User Guide

PC2 Made Easy
75
Next, press the FX Mode button, then press the >> button to select the FX Channel
parameter. This can be set to Current or any MIDI Channel. The default is Current.
When this parameter is set to current, whichever program is assigned to the channel that
you are currently transmitting on will be the program that calls up the effects. If you go
to MIDI Receive Mode, whatever program is on the Channel currently in the display will
call up the effects. And if you go to MIDI Setups Mode, the program on Zone 1 will call
up the effects.
With this method, as long as you make sure that the program you saved for controlling
your effects is called up on channel 1 (assuming you use the default transmit channel
when in Internal Voices mode), you will hear the correct effects for your sequence. One
advantage to this method is that if you need to switch back and forth between
sequencing and performing, everything will always work. Whatever program or Setup
you call up for performing will have its correct effects assigned, and things will also
sound correct when you are sequencing, as long as you make sure you donÕt change your
transmit channel.
The disadvantage to this method is that if you go to MIDI receive Mode and start
switching channels, you will stop hearing the correct effect. Also, it does force you to use
your transmit channel for playing the program you are using to control the effects, and
this might not be convenient in every instance.
3. The final method is to choose a specific MIDI channel for your effects control. You can
choose a typically unused MIDI channel and set the FX Channel parameter to this
channel number. Channel 15 can be a good option, since people often use channel 16 for
a click, and if you start from the lowest channel and work upwards for your tracks, 15
will be the last one you hit before the click channel.
Once you have chosen a channel, you can then edit and save a ÒdummyÓ program that
has the effects you want assigned to that program. Since you are only using this program
to call up the effects settings you want, you donÕt have to worry about the actual sounds
in the program Ð just the effects settings.
Finally, in your sequence, you create a track that calls up this particular program and
assign the track to the MIDI channel you have chosen for effect control.
The advantage to this method is that no matter what mode you go to, you will always
hear the correct effects for your sequence, as long as you have the proper program and
bank change info to call up the correct ÒdummyÓ program on the correct channel. The
disadvantage to this method is that if you go to MIDI setups mode or Internal Voices
Mode for performance purposes, you wonÕt end up hearing the correct effect, unless you
have chosen channel 1 for your effect channel. (And this assumes zone 1 of your Setup is
assigned to channel 1).