User's Manual
WM, WM/E01, WM/E02, WM/X
LECTROSONICS, INC.
4
Servo Bias Input
The voltage and current requirements of the wide vari-
ety of electret microphones used in professional appli-
cations has caused confusion and compromises in the 
wiring needed for wireless transmitters. To address this 
problem, the unique Servo Bias input circuit provides 
an automatically regulated voltage over a very wide 
range of current for compatibility with all microphones.
Digital Hybrid Wireless
®
 Technology
All wireless links suffer from channel noise to some 
degree, and all wireless microphone systems seek to 
minimize the impact of that noise on the desired sig-
nal. Conventional analog systems use compandors for 
enhanced dynamic range, at the cost of subtle artifacts 
(typically “pumping” and “breathing”). Wholly digital sys-
tems defeat the noise by sending the audio information 
in digital form, at the cost of some combination of power, 
bandwidth and resistance to interference.
Digital Hybrid systems overcome channel noise in a 
dramatically new way, digitally encoding the audio in 
the transmitter and decoding it in the receiver, yet still 
sending the encoded information via an analog FM 
wireless link. This proprietary algorithm is not a digital 
implementation of an analog compandor but a tech-
nique that can be accomplished only in the digital do-
main, even though the inputs and outputs are analog.
Because it uses an analog FM link, the Digital Hybrid 
system enjoys all the benefits of conventional FM wire-
less systems and it does away with the analog com-
pandor and its artifacts.
General Technical Description
No Pre-Emphasis/De-Emphasis
The Digital Hybrid design results in a signal-to-noise ratio 
high enough to preclude the need for conventional pre-
emphasis (HF boost) in the transmitter and de-emphasis 
(HF roll off) in the receiver. This eliminates the potential 
for distortion of signals with abundant high-frequency 
information.
Low Frequency Roll-Off
The low frequency roll-off can be set for a 3 dB down 
point at 35, 50, 70, 100, 120 and 150 Hz to control 
subsonic and very low frequency audio content in 
the audio. The actual roll-off frequency will vary slightly 
depending upon the low frequency response of the 
microphone.
Excessive low frequency content can drive the trans-
mitter into limiting, or in the case of high output sound 
systems, it can even cause damage to loudspeaker 
systems. The roll-off is normally adjusted by ear while 
listening as the system is operating.
Input Limiter
A DSP-controlled analog audio limiter is employed be-
fore the A-D converter. The limiter has a range of more 
than 30 dB for excellent overload protection. A dual re-
lease envelope makes the limiter acoustically transpar-
ent while maintaining low distortion. It can be thought 
of as two limiters in series, a fast attack and release 
limiter followed by a slow attack and release limiter. 
The limiter recovers quickly from brief transients, with 
no audible side effects, and also recovers slowly from 
sustained high levels to keep audio distortion low while 
preserving short term dynamics.










