Specifications

EVENT ELECTRONICS
EZBUS
COMPUTER HARDWARE
826
EQUIPMENT LEASING AVAILABLE
PHOTO - VIDEO - PRO AUDIO
Analog Input/Output
When it comes to getting music into and out of
your computer, there’s no more flexible, powerful,
or versatile recording interface than the EZbus.
Dual low-noise 24-bit/96kHz mic preamps—
complete with +48V phantom power—provide a
super clean path for vocals, acoustic guitars, and
other miked signals. High impedance, high gain
instrument inputs (also 24-bit/96kHz) make
tracking superb sounding electric basses and
guitars an everyday affair.And Event’s unique
triple-summed 24-bit/96kHz line inputs can each
accept up to three independent signals, so it’s EZ
to plug in multiple synths, or a rack of outboard
effects—or both.You won’t find the EZbus
skimping on analog outputs either. Six, discrete,
balanced 24-bit/96kHz outputs plus a TRS stereo
headphone output (complete with its own
amplifier), make it a snap to interface with
your outboard gear, set up control room and cue
mixes,monitor a surround mix—or
accommodate just about any other audio
application you can imagine.
Processing
Each of the EZbus Primary Audio Channels fea-
tures three bands of super responsive, musical
EQ—high- and low- shelving plus a fully para-
metric mid band.You also get real-time dynamics
processing on every channel. Tame your vintage
gear with the Noise Gate.Or tap into the fully
programmable look-ahead Compressor and never
again worry about clipping that perfect vocal take.
Hardware Mixer
If you’re making music with computers, the
EZbus can make the process simpler and more
fun. Take mixing, for example.Without an
EZbus, you adjust each of your magnificently
crafted tracks one at a time with a mouse.
With an EZbus, you reach for an honest-to-
goodness hardware mixer, and move eight
faders at a time. (Now that’s mixing!)
LCD Display
This custom display not only shows you all
the normal stuff—levels, mute and solo status,
and the like—but cool stuff, like the amount
of gain reduction your compressor settings
generate, and handy alert messages, such as
input overload and clock signal dropout
warnings.
Transport Controls
The EZbus sports programmable transport
controls that let you easily start, stop, record,
rewind, and fast forward through your
projects.Use them to set multiple locate
points on the fly, then recall them at the push
of a button.Navigating through your projects
has never been this easy.
Full Control
Virtually every parameter of a DAW, plug-in,
virtual instrument, or MIDI-capable device
can be controlled from the front panel. Use
the factory control surface profiles or create
and customize your own.With up to 32
control setups in on-board memory, the EZbus
immediately takes center stage as command
central of your studio or live performance rig.
Power Routing
Event’s exclusive any-input-to-any-output audio routing matrix provides unmatched flexibility
for virtually any audio application.Tap into the signal at the input, pre- or post-trim control,
pre- or post-EQ and dynamics,pre- or post-fader—and route it to the destination of your
choice. Even route digital signals directly from input to output for bit-accurate digital copying.
Now add four Sends, each independently configurable pre- or post-fader, two mono Returns
and one stereo Return, and both Main and Alt Mix buses, and there's almost no end to your
routing options.
Easily generate independent control room, stage monitor, and front-of-house console mixes.
Create a multi-bus setup for recording—and monitor it with zero latency.Save your custom I/O
configurations for instant recall from the front panel,via footswitch,or using MIDI program
change commands.Up to 32 unique configurations can be on-board at any time, and you can
archive and organize thousands more using the included EZbus Mix Librarian software.
The Ultimate
Three-in-One Audio Tool
A true triple-threat, Event took a computer audio
recording interface filled with an extremely
versatile collection of analog and digital inputs
and outputs, a deeply programmable and
remarkably flexible software control surface and
a 24-bit/96kHz stand-alone digital mixer, and
built them all into one incredibly convenient,
compact, powerful package.