously reduced and a generous measure of "aliasing" distortion
may be produced alongside the unavoidable loss of highs resulting from "down sampling".
Bit resolution is clearly changeable, too.
Parameters
·Rate: Sample rate
·Crush: Number of bits
-Low-pass: Low-pass filter at the output to smooth out induced noise
 Distortion
This overdrive effect works similarly to common guitarist effect pedals. Everything is
possible, from light, bluesy signal saturation to hard "metal shred boards". In this case, a
dual-band EQ works on the in and output signals and to provide a rich palette of sounds.
Parameters
- Drive: Controls the internal level and the overdrive
- Low: Bass portion
- High: High portion
 Analog filter 12/24 dB
An additional filter may be applied across the entire drum sound.
Parameters
·Cutoff/resonance: Filter frequency and resonance
·Type: Filter type
-Drive: Filter saturation
Vintage compressor
A compressor with a special "analog" controlling behavior for more pumping bass drums.