User Manual
28
Wah Models
Model Subcategories Based On*
UK Wah 846
Mono, Stereo Vox
®
V846
Teardrop 310
Mono, Stereo Dunlop
®
Crybaby
®
Fasel model 310
Fassel
Mono, Stereo Dunlop
®
Cry Baby
®
Super
Weeper
Mono, Stereo Arbiter
®
Cry Baby
Chrome
Mono, Stereo Vox
®
V847
Chrome Custom
Mono, Stereo Modded Vox
®
V847
Throaty
Mono, Stereo RMC Real McCoy 1
Vetta Wah
Mono, Stereo Line 6 Original
Colorful
Mono, Stereo Colorsound
®
Wah-fuzz
Conductor
Mono, Stereo Maestro
®
Boomerang
Volume/Pan Models
Model Subcategories Based On*
Volume Pedal
Mono, Stereo Line 6 Original
Gain
Mono, Stereo Line 6 Original
Pan
Stereo Line 6 Original
Common FX Settings
Parameter Description
Drive
Adjusts the amount of overdrive, distortion, or fuzz.
Bass
Adjusts the bass level.
Mid
Adjusts the midrange level.
Treble
Adjusts the treble level.
Speed
Adjuststhespeedoftheeect,withhighersettingsprovidingfaster
rates. Press the knob to toggle between Hz and note values.
ChoosingaHzvalueprovidesaspecicmodulationspeedincycles
per second; choosing a note value provides a time based on the cur-
rent tempo. Not all Speed parameters can be synced to note values,
as they may be non-linear and highly interactive.
Parameter Description
Rate
Adjuststherateoftheeect,withhighersettingsprovidingfaster
rates. Press the knob to toggle between numeric and note values.
Not all Rate parameters can be synced to note values, as they may be
non-linear and highly interactive.
Time
Adjusts the delay/repeat time, with higher settings providing longer
delays. Press the knob to toggle between ms and note values.
Choosingamsvalueprovidesaspecictimeinmilliseconds;choos-
ing a Note Division value provides a time based on the current tempo.
With a note division value, this parameter’s value is retained when
changing models.
Depth
Adjusts the intensity of the modulation. Higher settings result in more
extremepitchbending,wobble,orthrob,dependingontheeect.
Feedback
Adjuststheamountofdelayedsignalfedbackintotheeect.Higher
settings can provide more dramatic textures.
Decay
Setsthelengthoftimethereverbeectsustains.
Predelay
Determinesthetimebeforethereverbeectisheard.
Headroom
Some mod and delay pedals' internal signal paths exhibit a bit of grit,
especially when placed after a high-gain amp block. Negative values
increase the perceived amount of grit; positive values clean things up
a bit. At 0dB, the model behaves like the original pedal.
Low Cut
Filters a portion of the block's bass and/or treble frequencies, which
can help remove rumble and/or high-end harshness.
High Cut
Mix
Blendstheeected"wet"signalvs.the"dry"signalpassedthrough
theblock.Whensetto0%,thepathbypassestheeectcompletely.
Whensetto100%,theentirepathisfedthroughtheeect,andno
dry thru signal is heard.
Level
Adjuststheoveralloutputleveloftheeectsblock.Becarefulnotto
boost this parameter too high on multiple blocks, as digital clipping
could occur. You should typically leave this at 0.0dB for most blocks.
Where the original pedal's level or volume knob behavior doesn't
really apply to dB values, 0.0-10 may be used.
Trails
Trails O: Any delay repeats or reverb decays are instantly muted
when the block is bypassed. Trails On: Any delay repeats or reverb
decays continue to decay naturally when the block is bypassed or a
dierentsnapshotisselected.
*See "U.S. Registered Trademarks" on page 35. All product names are trademarks of their respective owners, which are in no way associated or aliated with Line 6. These product names, descriptions
and images are provided for the sole purpose of identifying the specic products that were studied during Line 6’s sound model development.