Owner`s manual
38
Important note: Make sure that the volume on your surround processor
is turned down before changing the input name on
your Nº32 to SSP. When the preamp effects this
change, it abdicates its control over the volume of your
front left and right speakers, allowing the surround
processor to handle it instead.
naming an input “EQ”
The EQ name also deserves special mention: if your loudspeaker re-
quires a dedicated equalizer for proper operation (or if you have any
other reason for using an equalizer much of the time), you may con-
nect the outputs of the equalizer to an input named “EQ.”
By “recording” the source you wish to listen to (that is, selecting it on
the record path, e.g., when the record out LED is lit), and listening to
the EQ input (that is, selecting EQ with the main selector, e.g., when
the record out LED is not lit), you will be able to run all signals
through the equalizer prior to listening to them. This is usually prefer-
able to simply placing the EQ between the preamp and the power amp,
as most equalizers perform best at a (fixed) line level—which is what
they will receive in this hookup.
Since, in this scenario, you would spend most of your time in the
record path (selecting the source to be equalized) rather than the
monitor path, we have enabled the volume control function in the
record path when the input selected on the monitor path is named
EQ.
Note: When listening to the output of your equalizer, you
will not be able to select “EQ” on the
record out path,
since that would set up a potentially dangerous
feedback loop. The “EQ” input is intentionally omitted
from record output list.
setting input gain
Each input in the Nº32 can be set for one of four gain settings: 0 dB, 6
dB, 12 dB, or 18 dB. The concept is to use as much gain as an indi-
vidual source may require in order to drive the power amplifier to ad-
equate levels, without introducing unnecessary gain that might result
in a distorted signal.
In the past, the Mark Levinson Nº26 and Nº26S preamplifiers offered a
single gain adjustment to effect this change globally; now, for the first
time, this setting can be optimized for each individual input. This helps