User Manual

The Effects Chain Editor
Effects Parameters
8-10
Density controls how tightly the early reections are packed in time. Low Density settings
group the early reections close together, while higher values spread the reections for a
smoother reverb. It is adjustable from 0.00 to 4.00, with 1.00 being nominal (and usually
optimal) for the given Room Type.
Expanse controls the amount of late reverb energy biased toward the edges of the stereo
image. A setting of 0% will bias energy towards the center. Moving away from 0% will bias
energy towards the sides. Positive and negative values will have a dierent character.
Build adjusts the envelope of certain portions of the reverb. Positive values speed up the
envelope, and negative values slow it down.
Size Scale changes the size of the current room. Altering this parameter will change the
reverb time and also cause some coloration of the reverb. It is adjustable from 0.00 to 4.00,
with 1.00 being nominal (and usually optimal) for the given Room Type.
InnDecay, when turned “On”, causes the reverb tail to decay innitely. When it’s “O”,
the decay time is determined by the “Rvrb Time” or “LateRvbTim” parameters. is is a
good parameter to control with a footswitch.
Wet Bal (Wet Balance). Some reverb eects are actually two stereo reverbs in one, with each
one receiving a dierent mono signal. is balances the outputs of the two reverbs—0%
means they are being mixed equally.
Delays
ere are two types of taps in the Multitap delays: e “Loop” tap, which has a feedback
loop back to its input, and the numbered taps. e numbered taps can be single iterations or
they can repeat as part of a loop, but they do not have individual feedback paths.
Fdbk (Feedback) Level controls the repeating function of the Loop Tap. A setting of 0%
means there will only be a single delay, while a setting of 100% means the signal keeps
repeating without ever stopping.
Both types of taps are individually adjustable from 0 to 2.55 seconds. e Loop Crs and
Tapn Crs (n being the number of the tap) parameters set the coarse value of the loop in 20-
ms increments, while the Loop Fine and Tapn Fine parameters set the ne value in 0.2-ms
increments.
In Delay eects that use tempo to determine tap lengths, there is a Tempo parameter which
can be set from 1 to 255 BPM or to “System.” e Loop Length and Tapn Delays are then
expressed in beats relative to that overall Tempo.
Hold is a switch that, when turned on, “locks” any signal currently in the delay and plays it
until Hold is turned o. When Hold is on, no signal can enter the delay and Feedback is set
to 100%. A good parameter to control with a footswitch.