User Manual

23
Volume/Pan Models
Model Subcategories Based On*
Volume Pedal
Mono, Stereo Line 6 Original
Gain
Mono, Stereo Line 6 Original
Pan
Stereo Line 6 Original
Stereo Width
Stereo Line 6 Original
Common FX Settings
Parameter Description
Drive
Adjusts the amount of overdrive, distortion, or fuzz.
Bass
Adjusts the bass level.
Mid
Adjusts the midrange level.
Treble
Adjusts the treble level.
Speed
Adjuststhespeedoftheeect,withhighersettingsprovidingfaster
rates. Press the knob to toggle between Hz and note values.
ChoosingaHzvalueprovidesaspecicmodulationspeedincycles
per second; choosing a note value provides a time based on the cur-
rent tempo. Not all Speed parameters can be synced to note values,
as they may be non-linear and highly interactive.
Rate
Adjuststherateoftheeect,withhighersettingsprovidingfaster
rates. Press the knob to toggle between numeric and note values.
Not all Rate parameters can be synced to note values, as they may be
non-linear and highly interactive.
Time
Adjusts the delay/repeat time, with higher settings providing longer
delays. Press the knob to toggle between ms and note values.
Choosingamsvalueprovidesaspecictimeinmilliseconds;choos-
ing a Note Division value provides a time based on the current tempo.
With a note division value, this parameter’s value is retained when
changing models.
Scale
Delay models with multiple taps have a Scale parameter for each tap,
which adjusts its time relative to the main Time value. For example,
if the Time parameter is set to 500ms, setting T1 Scale to "50%" will
mean that tap will be at 250ms. If you then adjust the Time parameter,
the timing of all the taps will scale accordingly.
Depth
Adjusts the intensity of the modulation. Higher settings result in more
extremepitchbending,wobble,orthrob,dependingontheeect.
Feedbk
Adjuststheamountofdelayedsignalfedbackintotheeect.Higher
settings can provide more dramatic textures.
Parameter Description
Decay
Setsthelengthoftimethereverbeectsustains.
Predly
Determinespredelay—orthetimebeforethereverbeectisheard.
Spread
Spreaddiersslightlyamongstereodelayeects.Formostdelays,
it adjusts how widely the repeats bounce left and right. With the Ping
Pong Delay, for example, 0 is in the middle (mono), and 10 is full left to
right panning for the repeats.
Formodulatedstereodelays,SpreadaectstheLFOs'(lowfrequency
oscillators) stereo modulation behavior. At 0 the LFOs are in sync. At
10, the two LFOs are 180 degrees out of sync, so that when one side
is modulating up, the other side is modulating down.
Headrm
Some mod and delay pedals' internal signal paths exhibit a bit of grit,
especially when placed after a high-gain distortion block. Negative
values increase the perceived amount of grit; positive values clean
things up a bit. At 0dB, the model behaves like the original pedal.
Low Cut
Filters a portion of the block's bass and/or treble frequencies, which
can help remove rumble and/or high-end harshness.
Hi Cut
Mix
Blendstheeected"wet"signalvs.the"dry"signalpassedthrough
theblock.Whensetto0%,thepathbypassestheeectcompletely.
Whensetto100%,theentirepathisfedthroughtheeect,andno
dry thru signal is heard.
Level
Adjuststheoveralloutputleveloftheeectsblock.Becarefulnotto
boost this parameter too high on multiple blocks, as digital clipping
could occur. You should typically leave this at 0.0dB for most blocks.
Where the original pedal's level or volume knob behavior doesn't
really apply to dB values, 0.0-10 may be used.
Trails
Trails O: Any delay repeats or reverb decays are instantly muted
when the block is bypassed. Trails On: Any delay repeats or reverb
decays continue to decay naturally when the block is bypassed or a
dierentsnapshotisselected.