MX
Table Of Contents
- Copyright
- Preface
- Support
- System requirements
- Uninstalling the program
- Before You Start
- Serial Number
- More about MAGIX
- Introduction
- What is MAGIX Music Maker MX Production Suite?
- What’s new in MAGIX Music Maker MX Production Suite?
- The Features
- Multimedia Library
- Arranger with 96 tracks
- Independence Basic Sampler Workstation
- BeatBox 2
- Media database
- Audio effects
- Import
- High-end 32-bit floating point
- Software synthesizers
- Own recordings
- Audio & MIDI
- Mixer
- Harmony Agent
- Song Maker
- Easy mode
- Formats and interfaces
- InfoBox
- Live Sessions
- SoundVision
- Internet upload to many platforms
- Additional features of the Premium version
- Overview of the Program Interface
- Quick start
- Arranger
- Media Pool
- Videoscreen
- Mouse modes
- Arranging Objects
- Audio Objects
- Audio formats
- Load and process audio files
- Smart Preview for the incorporated samples
- Audio recording
- Import audio CD
- Change the playback tempo or pitch
- Remix agent - Tempo and beat assignment
- Requirements for using the Remix Agent
- Preparation - Setting the start marker and object end
- Automatic Tempo Recognition
- Setting the manual and Onbeat/Offbeat
- Determining the start of a measure
- Using BPM and beat detection
- Save only Tempo & Beat information
- Tempo adjustment
- Problems and Remedies regarding the Auto Remix Assistant
- Remix Maker
- Harmony Agent
- Text to speech
- MAGIX Music Editor
- MIDI Objects
- Arrange MIDI objects
- Load MIDI files
- Connect external equipment
- Playing and recording MIDI synthesizer
- MIDI Editor
- Select sounds
- Play/ PlaySolo
- Playing instruments with the keyboard
- MIDI Record options
- Step recording via keyboard or controller keyboard
- Notation display, movement, zoom
- Piano Roll - Edit events
- Controller editor - Selecting and editing events
- List Editor
- Quantize
- MIDI functions
- MIDI editor techniques
- MIDI Editor shortcuts
- Drum Editor
- Synthesizer objects
- Live Performer
- Audio effects
- Effects
- Using audio effects
- Using plug-in effects
- Buttons and controls
- Further Console Elements:
- VariVerb
- Object and master effects rack
- Equalizer
- Sketchable filter
- Compressor
- Invert phase
- Reverb
- Sound Warper
- Elastic Audio Easy
- General information on the Elastic Audio editor
- Edit window
- Axes labelling and legends
- Fundamentals of the Elastic Audio editor
- Description of all control elements
- Playback control
- Tools in the Elastic Audio easy editor
- Applications of the Elastic Audio easy editor
- Pitch-sliced-objects and VIP objects
- Fundamental frequency analysis correction
- Keyboard commands and mouse-wheel assignments
- Vocoder
- Gater
- Backwards
- Timestretch/Resample
- MAGIX Mastering Suite
- Essential FX
- Vintage Effects Suite
- Vintage Effects Suite
- Vandal SE
- Video and Bitmap Objects
- Video and bitmap formats
- Adjusting the video screen
- Loading and editing videos and bitmaps
- Simplify object presentation
- Visualizer objects
- Video scrubbing
- Extract sound from videos
- Video effects
- Title Editor
- Video capturings
- Video recording dialog
- Video Compression
- Choppy or uneven playback
- General notes on AVI videos
- Create a video project for the Internet
- Video export via TV-out
- Automation curves
- Mixer
- 5.1 Surround
- Integrating other programs - Synchronizing and ReWire
- Reprocess arrangement
- File Menu
- Edit Menu
- Menu effects
- View menu
- "Share" menu
- Tasks menu
- Help Menu
- Buttons overview and keyboard shortcuts
- Index
File Menu 305
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Windows wave drivers have the advantage of being relatively stable against
strained peaks caused by large buffers. If playback becomes jerky as a result
of processor-heavy effects like time-stretching, switching to wave drivers may
solve the problem. Otherwise the system may react more slowly with wave
drivers because of the large buffers, that is, all changes are heard with a delay.
16/24-bit wave/driver communication: If your sound card is able to play 24-bit
audio, your arrangement will be played at this higher resolution (internal 32-bit
float calculation). This is applicable only to wave drivers.
When using live monitoring and when playing and recording VST instruments in
real time, i.e. with as low a reaction time (latency) as possible, it's
recommended that you use ASIO drivers. If your sound cards do not have
ASIO drivers, you can use the MAGIX Low Latency driver.
If you select ASIO as the driver model, you can set the output in the upper list
field (for cards with multiple outputs) and the ASIO driver in the lower list field.
Advanced opens the settings dialog of the ASIO driver. Please refer to the
sound card manual for more information.
Audio buffer: Here you can specify the buffer size that should be used for
playback of the entire arrangement or for previewing audio files in the Media
Pool.
As a rule of thumb: If response and loading times are too slow, reduce the
buffer size; otherwise increase the buffer size if the audio playback is choppy
or if real-time effect computation errors occur.
As error-free playback is usually more important than fast reaction times, the
buffer size should be raised to 16384 or 32768 if dropouts occur.
MIDI
Output device: Without using software instruments and to preview a MIDI file
in the Media Pool MAGIX Music Maker MX Production Suite uses the external
MIDI device. Here "Microsoft CD Wavetable SW synth", a standard software
synthesizer included in Windows
®
as an OS component, should be set as
default. If sound cards with their own synthesizer are used or in case MIDI
hardware synthesizers are connected, the MIDI driver of the sound card or a
MIDI interface should be set!
FX: If MIDI playback is too fast or lagging behind, you can enter a speed
correction factor here.
Input device: Lets you select the MIDI drivers for MIDI recording, i.e. the
drivers for the MIDI device which you have connected your MIDI or USB
keyboard.










