LINE 6 VARIAX
“YES, BUT WHAT ABOUT THE GUITAR?” TG INTRODUCES THE NEW VARIAX 300
GEAR LINE 6 VARIAX WORKBENCH
138 |
TOTAL GUITAR
|
AUGUST 2005
LINE 6 VARIAX WORKBENCH
£79
CREATE YOUR DREAM AXE IN A MATTER OF MINUTES. NO CHISEL REQUIRED! WORDS: HENRY YATES
Doesn’t look much like a workbench
to me…
It may come as a disappointment to the
carpenters among our readership to learn
that the Line 6 Variax Workbench has
almost nothing in common with an actual
workbench. If you want vices, spirit levels
and a place to keep screwdrivers, may we
suggest a trip to your local DIY store instead
and leave the rest of us to peruse the latest
offering from the heavyweight champion of
modelling technology.
If you are familiar with Line 6 – and,
unless you’ve just emerged from a cave, we’ll
assume you are – then you will have already
realised that the Variax Workbench is a
virtual workbench. It lets you customise the
models within your Variax guitar, save the
changes you have made and then trade them
online with other users. Brian May had to
smash up a fi replace to create his trademark
Red Special; EVH’s bastardised guitars
were the product of many a lonely night
spent with a pair of pliers. With the Line 6
Workbench, you can now create an arsenal of
customised guitars without ever hitting your
thumb with a hammer.
What will I need to make it work?
The Workbench operates in tandem with any
Line 6 Variax electric guitar. Admittedly, this
does add a fair whack onto the £79 retail
price of the Workbench software, but with
the recent launch of the Variax 300 at £340
(that’s what we tested the Workbench with
– see below), it’s not as much of a pisser as
you might think. Alongside the Variax, you
will also need a PC equipped with Windows
XP/2000 and a USB port, plus an amplifi er.
Workbench will run effectively on a Mac too,
just check out our information panel for
system requirements.
OK, where do I start?
To begin, insert the Workbench CD into your
computer. While fairly straightforward, we
didn’t fi nd the software installation process
quite as intuitive as some of the Line 6
products we’ve tested in the past. By the
time we registered our Variax, reconfi gured
the guitar’s memory banks to let us use it
with the Workbench, and established that,
no, we weren’t interested in taking out a
subscription to Rolling Stone, a good 15
minutes had ticked by. Try and think of it like
losing your virginity – painful and confusing,
yes, but you only have to do it once.
Fair enough, so what happens next?
With the Workbench icon on your desktop,
you connect the Variax to the converter box
via the supplied RJ-45 connector and plug
that into the USB port of your laptop. Then
you take the TRS cable (it comes with your
I
t’s surely no coincidence that the Line 6
Variax Workbench was launched on the
same day as the Variax 300. With production
of the Variax 500 having ceased (“There’s
only about nine left in the country,” chirped
a very friendly Line 6 lady down the phone),
and the Variax 700 weighing in at a mighty
£1,049, the market was ripe for a budget
version of this famous modelling guitar.
And considering that you can’t operate the
Workbench software without a Variax, it
seemed the perfect opportunity to launch the
Variax 300 – yours for £340.
If you’ve never heard of the Variax concept,
here’s how it works. Like its predecessors,
the Variax 300 is a single electric guitar that
is able to mimic – or ‘model’ – the tones and
nuances of 28 other electric and acoustic
models. Unless you play modern metal, you
should fi nd most of the bases covered here,
from a convincing reading of the Gibson
ES-335 to the hairy chested swagger of the
Les Paul Standard. Line 6 can do this kind
of thing with its eyes closed, and TG wasn’t
surprised to learn that the Variax 300
excelled on the authenticity front.
With all the fanfare surrounding the
Variax’s modelling abilities, it often gets
overlooked how well these guitars actually
play. With two cutaways, a contoured body
and a fast-playing maple neck, the Variax 300
is not an instrument to be hunched over in
a darkened bedsit. On the contrary, it’s a
serious gig weapon that easily dealt with
all the genres we threw at it and didn’t
roll over when it accompanied us on an
all-day jam session. Now, if only people
would stop asking us what happened to
the frigging pickups…
WHO’S IT FOR?
Anyone who’s considered
dropping a PAF into their
Telecaster, but doesn’t
know which way up to
hold a hacksaw
TGR139.gear_line6 138TGR139.gear_line6 138 4/7/05 3:39:24 pm4/7/05 3:39:24 pm