User's Manual
Program P0: Play 0–8: Audio Input/Sampling
11
▼ 0–7: Page Menu Commands
The number before each command shows its ENTER + 
number-key shortcut. For more information on these 
shortcuts, see “ENTER + 0-9: shortcuts for menu 
commands” on page 138.
• 0: Write Program. For more information, see “Write 
Program” on page 138.
• 1: Exclusive Solo. For more information, see 
“Exclusive Solo” on page 138.
0–8: Audio Input/Sampling
This page lets you adjust the volume, pan, effects 
sends, and bussing for the audio inputs, including 
analog inputs 1-4 and S/P DIF L/R. It also controls the 
sampling-related settings for Program mode.
The OASYS can sample external audio from the analog 
or S/P DIF inputs, at 48 kHz 16-bit resolution, in mono 
or stereo. You can record samples into RAM, or sample 
directly to disk.
You can also digitally resample the complete sound of 
a Program, played polyphonically, live or sequenced, 
including any effects and KARMA-generated events.
Finally, you can also use the OASYS as a 6-in, 10-out 
effects processor.
You can combine any and all of these features at once. 
For instance, you can sample a live guitar riff from the 
audio inputs, processed through OASYS effects, while 
listening to and either recording or not recording a 
KARMA-generated phrase.
Using the control surface to adjust Audio Input
You can use the control surface to adjust most of the 
Audio Input mixer parameters, including Play/Mute, 
Solo, Pan, Level, and Sends 1 and 2.
For more information, see “0–9c: Audio Inputs” on 
page 22, and “Adjusting volume, Pan, EQ, and FX 
sends” on page 52 of the Operation Guide.
0–8a: Audio Input
Use Global setting [Off, On]
Programs can use the single, Global audio input mixer 
setup, or can instead have their own custom settings. 
The Global settings are described under “0–2: Audio 
Input,” on page 647.
When Use Global Settings is On, the Program uses the 
Global settings. This is the default, and lets you change 
freely between different Programs and Combinations 
without affecting the audio inputs.
Also, any edits made on this page will affect the Global 
setting, along with any other Programs, Combis, or 
Songs which use the Global setting.
On the other hand, it may sometimes be convenient to 
save a particular mixer setup with an individual 
Program, to set up special sub-mixer settings or effects 
processing for particular inputs. For example, you can 
set up a Program to use a mic input with a vocoder, as 
described under “Example: Vocoder (Program)” on 
page 731.
In this case, set Use/Edit Global Setup to Off, and the 
audio inputs will use the Program’s custom settings.
Input1, Input2, Input3, Input4
These are settings for analog inputs 1/4. Inputs 1/2 are 
mic/line; inputs 3-4 are line-level only.
0–7a
0–8c
0–8d
0–8b
0–8a
0–8PMC










