3.0
Table Of Contents
- Copyright
- Support
- Serial number
- More about MAGIX
- Introduction
- Overview of the program screen
- Track window and constant control elements
- Import
- Editing in the track view
- What is an object?
- Project
- Adjust object volume
- Fading objects in and out
- Duplicate objects
- Reducing and increasing the length of objects
- Deleting and moving objects
- Cut objects
- Fading objects
- Change song order
- Automatic insertion of pauses between objects
- Several songs in a single long object
- Draw volume curves
- Quick zoom
- Cleaning
- Mastering
- Sound Effects
- Export
- File menu
- Edit menu
- Effects menu
- CD/DVD menu
- Set track marker
- Set Pause marker
- Set track markers automatically
- Set track marker to object edges
- Split objects at marker positions
- Set auto pause length
- Delete marker
- Delete all markers
- Create CD...
- Show CD-R drive information
- Show CD-R disc information
- CD track list/ID3 editor
- Get CD track information (freedb)
- CD info options
- Get CD Track list online
- Audio ID
- Options menu
- Move mouse mode
- Cut Mouse mode
- Zoom mode
- Delete Mouse mode
- Resampling/Timestretch mode
- Draw volume mode
- Stereo display
- Activate Volume Curves
- Play parameter
- Video window
- Units of measurement
- Mouse Grid Active
- Auto crossfade mode active
- Display values scale
- Options for automatic track marker recognition
- Path settings
- Tasks menu
- Help menu
- Tips and tricks
- Keyboard layout and mouse-wheel support
- Problems & solutions
Declipper
Should the input level of an audio
recording be too high, overmodulation may result at the louder parts (the signal peaks). This digital
distortion can also be called "clipping": At the overmodulated area, the values that are too high are simply
cut off and the typical, quite unpleasant sounding crackling and distortions are heard.
MAGIX Music Editor 3 includes a special function for the elimination of these digital clippings and
analogue distortion.
The clippings are detected and eliminated, based on the material of the selected object. Lastly, the entire
volume of the material can be reduced so that the interpolated parts can be played back without
overmodulation.
The declipping-algorithm is especially useful in material, where the excessive recording level has caused
distorted piano or chorus voices. Affected drumbeats however will normally not improve after the use of
this function.
CLIP LEVEL:
Here you can tell the algorithm from which level on the algorithm has to consider the sample as blasted
and therefore corrects it. This is an important point, as the different sound cards have different clipping
characteristics.
Choosing -6dB, for example, will cause that all samples that exceed half of the maximum value will be
considered blasted and therefore will be calculated again.
With GET CLIP
LEVEL the CLIP LEVEL can be gaged automatically.
The interpolated signal peaks adjust the whole level, which must be balanced out with the GAIN fader so
as to avoid new overmodulation. When doing so, you should observe the peak meter to the right of the
dialog
.
The option "LIMITER" switches on a limiter which reliably avoids overmodulation.
With the INVERSE button
you can control whether or not undistorted parts of the wanted signal are interpreted as clippings and are
filtered out unnecessarily.
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