Owner`s manual

CHAPTER 1 -
3
CHAPTER 1 -
The ARP 2600
How this Manual is Organized
This is not a textbook; it’s a survival manual.
Chapter 2 is about installing and con guring the software so you can get up and running.
Chapter 3 is a brief introduction to the vocabulary and methods of classical analog synthesis, so that
we can understand each other throughout the rest of the book.
Chapter 4 is a module-by-module reference, including the digital extensions made possible by the
fact that the TimewARP 2600 is software – a piece of computer behavior rather than a collection of
electronic hardware.
Chapter 5 is not in this book, but is a collection of patches, with accompanying documentation, located
in a separate document  le called
Patchman.pdf
found on the distribution CD (or as a download from
Patchman.pdf found on the distribution CD (or as a download from Patchman.pdf
www.wayoutware.com). The patches and commentary are keyed to the numbered chapters, sections,
and subsections of this manual. Some of the patches form a tutorial sequence, and some illustrate
vocabulary lessons and concepts.
How To Use This Manual
You’ll probably need to do a quick run through of Chapter 2 as you install the TimewARP 2600 and
learn some of the basic setup operations. After that, you can pretty much mix and match, according
to your experience:
If you’re new to audio synthesis, you’ll want to walk through the tutorial patch sequence in
Patchman.pdf,
referring back to Chapter 3 for concepts and Chapter 4 for detailed module speci cations
while you explore, and learn to control, the vast range and patch repertoire of the TimewARP 2600
software synthesizer.
If you already have some experience with audio synthesis, you might go directly to Chapter 4 for the
detailed module-by-module speci cations of the TimewARP 2600. If you know and love the original
ARP 2600 itself, take particular note of section 4.1, where we describe what you can do with the
TimewARP 2600 that you could not do with its analog ancestor. These digital extensions include patch
load/save, additional VCO sine-wave outputs, dual-channel signal input, automatic Y-connections at
all signal outputs, sixteen keyboard micro-tuning options, MIDI Beat Clock synchronization, and MIDI
controller mapping (with subranges) for all the panel sliders.