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MIXER 173
 Submix or AUX busses are always meant for stereo busses.
 Submix and AUX buses may be used for all channel effects, including volume, panorama
automation, and AUX send. The outputs may be routed for any channel to output
devices or other submix buses with higher channel numbers.
 Automation of AUX and submix busses works the same as on all other channels.
AUX Routing
By right clicking on a mixer channel's AUX button the AUX routing dialog will open. Right
clicking on the channel number will cause a dialog to appear above, if you select "Track
effects > AUX sends" in the context menu You can enter the intensity of each AUX bus in
numeric values or by moving the orange bar (the bar is not visible in Off mode).
By default all AUX buses are routed "post" in Samplitude. Activate the corresponding "pre"
box for pre-routing. Use the effects routing dialog (view page 174) to specify the precise
position
of the "pre" and "post" AUX buses within the effects chain.
The "Pan" button applies a complete panorama section for every AUX send, which
operates analogous to the stereo panorama dialog (view page 220) of a track. This enables
the stereo width to be cha
nged or the phase to be inverted for the AUX send, for example.
New AUX bus: Creates a new AUX bus.
Reset AUX Sends: All AUX settings are reset.
The sequence of effects calculations and signal
manipulations
The sequence of gain, panorama, and filter manipulations has no effect, at least when
working with 32-bit float. In this case, it is not important whether you filter first and the
change the gain, or vice versa. Most other effects are also independent on the input signal.
This includes the Room Simulator, Stereo Enhancer, Delay, Resampling, and Time
Stretching or Pitch Shifting.
All dynamics functions and those that remove or reduce noise (De-hisser and noise
reduction) are dependent on the input signal level and, in some cases, on the frequency
response of the input signal. Once the optimal settings for a parameter have been found,
other effects located in front of the effects should not be adjusted. For example, use the
De-hisser and the multi-band dynamics section in the mix master only after all other
changes have been applied to the individual objects and the mixer channels.