MX
Table Of Contents
- Copyright
- Preface
- Support
- System requirements
- Uninstalling the program
- Before You Start
- Serial Number
- More about MAGIX
- Introduction
- What is MAGIX Music Maker MX Production Suite?
- What’s new in MAGIX Music Maker MX Production Suite?
- The Features
- Multimedia Library
- Arranger with 96 tracks
- Independence Basic Sampler Workstation
- BeatBox 2
- Media database
- Audio effects
- Import
- High-end 32-bit floating point
- Software synthesizers
- Own recordings
- Audio & MIDI
- Mixer
- Harmony Agent
- Song Maker
- Easy mode
- Formats and interfaces
- InfoBox
- Live Sessions
- SoundVision
- Internet upload to many platforms
- Additional features of the Premium version
- Overview of the Program Interface
- Quick start
- Arranger
- Media Pool
- Videoscreen
- Mouse modes
- Arranging Objects
- Audio Objects
- Audio formats
- Load and process audio files
- Smart Preview for the incorporated samples
- Audio recording
- Import audio CD
- Change the playback tempo or pitch
- Remix agent - Tempo and beat assignment
- Requirements for using the Remix Agent
- Preparation - Setting the start marker and object end
- Automatic Tempo Recognition
- Setting the manual and Onbeat/Offbeat
- Determining the start of a measure
- Using BPM and beat detection
- Save only Tempo & Beat information
- Tempo adjustment
- Problems and Remedies regarding the Auto Remix Assistant
- Remix Maker
- Harmony Agent
- Text to speech
- MAGIX Music Editor
- MIDI Objects
- Arrange MIDI objects
- Load MIDI files
- Connect external equipment
- Playing and recording MIDI synthesizer
- MIDI Editor
- Select sounds
- Play/ PlaySolo
- Playing instruments with the keyboard
- MIDI Record options
- Step recording via keyboard or controller keyboard
- Notation display, movement, zoom
- Piano Roll - Edit events
- Controller editor - Selecting and editing events
- List Editor
- Quantize
- MIDI functions
- MIDI editor techniques
- MIDI Editor shortcuts
- Drum Editor
- Synthesizer objects
- Live Performer
- Audio effects
- Effects
- Using audio effects
- Using plug-in effects
- Buttons and controls
- Further Console Elements:
- VariVerb
- Object and master effects rack
- Equalizer
- Sketchable filter
- Compressor
- Invert phase
- Reverb
- Sound Warper
- Elastic Audio Easy
- General information on the Elastic Audio editor
- Edit window
- Axes labelling and legends
- Fundamentals of the Elastic Audio editor
- Description of all control elements
- Playback control
- Tools in the Elastic Audio easy editor
- Applications of the Elastic Audio easy editor
- Pitch-sliced-objects and VIP objects
- Fundamental frequency analysis correction
- Keyboard commands and mouse-wheel assignments
- Vocoder
- Gater
- Backwards
- Timestretch/Resample
- MAGIX Mastering Suite
- Essential FX
- Vintage Effects Suite
- Vintage Effects Suite
- Vandal SE
- Video and Bitmap Objects
- Video and bitmap formats
- Adjusting the video screen
- Loading and editing videos and bitmaps
- Simplify object presentation
- Visualizer objects
- Video scrubbing
- Extract sound from videos
- Video effects
- Title Editor
- Video capturings
- Video recording dialog
- Video Compression
- Choppy or uneven playback
- General notes on AVI videos
- Create a video project for the Internet
- Video export via TV-out
- Automation curves
- Mixer
- 5.1 Surround
- Integrating other programs - Synchronizing and ReWire
- Reprocess arrangement
- File Menu
- Edit Menu
- Menu effects
- View menu
- "Share" menu
- Tasks menu
- Help Menu
- Buttons overview and keyboard shortcuts
- Index
Audio effects 181
www.magix.com
They are therefore ideal for percussive material. In case of vocals, a plate
reverb generates a smooth, warm effect. The slightly "metallic" resonance of a
plate can also be used to generate a vintage effect.
Parameter:
EQ low/high: See room/hall
Pre-delay: See room/hall
Size: Size of the virtual reverb plate
Buildup: Low values result in a fast reverb increase. If the value is greater, the
activation phase also increases.
Decay: Reverberation time, see room/hall
Damp freq/damping: See room/hall
Width: See room/hall
Modulation: Slightly alters the pitch by automatically varying the internal delay
times, comparable to a chorus effect. This can reduce possible resonance;
however, depending on the material (e.g. vocals or piano) it can have a
negative effect on pitch modulation.
Retro
As already indicated above, VariVerb Pro also features vintage-like algorithms
in addition to realistic synthesis, which is used by many well-known
manufacturers until today. The used processes already have the highest-
possible "dispersion" at the start of the reverb phase and generate a dense,
wide sound. This is anything but realistic, since discreet reflections are mainly
perceived as flat echoes. This sound is usually ideal for breakthrough power
and foreground effects. In the past, various manufacturers have attempted to
tackle very brief repeat loops and static patterns resulting from insufficient
memory. An interference occurs in this case that also adds charm to this
algorithm.
NonLin
These (non-linear) models are the only ones without a real counterpart in
VariVerb Pro. Non-linear reverb is based on a sequence of individual delay
blocks (so-called bursts). By weighting these blocks, you can create
envelopes. Two of these typical envelopes are "nonlin gate" and "nonlin
reverse". These may be set as follows:
EQ low/high: See room/hall
Pre-delay: See room/hall
Size: The size of the individual "bursts" i.e. the length of the total reverb in the
sum.
Diffusion: Reverb smoothing effect. The greater the value, the more echo
blocks are blurred and the more reverb occurs.










