MX
Table Of Contents
- Copyright
- Preface
- Support
- System requirements
- Uninstalling the program
- Before You Start
- Serial Number
- More about MAGIX
- Introduction
- What is MAGIX Music Maker MX Production Suite?
- What’s new in MAGIX Music Maker MX Production Suite?
- The Features
- Multimedia Library
- Arranger with 96 tracks
- Independence Basic Sampler Workstation
- BeatBox 2
- Media database
- Audio effects
- Import
- High-end 32-bit floating point
- Software synthesizers
- Own recordings
- Audio & MIDI
- Mixer
- Harmony Agent
- Song Maker
- Easy mode
- Formats and interfaces
- InfoBox
- Live Sessions
- SoundVision
- Internet upload to many platforms
- Additional features of the Premium version
- Overview of the Program Interface
- Quick start
- Arranger
- Media Pool
- Videoscreen
- Mouse modes
- Arranging Objects
- Audio Objects
- Audio formats
- Load and process audio files
- Smart Preview for the incorporated samples
- Audio recording
- Import audio CD
- Change the playback tempo or pitch
- Remix agent - Tempo and beat assignment
- Requirements for using the Remix Agent
- Preparation - Setting the start marker and object end
- Automatic Tempo Recognition
- Setting the manual and Onbeat/Offbeat
- Determining the start of a measure
- Using BPM and beat detection
- Save only Tempo & Beat information
- Tempo adjustment
- Problems and Remedies regarding the Auto Remix Assistant
- Remix Maker
- Harmony Agent
- Text to speech
- MAGIX Music Editor
- MIDI Objects
- Arrange MIDI objects
- Load MIDI files
- Connect external equipment
- Playing and recording MIDI synthesizer
- MIDI Editor
- Select sounds
- Play/ PlaySolo
- Playing instruments with the keyboard
- MIDI Record options
- Step recording via keyboard or controller keyboard
- Notation display, movement, zoom
- Piano Roll - Edit events
- Controller editor - Selecting and editing events
- List Editor
- Quantize
- MIDI functions
- MIDI editor techniques
- MIDI Editor shortcuts
- Drum Editor
- Synthesizer objects
- Live Performer
- Audio effects
- Effects
- Using audio effects
- Using plug-in effects
- Buttons and controls
- Further Console Elements:
- VariVerb
- Object and master effects rack
- Equalizer
- Sketchable filter
- Compressor
- Invert phase
- Reverb
- Sound Warper
- Elastic Audio Easy
- General information on the Elastic Audio editor
- Edit window
- Axes labelling and legends
- Fundamentals of the Elastic Audio editor
- Description of all control elements
- Playback control
- Tools in the Elastic Audio easy editor
- Applications of the Elastic Audio easy editor
- Pitch-sliced-objects and VIP objects
- Fundamental frequency analysis correction
- Keyboard commands and mouse-wheel assignments
- Vocoder
- Gater
- Backwards
- Timestretch/Resample
- MAGIX Mastering Suite
- Essential FX
- Vintage Effects Suite
- Vintage Effects Suite
- Vandal SE
- Video and Bitmap Objects
- Video and bitmap formats
- Adjusting the video screen
- Loading and editing videos and bitmaps
- Simplify object presentation
- Visualizer objects
- Video scrubbing
- Extract sound from videos
- Video effects
- Title Editor
- Video capturings
- Video recording dialog
- Video Compression
- Choppy or uneven playback
- General notes on AVI videos
- Create a video project for the Internet
- Video export via TV-out
- Automation curves
- Mixer
- 5.1 Surround
- Integrating other programs - Synchronizing and ReWire
- Reprocess arrangement
- File Menu
- Edit Menu
- Menu effects
- View menu
- "Share" menu
- Tasks menu
- Help Menu
- Buttons overview and keyboard shortcuts
- Index
182 Audio effects
www.magix.com
Width: See room/hall
Please note that no decay parameter exists for these models, i.e. there is no
"decay".
Spring
You may be familiar with reverb spirals from guitar and keyboard amplifiers. At
the bottom of these amps, a unit consisting of two to four spirals is mounted
on a vibration-free carriage. Like the reverb plate, this uses systems for
transforming the electric signal into a mechanical one and the other way
around. There are different designs and sizes of spring reverb; however, they
all have the same quite peculiar sound: the typical "bloing" sound when the
springs are moved, similar to splashing. When the reverb dies away, the basic
pitch of the spring(s) can usually be heard quite clearly. Furthermore, the
frequency range is limited due to the losses in the spirals and used pick-
up/transmitter. Nevertheless, or maybe for this reason, the sound is special.
Some music styles such as dub & reggae would hardly be possible without
reverb.
The spring reverb is implemented in VariVerb Pro as a digital effect based on
so-called "physical modeling" algorithms. Based on a mass-spring system, the
effect operates similar to the physical model of a swinging string.
Parameter:
EQ low/high: See room/hall
Pre-delay: See room/hall
Size: Size of the spring system, i.e. length of the springs. A smaller value
results in a very short response time and short echoes, greater values slightly
spread the typical "oscillation" of the spring. The length of echoes is
increased.
Decay: Decay length. Please note that unlike the room/reverb and plate
models, an echo effect remains if the decay times are longer. This
corresponds with the natural characteristic of a spring, since these continue
move during the release phase.
Saturation: The spring models also include the processes when "outputting"
the signal and "receiving" it via the magnet/coil system. The transfer of
electrical energy into mechanical power and vice versa is non-linear so that
(harmonic) distortions may occur if the input level is quite high. The saturation
parameter more or less increases the output volume and switches the system
into "saturation". Depending on the material, a very interesting organic effect
occurs which highlights the vintage character.










