Owner`s manual

37
input programming tip
You can take advantage of a shortcut to the settings of the specific in-
put to which you are currently listening. By pressing and holding the
setup button on either the remote control or the front panel for a few
seconds, you will be taken directly to the first menu item for that par-
ticular input (its name). You may change anything pertaining to that
input, and when you leave that level of the menu (by pressing setup
again), you will leave the menu system entirely.
factory default input names
The factory default names for the inputs are the somewhat generic IN-
PUT 1
through INPUT 8. This makes it easy to tell what connectors
correspond to what input, but you may find the system easier to use
once you have customized the names to reflect the actual components
you have connected.
using custom input names
If none of the default names seems quite right for a given source, you
may create a name of your own choosing, up to seven characters long.
To do so,
navigate to the NAME= level of the menu system, and
if necessary, use the volume knob (or use the volume
buttons
on the remote) to choose the name INPUT (or
whatever other custom name might have been entered);
press enter to enter the single-character editing mode;
use the volume knob to select each character in turn,
pressing enter each time to move to the next character;
when you enter the seventh character, you are done.
(Blank spaces count as characters.)
naming an input “SSP”
Introduced in 1993, the Mark Levinson SSP mode provides a clean so-
lution to the problem of integrating a state of the art two-channel sys-
tem with a multichannel system. By routing the front Left and Right
outputs of the surround sound processor through the Nº32, and nam-
ing that input SSP, you can enjoy both systems without compromise.
If this scenario is important to you, please see the section entitled Us-
ing Surround Sound Processors later in this manual for more detail. In
brief, when the Nº32 accesses an input named SSP, it defeats the nor-
mal function of the volume control, going to a fixed gain (0 dB for bal-
anced, -6 dB for single-ended) for that input. In so doing, it allows the
multichannel volume control to control the relative volumes of all the
speakers in the system, without having to be concerned about a now-
redundant volume control in the Nº32. When you wish to listen to
your two-channel system, simply choose any other input on the Nº32
and place your surround sound processor in standby.