MAESTRO
MAY 2022  TOTAL GUITAR
THE TG TEST
85
I
t’s 1965, and the Rolling Stones have 
released a new single. (I Can’t Get No ) 
Satisfaction is an instant sensation due to 
Keith Richard’s unforgettable ri, which 
introduced the sound of a fuzz pedal to a 
worldwide audience. While there had 
been records featuring fuzz before, this was the 
one that really put it on the map and sparked a 
demand from guitar players for the sound. The 
fuzz pedal that Keith used was the Maestro FZ-1 
which rst saw the light of day in 1962 and, 60 
years on, Gibson have revived the Maestro 
brand name for a series of new pedals. If you’ve 
never heard of Maestro that may be because the 
original brand became extinct in 1979, but you’ll 
certainly have heard their gear in action – that 
lovely liquid phasing on the Isley Brothers’ That 
Lady was a PS-1 Phase-Shifter, the distinctive 
wah intro on the Theme From Shaft was a BG-1 
Boomerang Wah and the various models of 
the Echoplex tape echo were used by many, 
not least Jimmy Page. The ve new all-analogue 
Maestro pedals; the Fuzz-Tone FZ-M, Discover 
Delay, Comet Chorus, Ranger Overdrive and 
Invader Distortion are the sort of substantially-
built pedals that could double as a doorstop if 
you weren’t making music. Although not huge, 
they are perhaps a tad larger than one would 
expect for a 3-knob single footswitch pedal, but 
have all the connectivity, including the socket 
for a 9-12V power adapter, at the top end for 
ease of pedalboard use. The pedals can also run 
from a 9V battery accessed by loosening two 
screws, one each side of the pedal, and lowering 
a bottom plate which hinges on the remaining 
two screws. There’s a slightly sloping top panel 
to make footswitching easier, plus you’ll know 
when each pedal is active as the red, yellow and 
blue Maestro bugle logo lights up. Perhaps the 
main selling point, though, is that each pedal 
features two distinct sounds called up by a small 
toggle switch; “Two pedals in one” says Gibson. 
We’re looking at four pedals from the range 
here. Keep your eyes peeled for a review of the 
Invader Distortion in a future issue of the mag.
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