user manual
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 18
ProKeys Sono 61 User Guide
Recording an Instrument to an Audio Track
Song1
Add A Track
2 4 6 8 1 0 12 1 4 1 6 18 2 0 2 2 2 4 26 28 30
Mic
Virtual
Inst
Sono 61
Voices
Sono 61
MIDI
Output
Instr
Aux
Stereo
12:02:101
Audio Out Audio Out Audio Out Audio Out MIDI MIDI
MIDI Active
MIDI Active
MIDI Active
61
ProKeys Sono 61
Instrument
Recording SoftwareRecording Software
Powered
Monitors
USB USB
USB
USB
Like the previous scenario, ProKeys Sono is being used as an audio interface. However, this time 
the instrument input is being used to record an electric guitar (or bass) into your computer. 
The guitar’s output signal is received at the 1/4” instrument input jack on ProKeys Sono and sent 
to the computer through the USB connection. Sequencer software running on the computer can 
then capture the guitar’s signal on one of its mono audio tracks (the track is labeled “Instr” in the 
illustration above).
This signal can be monitored while recording or played back after it has been recorded. Monitoring 
can take place over powered speakers (connected to the 1/4” main output jacks on the rear panel) 
or by headphones (connected to either one of the 1/4” headphone jacks on the front panel).
Keep in mind that—depending on how the Mono button is configured to function—the instrument 
input routing can be altered to make the instrument appear on both channels (one and two) 
of a stereo track (i.e., “centered” in the stereo field). This functionality may be helpful in direct 
monitoring situations where headphones are being used. To learn more about this, see the section 
titled “The Mono Button” within the “ProKeys Sono Audio Setup and Controls” section of this 
User Guide.
TIP: Signal from 
the ProKeys Sono 
instrument input is 
usually available on 
input channel two 
within your recording 
software. To record the 
instrument’s output, this 
mono audio track must 
be configured to receive 
signal from audio input 
channel two. See your 
audio application’s 
documentation to learn 
how to configure an 
audio track.










