17.0
Table Of Contents
- Copyright
- Preface
- Before you start
- Support
- Serial number
- More about MAGIX
- Introduction
- Tutorial
- Overview of the program interface
- Track window and constant control elements
- Import
- Editing in the track view
- What is an object?
- Project
- Adjust object volume
- Fading objects in and out
- Duplicate objects
- Reducing and increasing the length of objects
- Deleting and moving objects
- Cut objects
- Join and mix objects
- Fading objects
- Change song order
- Automatic insertion of pauses between objects
- Several songs in a single long object
- Object FX
- Draw volume curve
- Quick zoom
- Set track markers
- Automatic track recognition
- Check and move track markers
- Cleaning
- Mastering
- Sound Effects
- Export
- Batch conversion
- File Menu
- Edit Menu
- Effects menu
- CD/DVD menu
- Set track marker
- Set Pause marker
- Set track markers automatically
- Set track marker to object edges
- Split objects at marker positions
- Set auto pause length
- Delete marker
- Delete all markers
- Delete CD track
- Create CD...
- Show CD-R drive information
- Show CD-R disc information
- Create audio DVD
- CD track list/ID3 editor
- MAGIX Xtreme Print Center
- Get CD track information (freedb)
- CD info options
- Open CD track list online
- Audio ID
- Options menu
- Move mouse mode
- Cut Mouse mode
- Zoom mode
- Delete Mouse mode
- Resampling/Timestretch mouse mode
- Draw volume curve mouse mode
- 2 tracks
- Stereo display
- Surround Mode
- Activate Volume Curves
- Play parameter
- Analyzer window
- Video window
- Units of measurement
- Mouse Grid Active
- Auto crossfade mode active
- Display values scale
- Options for automatic track marker recognition
- Path settings
- Show start selection
- Tasks menu
- Online menu
- Help menu
- Keyboard layout and mouse-wheel support
- Index
Sound Effects 113
www.magix.com
processing, so application of the "Calculate all real-time effects (view page
144)" function ("Edit" menu) is recommended.
Monophonic voice:
Timestretching and pitchshifting for vocal solos, speech,
or solo instruments. The material must not contain background noise, and
excessive reverb may also be detrimental to the use of this method. With
suitable material the audio quality is very high. The "Correct formant factor"
option preserves formants if pitches are changed. These are characteristic
basic frequencies of the voice that are independent of the pitch that is sung. In
other words, the characteristic discoloration of pitch ("Mickey Mouse") effect
does not occur in this case. The formants, however, can be shifted by +/- 12
half tones. This achieves suitable vocal distortions. Beat markers are not
evaluated.
Resampling: Pitch shift and tempo cannot be changed individually. This
method requires considerably less CPU time. If the pitch is increased or the
sample is shortened, then resampling is almost completely free of loss, and the
sample material will suffer almost no damage. In other cases, resampling
causes loss of overtones.










