User Manual

SHAPE YOUR SOUNDS Experiment with the envelope.
power speakerkeyboard oscillator envelope
P d.
Tt     
a   p 
Te   t
a   p 
ATTACK
Attack is how long it
takes the sound to get
to its loudest point.
DECAY
Decay is how long it
takes the sound to
fade to silence.
G   r  
at ce
yu 
Vs  a k
be  d
o y   o
H  au sd
as  ps
ra.
s t 
s e
l d
s t 
glc
l p 
gl 
glc
  l
EXAMPLES OF ENVELOPE
AMPLITUDE OVER TIME
Can you think of other
instruments that fit
these profiles?
The envelope of a sound has a big
effect on the character of the
sound. The controls on the envelope
Bits module are “attack” and
“decay.”
A  e b 
 n p 
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