Owner’s Manual E 1
The lightning flash with arrowhead symbol within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. IMPORTANT SAFETY INSTRUCTIONS • • • • • • • • • • • • • • • • • • • • Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water.
Handling of the internal hard disk Do not apply physical shock to this device. In particular, you must never move this device or apply physical shock while the power is turned on. This can cause part or all of the data on disk to be lost, or may damage the hard disk or interior components. When this device is moved to a location where the temperature is radically different, water droplets may condense on the hard disk.
Cautions when using the CD-R/ RW drive • During CD reading and writing operations, keep the unit in a horizontal position. • Do not use the unit in extremely cold or hot locations. • Do not use the unit in extremely humid locations. • Do not use the unit in dusty or smoky locations. • Do not subject the unit to vibration or strong physical shock. In particular, this unit is vulnerable to shock during CD reading and writing operations.
Table of Contents 5. Recording................................................. 25 IMPORTANT SAFETY INSTRUCTIONS...............ii 6. Playback .................................................. 26 Handling of the internal hard disk ................... iii Step 3: Overdubbing ...................................27 Data handling................................................. iii 1. Recording................................................. 27 COPYRIGHT WARNING...................................
Moving to the beginning/end of the song .... 38 Moving to the beginning of the song ........ 38 Moving to the end of the song ................... 38 Using the Locate keys to move........................ 38 Assigning locations to the Locate keys ..... 38 Moving to a location registered to a Locate key .................................................................. 38 Moving using assignable Marks ..................... 38 Registering a mark .......................................
2. Creating a drum track for an entire song (Pattern Map) ............................................58 Auditioning the pattern map ...................... 59 3. Recording with Session Drums ...................59 Recording additional tracks as you listen to the drum track .......................................................... 59 Recording patterns on a track .......................... 59 Recording Session Drums to a channel track ................................................................
Drive ...........................................................89 Reference .................................... 98 1. Specifying the drive size ............................89 1-1. Partitioning the hard drive into separate song drives (Partitions) ......................89 1-2. Specifying the PC drive size ...............89 Counter....................................................... 98 2. Renaming a song drive .............................90 3. Checking the hard disk..............................
4-3. Master EFF1.....................................115 4-4. Master EFF2.....................................116 4-5. Final EFF ..........................................116 Effect parameters .......................150 5. SEND.................................................... 116 Program list ..............................................150 6. EQ........................................................ 116 About the effect algorithms .......................... 152 Stereo-type........................
More about drives and files........................171 Drives..........................................................171 CD-R/RW drive ......................................... 171 PC (USB) drive............................................ 171 Audio CDs and files......................................172 Audio CDs........................................................ 172 Playing an audio CD.................................. 172 Creating an audio CD................................ 172 Files..............
Introduction Introduction Before using the D3200 for the first time Thank you for purchasing the Korg D3200 Digital Recording Studio. To take full advantage of the D3200’s functions, and to enjoy trouble-free use, please read this manual carefully and use this product only as directed. Keep this manual in a safe place for future reference. Included items Make sure that the following included items are present.
● Power-off (1) Lower the D3200’s MONITOR LEVEL knob to the –∞ position. (2) Turn off any devices connected to the D3200’s outputs, such as your monitor system. (3) Hold down the D3200’s power (ON) key (for 2–3 seconds) and the shutdown LCD screen appear. If you click the Yes button (or press the panel YES key) in the LCD screen, the song will be saved automatically, and the D3200 will enter the standby state. This process is called “shutdown.
This diagram shows typical connections when using the D3200. Connect your equipment as appropriate for your system. Master recorder (Analog: cassette tape recorder, etc.) Monitor speakers etc. INPUT L/R MASTER OUT AUX OUT Master recorder (Digital: DAT, MD, etc.
Main features ♦ 32-track digital multi-track recorder The D3200 provides studio-quality sound with 64-bit internal processing, 24/16-bit recording and playback, and 48 kHz/44.1 kHz uncompressed recording. When using 48 kHz/44.1 kHz sampling and 16-bit depth ❖1 Maximum simultaneous recording/playback 16* tracks/32 tracks When using 48 kHz/44.
♦ Sophisticated digital editing tools Non-destructive editing functions (possible only on digital recorders) allow you to perform numerous edits without compromising the high audio quality. In addition to auto and manual punch-in/out, there are Undo and Redo functions that allow you to audition the “before” and “after” versions of any edit, before making it permanent.
Parts and their function Top panel 6 7 8 9 10 11 12 22 23 1 2 3 4 5 13 14 16 15 17 18 19 20 21 1 INPUT 1, INPUT 2...INPUT 12 jacks Connect mic or line sources (such as keyboards) to these input jacks. Both XLR jacks and balanced 1/4" TRS phone jacks are provided. You may also connect unbalanced phone plugs to the 1/4" jacks. You can use either XLR connectors or TRS phone connectors for INPUT 1 through 8. If you need to supply phantom power to condenser mics, connect them to the XLR connector.
6 AUX 1/2 jacks These jacks output the external send audio signals from the mixer channels (→p.109). You can connect these to the input jacks of an external effect processor. These are 1/4" unbalanced phone jack outputs. 7 MASTER L/R jacks These jacks provide the analog audio signal from the master bus, or the audio signals selected by the SOLO function. You can select the solo source in MIXER, SOLO/MONITOR, “Solo” tab page.
13 1–16 key, 17–32 key Use these keys to select whether the channel faders, channel keys, and LCD screen will be used to operate channels 1–16 or channels 17–32. The key you select will light. 14 REC/PLAY key Turn this key on (lit) and use the channel keys to switch each channel of the track recorder between record and playback status. The status of the track will alternate each time you press its channel key. If the master track channel key is set to PLAY, all tracks will automatically be muted (silent).
44 45 46 27 JUMP/MATCH key The faders and Knob Matrix can be set to behave in a 47 37 JUMP or MATCH style when moving a parameter 38 from its stored value, by changing the Fader/Knob Control setting (→p.119) in the Control tab page. If this is set to JUMP, the key will be dark. When the key is lit the MATCH setting is selected. The key will blink slowly if the position of the control knob or fader you’re moving is distant from the stored value.
35 LOC 1/IN, LOC 2/OUT, LOC 3/TO, LOC 4/END key These keys are used to register a specific time location within a song, or to instantly jump to a registered time location. The time locations registered here can be used as the punch-in/out locations, and to specify the editing range for track editing operations such as copy or delete. (→p.38, 147) You can also assign each key to a specific tab page within the MIXER page, so that pressing the key will take you to that tab page (→p.147).
5 6 7 8 9 1 AC connector Connect the power supply cable (included) here. 2 Main power switch (POWER ON) This turns the main power on/off. When the Main power switch is turned on, the D3200 will be in the standby mode. In the standby mode, pressing the ON key will turn the D3200 on. While the D3200 is operating, hold the ON key to access the Power Off dialog box and select Yes to shutdown the D3200 and return to the standby mode. Then you can use the main power switch to turn the power off completely.
8 S/P DIF IN jack This is an optical-type S/P DIF format (IEC60958, EIAJ CP-1201) digital input jack (stereo). Use an optical cable to connect this jack to the optical digital output of your DAT, MD or other equipment. This input provides a digital audio signal at the same sampling frequency and bit depth as the current song. 9 USB connector You can use a USB cable to connect the D3200 to your computer. USB peripheral devices such as external hard disks and CD-R/RW drives cannot be connected to the D3200.
f: Popup button e: Edit cell Main features a: Song/counter/location/calendar display Introduction Use the ClickPoint to move the pointer (p) to a button or icon displayed in the LCD screen. Then press the center of the ClickPoint to select that button or icon. In many operations, you can use the pointer (p) to select the item or parameter to be edited or saved, such as the page, parameter value, or song name.
When you’ve finished selecting a parameter or editing a value, press the front panel YES key or NO key to close the dialog box and return to the previous tab page. You can also close the dialog box by clicking the Yes (or OK) button or No (or Cancel) button in the LCD screen. g: List button When you click this button, a menu list will appear, allowing you to select an item from this list.
3. Selecting and setting parameters Selecting a parameter To select a parameter, click the edit icon, edit cell, or button shown in the LCD screen. In most cases, you can use the cursor keys to move between parameters and press the ENTER key to select one. You cannot use the cursor keys to move between a dialog box and the original tab page. Setting a parameter There are different methods of setting a parameter, depending on the type of parameter.
Send and equalizer When you’re in a tab page where you can edit parameters, or if you’ve pressed the SEND key or EQ key to access the tab page, you can use the Knob Matrix to edit the parameters or values. Editing effects When the effect parameter knobs are shown in the LCD screen, or if you’ve pressed the EFFECT key to access the tab page, you can use the Knob Matrix to select parameters or edit their value.
CH VIEW page Ch View tab page EFFECT page InsertEFF, MstrEFF1, MstrEFF2, and FinalEFF tab pages SEND page EFFSend1, EFFSend2, Aux1Send, and Aux2Send tab pages EQ page EQ/ATT and MasterEQ tab pages FADER page Fader Pan and Mixer View tab pages SOLO page CueLevel tab page CH INPUT page SubMix1-4, SubMix5-8, and SubMix9-12 tab pages Introduction You can use the sixteen control knobs of the Knob Matrix in the following tab pages.
Quick Start This Quick Start is designed to provide a few examples of some common tasks, while helping you get familiar with the operations of the D3200. Step 1: Preparations The first step explains how to connect your monitor speakers or headphones, how to turn the D3200 on, and how to listen to the demo songs.
3. Listen to the demo song When it ships from the factory, the D3200 contains pre-recorded demo songs. This section explains how to listen to one of the demo songs. (1) Press the SONG key. (2) Make sure that the demo song is shown in the upper part of the screen. (4) Press the PLAY key to start playing the demo song. (5) Adjust the Monitor Level. Slowly turn the MONITOR LEVEL knob toward the right to adjust the playback volume.
Step 2: Quick recording 1. Create a new song In order to begin recording, you must first create a new song. (1) Press the SONG key to access the SONG page. (2) Click the New button. The New Song dialog box will appear. (2) (1) (2) (3) In the “Select New Song Type” area, select the desired sampling frequency and bit depth for the song that you want to create. For this example, click 44.1 kHz/16 bit. (3) Create the song. Click the OK button in the screen (or press the panel YES key).
The highlighted area will then move one step toward the right. Repeat this step to edit the song name. If you want to edit only a portion of the song name, click the buttons to move the highlighted area, and then click a character or numeral button. Use the buttons in the LCD screen to perform the following operations. “0...9”: Input a numeral (e.g., “0”) “A...@_...”: Input an alphabetical character (e.g., “A”) or symbol (e.g., @, _). : Input a space.
Assign the inputs to channels Each of the inputs needs to be assigned to a channel. First, let’s assign the guitar input to channel 1. (1) Call up the input assignment page. Press the MIXER key, and then click the page jump menu CH INPUT/SubMixer button to access the “Ch Assign” tab page. (2) Select a channel. In the tab page, click the CH1 SOURCE channel icon. The icon will be enclosed by a frame. (3) Select an input. Click the buttons to assign “1” (INPUT 1) as the input source for channel 1 (CH1 SOURCE).
Using these settings, the keyboard connected to INPUT 3 and 4 will be assigned to CH 3 and 4. Set the pan knob of channel 3 all the way to the left; set the pan knob of channel 4 all the way to the right. Now you can monitor your keyboard in stereo. Check the keyboard sound and set the level as described in steps (4)–(8). 4. Adding EQ and EFFECTS Applying EQ to the input sound On the D3200 it’s also easy to apply EQ after recording.
(6) Adjust the EQ settings of channel 4. Click the CH cell and use the value dial or the panel + or – keys to select the other channel assigned to your keyboard. In this example, input 4 (channel 4). You can apply EQ to the other channel of the stereo keyboard connected to INPUT 3. Adjust the EQ as described in step (3). The D3200 allows you to “pair” adjacent pairs of channels (odd, even).
(7) Assign insert effect 3. Set InsEFF3 to IN and CH to 3, and set InsEFF4 to IN and CH to 4. In the InsEFF3 edit cell, select the “Rotary Speaker” effect from “SFX&etc” in the “Stereo” category. Because this is a stereo effect, the same effect will automatically be selected for InsEFF4. (→p.54 “Effects”) For details on editing the parameters of the effects you selected, refer to “4. Editing the effects” (→p.56). Quick Start 5. Recording Now you’re ready to record.
Start recording The location currently shown in the counter is where the recording will begin. (→p.37 “2. Location”) (1) Set the D3200 to record-ready. Press the REC key (the key will blink). (2) Press the PLAY key. The D3200 will begin recording, both the REC and PLAY keys will light. (3) Begin playing your instrument. (4) When you have finished playing, press the STOP key to stop recording (the keys will go dark). The track view will display a bold line to indicate the region where recording took place.
Step 3: Overdubbing Overdubbing allows you to layer multiple performances. This way, you can record additional tracks, as you listen to the previously recorded tracks play back. In this example, record your mic or keyboard on a new track while listening to the guitar performance that you recorded in the preceding steps. Keyboard Mic Guitar Quick Start First, let’s arm track 2 to record, and set track 1 to play back. Connection example Preparations for recording (1) Arm track 2 for recording.
Step 4: Mixdown and mastering “Mixdown” refers to the process of mixing all the individual tracks together to create a stereo mix of your song. In addition to adjusting the pan and level of each track’s playback, during mixdown you can also apply insert effects to individual tracks, add master effects, and adjust the EQ settings of the recorded tracks.
(2) Select a track for EQ. Click the CH cell, and use the value dial or the panel + or – keys and select one of your recorded tracks that needs more EQ. Alternatively, you can press the CH SELECT key and press a channel key to select the channel to which you want to apply EQ. (3) Set the meters to monitor the input and prefader levels (IN/PRE). Click the position cell and set it to read IN/PRE.
Adjusting the Master Effect 1 Send amount for each track (1) Press the SEND key to access the “EFF1Send” tab page. (2) Set the master effect 1 sends to pre-fader. You can choose to send either the pre-fader signal (PRE) or the post-fader signal (PST) to master effect 1. Pan Master bus From the EQ output of each channel/track Post-fader Send Pre-fader Master Effect 1 Click the PRE (PST) button beside the knob icon to make your choice.
2. Applying Final (or mastering) effects and EQ to the entire song Set the meters to display the post fader levels. Press the METER key. Click the popup button to open the “Meter/Track Type” dialog box. Using the radio buttons, set the Meter Position to “Post Fader,” and set Select View to “Track View.” Now the meters will show the level for each fader. Applying an effect to the master bus (Final Effect) (1) Press the EFFECT key and select the “FinalEFF” tab page.
Applying EQ to the master bus (Master EQ) (1) Press the EQ key to access the “MasterEQ” tab page. (2) Link the channels to share settings. For this example, click the Link button to turn it on (highlighted). When the Link button is on, adjusting either side (left or right channel) will make the same settings for both channels (→p.46). (3) Make sure that the L button is on (highlighted); the display will show the left channel master EQ screen. (4) Press the PLAY key.
3. Recording the master track To create an audio CD, you need to create a stereo master track. There are eight virtual master tracks (per song). This way, you can create various mixes of your song, and compare them before choosing your favorite. (3) Adjust the recording level. • Set the MASTER fader to “0.” • Press the METER key. • Press the PLAY key to play back the song. • While watching the master bus level meter, adjust the MASTER fader so that clipping does not occur.
4. Writing to a CD You can use the disc drive to create an audio CD from the master tracks you recorded. For details, refer to the Operation section, “CD” (→p.79). Saving your song On the D3200, the song data that you have recorded or edited and the parameters that you have set are automatically saved during the power-off operation when you return the D3200 to the standby mode. These settings are also saved when you select a different song. This is called “auto-save.” You can also save data manually (→p.
48 kHz/24-bit Song drive: A 32 8 12** 16 4 *16 channels is the maximum, combining 12 analog inputs, + 2 digital inputs (S/P DIF L, R), + 2 Session Drums (L, R). **12 channels using any combination of analog inputs, digital inputs and Session Drums. Drive: A Drive: B Drive: C Drive: D PC Drive 1. Selecting/creating a song Here’s how to create, rename, or select a song. 1-1. Creating a new song In order to begin a new recording, you will first need to create a new song.
1-2. Renaming a song 1-3. Selecting a song When a new song is created, it is automatically assigned a song number. We recommend that you change the song name to indicate its content. Song names can be up to 16 characters in length. There are two ways to select an existing song. (1) Press the SONG key and select the song page. Selecting a song from the song list (1) Press the SONG key, and then click the list button in the song page to open the SelectSong dialog box.
Song, Locate Mixer The term “location” refers to a specific point in time within the selected song, as displayed in the counter. The counter shows the current location within the song. The counter can be set to display the location in different formats. You can also use the counter to move to a different location. You can switch the units that the counter uses to display the current location. Session Drums™ (1) Click the button to the left of the counter to open the Time Disp Type dialog box.
2-2. Moving to a different location Assigning locations to the Locate keys Using the counter to move (1) Move to the location that you want to register (store). Use the counter or the FF/REW keys to move to the desired location. (1) Select a page in which the counter is shown at the top of the display, such as the song page, Meter page, CH VIEW, or “Ch View” tab page. (2) Click the location counter unit that you want to change (it will be enclosed by a frame).
(3) (2) (2) In the mark list, click (highlight) the desired mark. If necessary, use the scroll bar/buttons to scroll through the list. (3) Click the Recall button to recall the mark. “Current Mark” will show the selected mark, and you will move to the location of that mark. (3) Click the Rename button to display the Rename dialog box. For details on how to edit the name, refer to “1-2. Renaming a song” (→p.36). Song, Locate Mixer (2) From the mark list, click the mark that you want to rename.
2-3. Finding a precise location (SCRUB) By looking at the waveform data in the display, you can find a precise location. This allows you to register a locate point or a mark at the exact point where a sound begins. You can view the waveform as described here in the Scrub screen, and in the Wave screen used for track editing (→p.128). By watching the waveform as you listen to the audio, you can find the desired location of the song.
(1) Select the song that you want to move. (→p.36) If you move the song to a different song drive, the Undo information will not be retained. (2) (4) Current song (3) Turn the value dial to select the move-destination song number. (4) To move the song, click the Yes button (or press the panel YES key). If you decide to cancel, click the No button (or press the panel NO key) to close the dialog box. (5) When the display indicates “Completed,” click the OK button (or press the panel YES key).
Protecting a song Mixer You can protect a song so that it will not be accidentally overwritten or deleted. If the song is protected (protect On), you won’t be able to switch to Record by pressing the key located above the master fader or the channel keys when the REC/PLAY key is on. Nor will you be able to rewrite any of the parameters of that song. When you protect a song, it will be saved automatically at that time.
(3) Click the CALIB button (or use the panel +/– keys) to specify the desired tuning reference pitch. Normally you will use “440 Hz.” (4) Input the sound from your instrument, and tune it. The note name closest to the pitch you input will be displayed. Song, Locate Operation When using the analog (needle-type) screen If the pitch is correct, the needle will indicate the center 0 position, and the flat “s” and sharp “w“ indicators will both light. If the pitch is flat, only the “s” indicator will light.
1-2. Digital input The D3200 lets you input and record digital sources from the S/P DIF inputs. You can input a digital source only if its sampling frequency matches the sampling frequency of the currently selected song. If you input a 24-bit signal into a 16-bit song, the sound you monitor will be 24-bit, but it will be converted to 16-bit data when it is recorded. When making digital input settings for S/P DIF, you may hear noise due to synchronization difficulties.
Inputting a source at the maximum level Ideally, an audio source you want to record should be input at the highest possible volume that does not cause clipping. To record at the ideal maximum level on the D3200, make adjustments according to the signal flow described below. 1. Analog input jack (INPUT 1–12) TRIM This is the first adjustment that affects the level of the input source. • Channels to which an insert effect is not applied Refer to 1-1. Analog input, step (4) (→p.43).
If the level meter indicates clipping, click the ATT knob icon and adjust it so that clipping does not occur. Applying EQ to the playback (1) Press the REC/PLAY key, and press the channel key of the channel where you want the EQ applied, setting that channel to Play mode (key lit green). (2) Press the EQ key, access the “EQ/ATT” tab page. (3) Play back the song. (→p.68 “2-1.
(2) Use the radio buttons to select a group (E–H) for each channel. (3) Click the Ch On Group On buttons E–H to enable the desired groups. You may enable more than one group. Effects (2) In Select Pair Ch, select the channels that you want to pair. Click one of the “1 2”–“31 32” buttons to change the symbol to “ ”. If you want to disable pairing, click the paired button to change the symbol to “ ”. (1) Access the MIXER, PAIR/GROUP, “ChOnGroup” tab page.
You can also turn “Drums” on by setting the SESSION DRUMS, “DrmsMixer” tab page parameter Assign to Monitor. 3-9. Solo settings (3) Adjust the monitor volume. The monitor volume is adjusted by the MONITOR LEVEL knob for the MONITOR L/R jacks, and by the PHONES LEVEL knob and MONITOR LEVEL for the PHONES jacks. Use the Solo function when you want to listen to only a specific channel(s) without affecting the signal being recorded or sent to the MASTER L/R bus.
Channel Assign, and Sub Mixer assignments Pair, Group Fader, Pan, Play/Rec EQ ATT, CH ON, Phase, AUX/EFF Send, Rec Send Effect (all settings including the parameters being edited) Master Fader, Master EQ, Send Out level, Send Select All Solo, Monitor, Cue, Session Drums Channel keys when the REC/PLAY key is on Master track record/play (3) Click the Recall button to open the Recall Program dialog box. (4) Recall the mixer setup. Click the Yes button (or press the panel YES key) to recall the settings.
4. Storing/recalling a scene You can register frequently-used mixer settings at a desired location and store them as a “scene” for later recall. After recalling a scene, you can store it again as a new scene, or edit some of the mixer settings and store (overwrite) it back into the same scene memory. Default Scene is automatically registered at the beginning of the song when you create a new song (→p.35), and always saves the state of the mixer settings at the end of the song.
(2) Edit the settings of the scene. Adjust the channel faders, Pan, EQ, and effect parameters to edit the scene. (3) Click the OverWrite button to display the Over Write Scene dialog box. Access the SCENE, “SceneFilter” tab page, and click the buttons for the channels and controls for which you want to disable scene recall. Parameters whose buttons are highlighted will not be recalled. (1) Recall the scene. As described in “4-2. Recalling a scene,” recall the scene that you want to edit.
5. Automation Automation is a function that automatically modifies mixer settings as the song location changes during playback. There are two types of automation; scene automation and event automation. When automation is on, you can use the SCENE “Mixer View” tab page to view fade-in and fade-out operations and scene changes in which fader values change. 5-1.
Song, Locate (3) (7) (4) (4) (3) Mixer (6) (2) (8) When you play back the song, event recording will begin. Adjust the mixer settings for the events you are recording. (9) When you stop the song, event recording will end. Automation will automatically switch ON (Play), and the automation indicator will light. If you want to additionally record other events in the song, repeat the procedure from step (3). If you made a mistake, you can click the Undo button to return to the previous state.
Effect type and size Effects The D3200 provides up to eight insert effects that you can insert into mixer channels, up to two master effects that can process the sends from each channel, and one final effect to process the master bus. Guitar There are two types of effect program: stereo and mono. You can use either type of program as an insert effect, but mono programs cannot be used as master effects or as the final effect. Insert effect 8 cannot use a stereo effect program.
To use a master effect, adjust the send level of each channel to send some of its signal to the effect. The master effects are typically used to apply reverb or to make the overall mix richer and better balanced. The D3200 provides two master effects (MstEFF1 and MstEFF2), and these can be used simultaneously. However if you use a size-4 effect, the available processing power of both master effects will be used, so only master effect 1 will be available.
4. Editing the effects For a master effect or final effect You can edit the effect programs used by the insert effects, master effects, and final effect quickly and easily using the Knob Matrix. Editing the effect parameters (2) (2) Perform steps (3) and following of “For an insert effect,” above. Storing an effect program (3) • If the song is playing, press the STOP key. • Click the Store button in the effect tab page to display the Store Program dialog box.
(2) Access the SYSTEM/MIDI, “Control” tab page. In this example we will use a pedal to control the effect. In the Control Change area, click the Device cell to select “Pedal.” If you want to use MIDI to control the effect (rather than using the pedal as in this example), you must specify the type of MIDI message that you want to use. Access the SYSTEM/ MIDI, “Control” tab page, and set “Control MIDI CH” to the MIDI channel on which that your external MIDI device is transmitting.
Session Drums™ The D3200 is equipped with Korg’s Session Drums. By using Session Drums in conjunction with the Knob Matrix, you can easily create a realistic drum track for your song, without tedious programming. This drum track can be used as reference as you record, or as part of your completed song. Patterns are the basic elements of the drum track. By stringing different patterns together and adding fills, intro and ending patterns, you can create a program map.
(10)If you want to record tempo changes as you record, use the TEMPO knob (matrix knob 4). Here’s how you can record a performance while listening to drum patterns as a guide rhythm. The tempo settings used during recording will be saved as part of the tempo track. During recording, you can use the TEMPO knob to gradually increase or decrease the tempo, starting at that location.
(2) (1) (1) (2) Specify the input channels. • Access the MIXER, CH INPUT/SubMixer “Ch Assign” tab page. • Use the buttons (or the value dial or +/– keys) to set the CH1 SOURCE cell to “L” ( ) and the CH2 SOURCE cell to “R” ( ). (3) Record. Refer to “1-1. Basic recording” (→p.64). Press the REC key to put the D3200 in record-ready mode, and then press the PLAY key to start recording.
Song, Locate If this option is unchecked, you will revert to the drum kit and sounds that are specified for each drum pattern. (2) You can’t create or edit a pattern map if the song’s Protect setting is turned on. (2) The performance of the pattern map you create here is automatically recorded on the drum track, but you can also record it on a channel track or the master track (→p.59 “3. Recording with Session Drums”). (1) Enable the pattern map. • Access the SESSION DRUMS “SessionDr.” tab page.
Editing a pattern map If you overwrite a Fill pattern (one measure) onto a portion of event 002 Inserting a new event into the pattern map When you add a new event to the pattern map, the pattern map event is inserted at the specified measure. The pattern map will lengthen by the corresponding number of measures, and the subsequent event numbers will be increased accordingly.
Recording MIDI Clock data from an external MIDI sequencer, and using it as the tempo track MIDI Clock data from an external MIDI sequencer can be recorded as tempo data on the tempo track. You can use this when you want to synchronize a D3200 song with song data created on a MIDI sequencer in which the tempo changes continuously. If MIDI Clock data was not received correctly from your MIDI sequencer, recording may stop in the middle of the song. (1) Specify the time signature of the song.
6-2. Pattern map tempo If you don’t specify a tempo in the pattern map, the tempo will be recorded according to the tempo track. However by setting the RecMode to Pat&T or Tempo, you can record a pattern map and manually record tempo changes. When you’re recording the pattern map, tempo changes will apply from the location where the change occurs (regardless of the measure of the pattern), and this tempo will be maintained until the next tempo change that occurs.
(1) Prepare for recording. Refer to “1-1. Basic recording” (→p.64), steps (1)–(7). (10)Start recording. Press the PLAY key (REC and PLAY keys will light). Perform the part to be recorded. (2) Select the tracks that you want to play back. Press the REC/PLAY key, and then use the channel keys to select Play mode (key lit green) for the tracks you want to play back.
(5) Press the REC key to put the D3200 in record-ready condition. Trigger/RecStart The REC key and PLAY key will blink. Trigger/Punch In The REC key will blink. (6) Begin recording. Trigger/RecStart When the input signal exceeds the threshold level, recording and playback will start automatically (REC and PLAY keys will light). Trigger/Punch In Press the PLAY key to start playback (the REC key will blink, and the PLAY key will light).
(1) Adjust the settings for auto punch-in/out. Refer to “Auto punch-in/out” (→p.66) steps (1)–(5). (2) Click the Loop Play radio button to turn it on (highlighted). The Loop indicator will light. (2) (3) Begin recording. • When you press the REC key, you will move to a point before the specified IN (recording start) location, as set by the pre-roll time, and the D3200 will be in recordready condition (REC key blinking). • When you press the PLAY key, playback will begin (PLAY key will light).
(2) Specify how the master track will be recorded. • Press the key located above the master track (the key will light red). All channel tracks will automatically be set to Play (key lit green). • For channels you don’t want to record, press the CH ON key and then press each channel key to turn it off (key unlit). • If you have used the Session Drums to create a drum track for your song, the playback of the Session Drums can be mixed in with the other playback tracks when creating the master track.
LOC 3/TO key: TO point Song, Locate Mixer Effects Session Drums™ LOC 2/OUT key: OUT point Operation If you want to specify a location more precisely while viewing the waveform, click the WAVE button in one of the editing screens, and use the Wave dialog box (→p.128). Recorder LOC 4/END key: END point Use the counter or the FF, REW keys to move to the location you want to edit. Press the STORE key, and then press either LOC 1/IN, LOC 2/OUT, LOC 3/TO, or LOC 4/END to store the location in that key.
(2) Select “CopyTrk.” In the TRACK, “EditTrk” tab page, click the Edit Trk Type cell. In the Edit Trk Type dialog box, click “Copy Trk” and click the OK button (or press the panel YES key). (3) Select the copy mode. Click the Mode button. In the Copy Mode dialog box, select the desired mode and click the OK button (or press the panel YES key). OverWrite: The track data existing at the copy-destination will be overwritten.
(2) (3) Song, Locate Mixer Effects Session Drums™ Recorder Operation (3) Select the track number into which you want to insert blank space. • Click the popup button of the Destination cell, and choose track “1” in the Destination Track dialog box. You can also click the cell to select this. • Check the IN and OUT locations. If you want to set the locations with more precision, click the Destination WAVE button, and use the Wave dialog box (→p.128) to set the location. CD (2) Select “InsertTrk.
Erase a track (EraseTrk) Delete a track (DeleteTrk) This command erases track data from the specified region (IN–OUT) of a track. The region will become blank. Unlike the “Delete Track” command described on the following page, this Erase Track command will not cause the data following the OUT point to move. • You can erase data from the IN–OUT region of one or more tracks simultaneously. This command deletes the specified region (IN–OUT) of a track.
(3) Select the track numbers whose data you want to swap. • Click the popup button of the Source cell, and choose track “1” in the Source Track dialog box. You can also click the cell to select this. • Check the IN and OUT locations. If you want to set the locations with more precision, click the Destination WAVE button, and use the Wave dialog box (→p.128) to set the location. (4) Select the swap-destination track number.
(6) Execute the editing operation. Click the Exec. button. Then in the ReverseTrk dialog box, click the Yes button (or press the panel YES key) to execute the operation. When the operation is finished, the display will indicate “Completed.” Click the OK button (or press the panel YES key). (7) Check the results of the editing operation. Press the LOC 3/TO key, and play back from the TO location to verify that the editing operation has done correctly.
(3) (2) (4) (6) (4) (3) (5) Song, Locate (3) Select “CopyWholeTrk.” In the TRACK, “EditTrk” tab page, click the Edit Trk Type cell. In the Edit Trk Type dialog box, choose “Copy WholeTrk” and click the OK button (or press the panel YES key). Mixer (5) Specify the number of time that you want to copy the data. In the Times cell, specify the number of copies as “3”. (7) (6) This command copies an entire recorded track (from the beginning to the end) to another track.
Exchange two entire tracks (SwapWholeTrk) Fade-in/fade-out (FadeTrk) This command exchanges an entire track of recorded data (from the beginning to the end) with another track. This command fades-in or fades-out the specified region (IN–OUT) of recorded track data. By using both of these operations, you can create cross-fades. • You can exchange one or more tracks in a single operation. This can be used in ways such as the following. • Rearrange recorded tracks to organize them by type.
(6) Check the results of the editing operation. Press the LOC 1/IN key, and play back from the IN location to verify that the operation has done correctly. If you are not satisfied with the results, you can use Undo to return to the previous state. (→p.141) The length of the IN–OUT area specified will determine the amount of time it takes to complete the Fade operation. (5) Execute the editing operation. Click the Exec. button.
Eliminating noise (NoiseReduction) Erasing punch noise (ErasePunchNoise) On the desired track, specify a region (IN–OUT) containing only noise which the D3200 will use to analyze and “learn” the noise component. This noise component will then be eliminated from the data in the other region you specify (TO– END) of the same track. Here’s how you can erase the momentary pop of noise that sometimes occurs when punching-in/out.
(3) Select the number of the track from which you want to erase silence. • Click the popup button of the Destination cell, and choose track “1” in the Destination Track dialog box. You can also click the cell to select this. • Check the IN and OUT locations. If you want to set the locations with more precision, click the Destination WAVE button, and use the Wave dialog box (→p.128) to set the location.
Make sure that “Free” shows a duration that is longer than the song you want to write. (7) Finalize the disc. When you are finished writing songs to this CD, and want to be able to play the disc on an audio CD player, click the Finalize button to finalize the disc. A message will ask you for confirmation. If you are sure you want to finalize the disc, click the Yes button (or press the panel YES key). Once a disc has been finalized, no further songs can be added to it.
(6) Insert a disc into the CD-R/RW drive. You must use a blank disc. • When the image file has been created, the D3200 will begin writing it to disc. You cannot abort this writing operation. CD • The disc will automatically be finalized. • When finalization has been completed, the “Write Another CD?” message will appear. The data will be written to CD as a 44.1 kHz song. If you select a song whose sampling rate is other than 44.
2-2. Creating a live CD If you have recorded a single continuous performance, such as a live concert performance that contains individual songs, you can create a “live CD” recording. By inserting CD track markers into the performance, the entire CD can be played back as a continuous performance with no gaps between the individual songs, just as it was recorded. However, the benefit of creating a live CD using this method is that you can also access the songs individually, just as you would on a regular CD.
All Data Back up all songs from the selected drive, the user data, and the album CD project. User Data Back up only the user data (user effect programs, user EQ libraries, mixer setup). A backed-up song cannot be played back directly. In order to play the song, you must restore it. Backing up 1 Song (1) Select the song that you want to back up (→p.36). D3200 (2) Select the type of backup. In the SYSTEM/MIDI, “Backup” tab page, click the “1Song” radio button.
(6) Execute the backup. When you click the Exec. button, the Backup confirmation dialog box will appear. When backing up to CD-R/RW The screen will indicate the space required for the backup. If the data will not fit on one disc, you will need to prepare the appropriate number of discs. Required space Backing up All Data (1) Select the song drive that you want to back up. Press the SONG key, then click the list button in the song page, and click the Drive button in the Select Song dialog box.
• From the file list, select the folder that contains the data file you want to restore, and click the Open button. If you decide to select a different folder, click the Close button to return to the next higher level. • From the file list, select the data file that you want to restore, and click the OK button (or press the panel YES key). • If you want to restore all files in the folder as a single operation, click the Select All button.
2. Audio files Audio files saved on CD-R/RW or the PC drive can be imported (loaded) into the D3200 and pasted into a song track. Also, any audio track data that you copied to the D3200’s clipboard can be exported (written) to disc or the PC drive as an audio file. (5) Select the audio file that you want to import. • Click the Select File button to open the Select File dialog box. • You can preview the first few seconds of the selected audio file by clicking the Prev button. • Select “D3200_ST.
(2) Select the Export command. Access the TRACK, “Export” tab page. (5) Select the clipboard as the import-destination track number. In the Trk cell, select “Clip.” (3) Select the export-destination drive. Click the Drive button to open the Select Drive dialog box. Choose “PC” and click the Yes button (or press the panel YES key). (6) Execute the import. Click the Exec. button to open the Import dialog box, and click the Yes button (or press the panel YES key) to execute.
Exporting multiple audio files If you export four or more tracks in a single operation, all of them will be saved as monaural files. Copying the audio data of tracks 1–16 from a 44.1 kHz/ 16-bit song to the clipboard, and exporting the data to CD-R/RW as sixteen monaural audio files named “D3200_01.WAV”–“D3200_16.WAV” (1) Insert a disc in the CD-R/RW drive. (2) Select a 44.1 kHz/16-bit song, and copy the tracks 1–16 audio data to the clipboard.
Song, Locate Drive The D3200’s hard disk can be divided into one, two or four song drives used to record and play back songs, and a PC drive used to exchange data with a personal computer. The D3200 also has a built-in CD-R/RW drive that lets you write backup data or the audio data for a completed song to a CD, or load audio files or backup data from a CD. Mixer (2) CD-R/RW drive Drive D PC drive The D3200 provides the following utility functions for managing these drives.
2. Renaming a song drive Here’s how you can check the capacity of each song drive, and rename a song drive. You can also rename a song drive in the Select Drive dialog box that appears when you click the Drive button in the SelectSong or Album CD Project dialog box. (1) Access the SYSTEM/MIDI, “DiskUtility” tab page. (2) Click the Drive Info button to display the Drive Information dialog box. For each drive, the dialog box displays the total capacity, song drive name, used area, and free area.
Silence Break To keep only the audio data that you are actually using Execute the TRACK “EditTrk” tab page “Erase Silence” command on track 1 for the region between the beginning and end of the song. This will cause audio data to be preserved only for the actually-used regions, so that only the intro, break, and ending will occupy drive space. Data exists Break IN (4) When the recovery disc has been created, the display will indicate “Completed”; click the OK button (or press the panel YES key).
To erase A and B that remain from the first take, and recover disk space 8. PC drive Execute the TRACK “EditTrk” tab page “OptimizeTrk” (optimize) command on track 1 for the region between the beginning and end of the song. When this is executed, only the audio data of the Intro, 2nd take of A (A’), 2nd take of B (B’), and the Break will be kept. This means that the 1st take of A and 1st take of B data will no longer occupy disk space. The PC drive is an area used to share data with your computer.
The computer screen will differ depending on your system. The screens shown here are for Windows XP. (1) Use a USB cable to connect the D3200 to your computer. Connect the USB cable from your computer to the D3200’s USB connector. Make sure that the connector is oriented correctly, and press it all the way in. Before you make this connection, turn on your computer and start up the operating system. Song, Locate (6) From the menu that appears, left-click “Stop USB disk drive (KORG D3200).
MIDI MIDI stands for Musical Instrument Digital Interface, and is a world-wide standard used to exchange performance data between electronic musical instruments and computers. 1. MIDI connections 3. Using MIDI Controlling the D3200 from a MIDI sequencer You can use MMC messages transmitted and received from a MIDI sequencer to control D3200 operations such as stop, play, record, and locate. You must use a sequencer that supports MMC.
The D3200 supports multiple frame rates. The transmitting and receiving devices must both be set to the same frame rate. Using MIDI to control the mixer Recording D3200 mixer operations on your external MIDI sequencer (1) Use a MIDI cable to connect the two devices. Use a MIDI cable to connect the D3200’s MIDI OUT connector to the MIDI IN connector of your external MIDI sequencer. (2) Adjust the synchronization settings on the D3200 and on your external MIDI sequencer.
Upgrading the system 1. Downloading the operating system The most recent operating system can be downloaded from the Korg website (http://www.korg.com). For details on the procedure, refer to the Korg website. Upgrading via CD-ROM/R/RW Insert the media containing the system file into the CD-R/ RW drive. Upgrading via USB Use a USB cable to connect the D3200 to your computer, and copy the system files to the D3200 folder of the PC drive. 2.
(3) (4) (2) Recorder (2) Session Drums™ Effects (1) In SYSTEM/MIDI, “Control” tab page, click the Calibration button. The ClickPoint Calibration dialog box will appear. Song, Locate If the pointer does not move in the LCD screen as you expect, or if the wrong button or cell is selected when you click the pointer position in the LCD screen, you can recalibrate the ClickPoint so the LCD screen and the pointer are aligned. Mixer ClickPoint calibration (4) Click the joy stick without moving it (i.e.
Reference Measure display __:__.__ (MBT) The current location is shown as the number of measures from the beginning of the song. From the left, this shows Measures:Beats.Ticks (1/96th beat) * Maximum value is 99999:03.095 (for a 4/4 time signature) Counter Counter display Click the counter button, and select the desired counter display method in the Time Disp Type dialog box. 1 2 4 3 Song page Meter page All Channel View 4 3 1.
METER Counter Rename Meter/Track View When the Rename button is displayed in a parameter setting tab page (such as Song, Track, Effect, Scene), you can click the button to edit the corresponding name. Alternatively, you can choose an appropriate name from the name library and then edit it. Highlight the name you want to edit, and click the Rename button. The Rename dialog box will appear, allowing you to edit the name. You can input a name of up to sixteen characters.
1c. Select View [TrackView, FaderView, AllMeterView] Changes the content of the meter display. TrackView: Shows the level meters, existence of audio events, and a list of virtual tracks FaderView: Shows the level meters, and fader/pan/ channel-on status of each track AllMeterView: Level meters for all channels, inputs 1– 12, AUX, EFFECTR, RETURN, MONITOR, and MASTER 2. Level meters These display the levels of the channels, sends, and monitor signals etc. 3.
1. CH1…32 [1…12, S/P DIF L, R, Rhythm L, R] The number of assignable channels will depend on the sampling rate and bit depth of the current song (→p.117). Select a channel icon “CH1”–“CH32,” and then select the source that will be input to this channel. The icon will be highlighted if the channel status is set to Record (REC). INPUT 1…12: … The analog signal from an instrument etc. connected to the INPUT 1/GUITAR IN–INPUT 12 jacks will be input to the mixer channel.
2b. PAIR/GROUP 2b-2. Fader Group 2b-1. Channel Pair When you operate the fader of any channel that is assigned to a group, the other faders assigned to that group will also move, preserving the balance of the linked channels. There are four groups, A through D. Each channel can be assigned to only one of these Fader groups. Here you can specify pairing for adjacent mixer channels. For paired channels, the following parameters will operate in tandem and will have the same values for each channel.
1 3 1 5 2 2 4 7 8 3. Master Fader [ , s] If you selected “Fader” as the record parameter, and you want to record the operations of the MASTER fader as well, click this button to make it indicate “ ” (Rec). 4. Automation This button turns automation playback/recording on/off. OFF: Automation playback/recording will not occur. On (Play): Executes automation playback. The Automation indicator will light.
5. Mode When you click this button, the Event Rec Mode dialog box will appear, allowing you to select the automation recording method. Click the OK button (or press the panel YES key) to apply your selection, or click the Cancel button (or press the panel NO key) to cancel it. 2c-3. Event List Here you can view or edit the events and scenes that you recorded using automation. 1 2 4 5 5a 6 7 8 9 3 5b 5a.
If you paste multiple events (Select All), they will overwrite the existing data starting at the paste-destination you selected. However, only the types of event included in these multiple events will be overwritten. 8. Undo Click this button to return to the state prior to executing Cut, Copy, or Paste. This can be used only to return to the immediately previous state. If the button indicates Redo, you can use it to cancel the Undo. The data is held in common with the “7. Undo” data of “2c-2. Automation.
For each scene, you can filter specific mixer settings (parameters) so that they will not be recalled when that scene is played back. Select the mixer parameters that will be disabled. For the Fader, CH ON, Pan, EQ, EFF 1/2 sends and Aux 1/2 sends, you must also select which channels will have these parameters disabled. If a parameter button is on (highlighted), filtering will apply to that parameter for the selected channels, so that those settings of the scene will be ignored. If a button is off (i.e.
12. 1 2 10 buttons Use these up/down buttons to edit the parameter values. 11 3 4 5 2d-2. EQ Library 12 6 7 8 9 1. CH [1…32] Click the edit cell that indicates the channel whose EQ you will edit, and use the value dial (or +/– keys) to select the desired channel. Alternatively, you can press the CH SELECT key and then press a channel key to select the desired channel. This channel is linked with “CH” in the “EQ Library” tab page.
Click the button to display the Recall dialog box, verify the EQ program and the loading-destination channel, and click the Yes button (or press the panel YES key). If you decide not to load, click the No button (or press the panel NO key). 1. PHASE [N, R] N (NormalPhase): The phase of this channel will not be inverted. Normally you will leave this at “N.” R (ReversePhase): The phase of this channel will be inverted. On the D3200, pin 2 is hot and pin 3 is cold (→p.6).
1. SEND Adjusts the send level. Use the Knob Matrix to adjust the setting. 2. PRE/PST This specifies whether the signal will be sent at the level immediately before the fader (Pre Fader) or the level immediately after the fader (Post Fader). PRE: Send the pre-fader level PST: Send the post-fader level 3. LEVEL meter Indicates the level of the Effect 1 Send bus and Effect 1 Return L/R bus. 4. Select All This links the operation of all channels. It will link the PRE/PST buttons and the SEND knobs. 3.
2e-5. Rec Send 2f. SOLO/MONITOR Here you can set the position from which signals will be sent from each mixer channel to the recording tracks. If you select the pre-fader setting (PRE), the signal will be recorded at the level immediately before the fader, regardless of how the fader is adjusted. With the pre-fader setting, the recording level will be the same as when the post-fader (PST) setting is used with the fader level set to unity (0 dB). 2f-1.
METER Counter Rename Here you can select the audio signals that will be output from the monitor output (MONITOR L/R jacks) and headphone output (PHONES jack). 1 2 4. Drums The audio from the Session Drums will be sent directly to the monitor output. You can use this when you want to listen to the Session Drums through headphones as the rest of the audio tracks are output from the MASTER L/R jacks, for example during a live performance. Normally you will keep this turned off.
2. Recall This button loads (recalls) a mixer setup program. In the mixer setup list, click the program that you want to recall. Click this button to open the Recall dialog box, verify the program that you are recalling, and click the Yes button (or press the panel YES key). If you decide not to recall the program, click the No button (or press the panel NO key). A program you saved from a 44.1 kHz or 48 kHz song can be recalled to either a 44.1 kHz or a 48 kHz song. 3.
6. Navigation buttons Use these to select parameters within the page. This lists the effect programs used by the insert 1–8, master, and final effects, and shows their status. The D3200 lets you simultaneously use up to eight insert effects, two master effects, and one final effect. 7. Select Choose the effect you want to use, and then click this button to display the Select EFF Category dialog box.
Effects that can be used simultaneously The effect programs used by the D3200’s effects are classified as being different “sizes” according to the amount of DSP processing power they consume. Effect programs that allow up to eight insert effects to be used are called “size-one” effects. Relative to these, some effect programs are “size-two” and others are “size-four.” The size of an effect program is shown by the icon at the right of the effect name.
Pan to the Master bus Direct sound Post-fader Master Effect Send Pre-fader If you overwrite an effect program that was being used when you stored a scene, be aware that the playback may not sound with the settings you intended.
2. Trim knob [0…100] With a setting of 100, the level will be the same as the input level. If distortion is caused by an excessively high input level when you apply the effect, use this parameter to lower the input level. 2. Trim knob [0…100] With a setting of 100, the level will be the same as the input level. If distortion is caused by an excessively high input level when you apply the effect, use this parameter to lower the input level. 3.
3. New Click this button to create a new song in the currently selected drive. The new song will be created following the last song in the current drive. The New Song dialog box will appear when you click this button. Use the radio buttons to specify the sampling frequency and bit depth for the new song, and click the OK button (or press the panel YES key). 2 3a SEND EFFECT 1 METER Counter Rename Here you can select or edit a song. The screen shows information about the currently selected song.
Before copying 5a 5b Song name AAA 1 Song number ZZZ ABC CDR 2 3 4 Copy to song number “3” Moved backward After copying 5a. Move-destination song number cell This shows the drive that contains the selected song, and lets you select the song number. If you’re moving a song within the same song drive, the selectable numbers will be the number of existing songs.
8 9 10 1. Polarity [–, +] Specifies the polarity of the foot switch. Connect a foot switch (separately sold option: PS-1 or equivalent) to the rear panel FOOT SW jack, and set this parameter so that the “ ” symbol lights when you press the foot switch. 2. Function [PunchIn-Out, Mark, PlayStop] Selects the function that will be controlled by the foot switch. PunchIn-Out The foot switch will alternately start or stop manual punch-in/out recording.
9b. Time This displays (and lets you set) the current time, displayed in 24-hour time as Hours:Minutes:Seconds. The date and time are retained when you power-off to the Standby mode. However, if the main power switch is turned off, you’ll need to reset them. 9-2. Disk Utility Here you can format a drive, create partitions, and check a drive. 10.Word Clock The “Word Clock” tab page displays the current word clock source and frequency, and lets you make synchronization settings for the audio data clock.
3b 3c 3a. Song drive list This displays the song drives. The partition drive name (A–D), total capacity, song drive name, used capacity, and free capacity are displayed. 5. Format This formats the hard disk. When you click the button, the Format dialog box will appear. Select the drive you wish to format and the desired option, and click the Yes button (or press the panel YES key) to execute formatting. If you decide not to format, click the No button (or press the panel NO key).
6. Load System This loads system files to update the operating software. When you click this button, the LoadSystem dialog box will appear. Use “Source” to select the system file that you want to load, and click the Yes button (or press the panel YES key) to begin the update. For details, refer to “Upgrading the system” (→p.96). 2 1 3 4 5 6 1. File list This area lists the files. Upper area: PC folder names (:folder names…) Lower area: folders/file names 2. Close Moves to the next higher folder level.
From an “All Data” backup file, you can restore either one selected song, or all song data, User Data and album CD project data. For details regarding limitations on files, refer to “More about drives and files” (→p.171). 4 1Song From the selected drive, back up the data for one song, and the user data. User Data Backup only the user data (user effect programs, user EQ library, mixer setup) Song Effect Programs are backed up as song data (1Song, All Data); they are not included in User Data. 2.
4. Restore destination This displays the restore-destination drive, and lets you select the song number. If you are restoring “1Song,” the data will be restored to the song number you select here. The restore-destination drive will indicate the drive of the song selected in the SONG page. 5. Exec. Press this to execute the restore operation. The restoresource song and/or user data will be restored to the restore-destination drive.
6. Frame Rate This selects the frame rate that is used when MIDI Sync is set to “MTC Master” or “MTC Slave.” Set this to the same frame rate as used on the external device with which you are synchronizing. 30: 30 fps (30 frames per second, non-drop) 29NDF: 29.97 fps (29 frames per second, non-drop) 29DF: 29.97 fps (29 frames per second, drop) 25: 25 fps (25 frames per second, non-drop) 24: 24 fps (24 frames per second, non-drop) 7. Time Code Offset [00:00:00.00F…23:59:59.
10. TRACK 10-2. Master Track Here you can select a virtual track for the master track. This track will be used as the mixdown-destination track. This is also the track that will be used when creating an audio CD. 10-1. Virtual Track 1–32 Here you can select a virtual track for each channel track. 1 1 5 2 4 3 1. Virtual track selection Select a track “1”–“32,” and specify a virtual track for each track. Each track has eight virtual tracks; “A”–“H.
EFFECT SEND *1: You can select “Clip#” only if the clipboard contains data. # indicates the number of tracks in the clipboard. You can use “Clip#” to copy from a track of a different song. For a 48 kHz/24-bit or 44.1 kHz/24-bit song, you can select only tracks 1–16. A2. Destination [1...32, ML, MR, 1-2...31-32, MST, 1-4...29-32, 1-8...24-32, 1-16, 17-32, 1-32, ALL, Clip] Select the copy destination track. For a 48 kHz/24-bit or 44.1 kHz/24-bit song, you can select only tracks 1–16.
A4-1. WAVE A4-2. WAVE You can click these buttons to view the waveform of the track audio. This allows you to set the editing locations (IN, OUT, TO, END) more accurately. Click the A4-1 button if you want to edit IN and OUT, or click the A4-2 button if you want to edit TO and END. You will find it convenient to set IN (LOC 1), OUT (LOC 2), TO (LOC 3), and END (LOC 4) to their approximate locations before you use this function. A5. Mode When you click this button, the Copy Mode dialog box will appear.
OUT IN DestTrack OUT IN DestTrack DestTrack DestTrack Blank A1 METER Counter Rename EQ SEND A1 MIXER This operation deletes the track data from the IN–OUT range of the delete destination track (Destination). When this is executed (Exec.), the data of the IN–OUT range will be discarded, and any track data that followed the deleted range will be shifted toward the beginning of the song.
SwapTrk ReverseTrk This operation exchanges (swaps) the track data of the IN– OUT range of the swap source track (Source) with the track data in the IN–OUT range of the swap destination track (Destination). When this is executed (Exec.), the data in the IN–OUT ranges of the “Source” and “Destination” will be exchanged. This operation copies the track data of the IN–OUT range of the reverse source track (Source) to the TO location of the destination track (Destination) in reverse (flipped back-tofront).
A5. Mode Select how the expansion/compression will be processed. When you click this button, the ExpComp Mode dialog box will appear. A1 A2 A1. Destination [1...32, ML, MR, 1-2...31-32, MST, 1-4...29-32, 1-8...24-32, 1-16, 17-32, 1-32, ALL] Selects the track that will be optimized. 5a 5b A2. WAVE This displays the audio data of the track as a waveform. Here you can set the editing locations (IN, OUT) more precisely. (→p.
CopyWholeTrk SwapWholeTrk This operation copies the track data from the beginning to the end of the copy source track (Source; the currently selected virtual track) to the specified virtual track of the copy destination track (Destination). When this is executed (Exec.), the copy destination track will be overwritten.
If the recorded level is low, you can use this operation to boost the specified region (IN–OUT) of the track data to the specified volume. The normalize-destination track will be overwritten. Normalize IN Gain Level OUT Normalize IN Gain Level OUT A2 A1. Destination [1...32, ML, MR, 1-2...31-32, MST, 1-4...29-32, 1-8...24-32, 1-16, 17-32, 1-32, ALL] Select the track to be edited. A1 A3. Mode Click this button to display the Fade Mode dialog box.
NoiseReduction ErasePunchNoise On the desired track, specify a region (IN–OUT) containing only noise which the D3200 will use to analyze and “learn” the noise component. This noise component will then be eliminated from the data in the other region you specify (TO– END) of the same track. This minimizes “pop” noises. Set the IN and OUT locations before and after the area where the noise occurs. You can also erase multiple occurrences of noise.
If you are importing from CD media, WAV format files stored on ISO9660 Level 1 format CD-ROM, CD-R, or CD-RW are supported. A2 OUT Before execution METER Counter Rename EQ IN SEND When you execute (“Exec.”), the import-destination track will be overwritten. MIXER A1 An audio file from the D3200’s PC drive or CD drive can be pasted into the beginning (location 0) of a track (→p.86). By using the clipboard you can paste the audio file at a location other than the beginning of a track.
3e. Prev Clicking Prev (Preview) plays back the first six seconds (for 44.1 kHz/16-bit data) of the selected audio file. You cannot play back while loading the file. 4. Trk [1...32, ML, MR, 1-2...31-32, MST, Clip] Select the import-destination track. ML and MR are the master track L and R, and MST is the stereo master track 5. Exec. When you click this button, the Import File dialog box will appear.
a c b 1. Information When you click this button, the type of disc inserted in the CD-R/RW drive, the remaining writable time, the already-written time, and the number of tracks will be read and displayed in the screen. Disc type NoDisc: No disc is inserted. Alternatively, the disc cannot be recognized. CDR: An unfinalized (writable) CD-R CDRW: An unfinalized (writable) CD-RW Illegal Disk: The disc cannot be recognized If nothing is displayed, the disc is not writable (e.g.
11a. Album CD Album CD Project lets you create an audio CD using Disc At Once. The data will be written to the CD-R/RW as 16-bit/ 44.1 kHz data in audio CD format. The disc is written using the Disc At Once method, including finalization. No further data can be written to the disc afterward. The CD-R/RW cannot be written if there is a track less than four seconds long. Adjust your settings so that the PostGapTime and the track time add up to at least four seconds.
Changing the writing speed will not affect the time that is required to create the temporary image file that is created before writing an audio CD. METER Counter Rename MIXER EFFECT CH VIEW Quick: Erase the disc quickly. Full: Erase the disc completely. Use this if you experience problems such as if a disc erased using Quick cannot be recognized. This method will require more time. TRACK SYSTEM SONG /MIDI 1. Erase This erases all the data that has been written to a CD-RW disc.
4. Get Information When you click this button, the disc inserted in the CDR/RW drive will be read to determine the type of disc, the remaining time that can be written, the already-written time, and the number of tracks. Disc type NoDisc: No disc is inserted. Alternatively, the disc cannot be recognized. CDR: A CD-R that has not been finalized (i.e., still writable) CDRW: A CD-RW that has not been finalized (i.e.
After executing the operations listed below, you can use the Undo function to return the data to the state it was in prior to performing that operation. If desired, you can then use the Redo function to restore the most recent edit.
14. SESSION DRUMS Here you can specify the song tempo and drum pattern (metronome) settings, make settings for the drum track, and create a pattern map. When the counter shows the “MBT” (measure, beat, 1/96th note tick) indication (→p.98), it will move according to the tempo you specify. You can’t record drum patterns or create or edit a pattern map if the song’s Protect setting is turned on. 14-1. Session Drums 2.
8a Pattern changes will occur in units of measures, but tempo changes will affect the tempo of the current and all subsequent measures. 8b 8c 8d 8e 8a. Parameters Here you can edit the parameters for each sound used by the drum kit. You can also use the Knob Matrix to edit these parameters. 8b. KIT CHANGE This exchanges the drum kit for another drum kit. Select the desired drum kit and click the OK button (or press the panel YES key) to return to the DRUM KIT dialog box.
2. Parameters You can use the drum track fader and key to turn the drum track on/off and adjust the volume. Use the Knob Matrix to adjust the send levels and EQ settings. You can also click an icon in the screen and use the value dial (or +/– keys) to edit the setting. 3. Link Click this if you want the send and EQ parameters to be the same values for L and R. If you want to set the parameters individually for left and right, click this to turn it off, and then set the parameters individually. 4.
The tempo will be recorded from the beginning of the song. For the recording procedure refer to “6-1. Tempo track” (→p.63). The above two methods of recording the tempo track store their data in the same area; only the last-recorded data is maintained. It is not possible to have two tempo tracks of data. If the memory becomes full while recording tempo data, recording will end automatically. 1 1. Tempo Rec Mode [MIDIClock, MeasTap, BeatTap] Selects the type of tempo track to be recorded.
2. Mark list [001…100] Here you can select the mark number that you want to recall, edit, rename, or delete. The mark name, location, and the Album CD Track Marks are displayed beside the mark number. Mark numbers are reassigned automatically in order of their location. down the panel JUMP key. You can also move the location by clicking and holding in the waveform window and then moving the joystick to left or right. 2 1 3 3.
The location that you register for the LOC 3/TO key is used for the following purposes.
Recording will not start if the volume of the input signal does not reach the threshold level (specified by Threshold). In this case, press the STOP key to cancel record-ready mode, and change the “Threshold” setting. Trigger/RecStart: Press the REC key (REC and PLAY keys blinking) to enter record-ready mode. If the REC/PLAY key is on, recording will begin automatically when the audio input for the channels whose channel key is in Record mode exceeds the threshold level.
FF key Fast-forward will occur while you hold down the FF key during playback. Pressing the FF key while stopped will cause fast-forward to continue until you press the STOP, PLAY, or LOC 1/2/3/4 keys. If you perform auto-punch in/out recording while Loop Play is on, you’ll be able to record repeatedly; the recorded result will be saved in the Undo list. REW key Rewind will occur while you hold down the REW key during playback.
Effect parameters Algorithm list Program list STEREO TYPE STEREO TYPE Category No. Name Reverb&Delay 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 Modulation&Pitch Dynamics&Filter SFX&etc Reverb Hall Smooth Hall Reverb Wet Plate Reverb Dry Plate Reverb Room Bright Room Early Reflection L/C/R Delay Stereo/Cross Delay St.MultiTapDelay St.Modulation Dly St.Dynamic Delay Auto Panning Delay Stereo Chorus Stereo Flanger Stereo Phaser Stereo Vibrato Stereo Tremolo St.
St.Analog Record TalkingModulator St.RingModulator Rotary Speaker Old Record Talking Delay Jet Ring 7 Algorithm No. Name 27 28 29 30 27 28 29 St.Analog Record Talking Modulator St.Ring Modulator Rotary Speaker St.Analog Record Talking Modulator St.Ring Modulator No. Program Name Category: Reverb&Delay 63 64 65 66 67 68 69 70 71 72 Hall Plate Room Small Hall Light Plate Studio Room EarlyReflections Delay Analog Delay 3 Tap Delay 10 Algorithm No.
About the effect algorithms The effect algorithms can be broadly divided into mono and stereo types. For an insert effect, you can select a program that uses either type of algorithm. For a master effect and final effect, you cannot select programs that use a mono algorithm. This hall-type reverb simulates the reverberation of mid-size concert halls or ensemble halls.
Type Sharp, Loose, Modulated, Reverse Selects the decay curve for the early reflection ER Time 10...800msec Sets the time length of early reflection Predly (Pre Delay) 0...200msec Sets the time taken from the original sound to the first early reflection EQ Trim –15...+15dB Sets the equalizer trim level LEQ Gain (Pre LEQ Gain) –15...+15dB Sets the gain of Low EQ HEQ Gain (Pre HEQ Gain) –15...+15dB Sets the gain of High EQ Dry:Wet Dry, 1:99...
LoDamp (Low Damp) THRU, 21Hz...8.00kHz Sets the damping amount in the low range HiDamp (High Damp) 53Hz...20.0kHz, THRU Sets the damping amount in the high range In Level (Input Level) 0...100% Sets the input level to the effect : Type The left/right panning of the delay can be modified by changing the connections of the left and right delay. Be aware that different sounds must be input to the left and right channels in order for this parameter to be effective. 11: St.
Category: Modulation&Pitch Modulation/Pitch-type effects 14: Stereo Chorus This effect adds thickness and warmth to the sound by modulating the delay time of the input signal. You can control the spaciousness of the sound by offsetting the phase of the left and right LFOs from each other. : Feedback, : Dry:Wet The peak shape of the positive and negative “Feedback” value is different.
Release 0...10.0sec Sets the release time for level control L-R Phase (LFO L-R Phase) –180...+180deg Sets the LFO phase difference between the left and right Waveform (LFO Waveform) Triangle, Sine Selects LFO Waveform LFO Shape –100...
23: Stereo Gate This effect lowers the level of input signals that are below a specified level. Threshold –48.0...0.0dB Sets the level at which compression Attack 0...1.00sec Sets the attack time Release 0...10.0sec Sets the release time Range –inf, –48...0.0dB Compression level Env.Select (Envelope Select) L/R Mix, L/R Indiv Switches the left/right channels between linked or independent operation Response Slow, Medium, Fast Selects the response speed PreDelay (Pre Delay Time) 0...
26: Multiband Limiter This is a stereo multi-band limiter. It is ideal for mastering. Hi.Thresh (High Band Threshold) –48.0...0.0dB Adjusts the level at which compression begins for the highfrequency range Hi.Attack (High Band Attack) 0...1.00sec Adjusts the attack time for the high-frequency range Hi.Release (High Band Release) 0...10.0sec Adjusts the release time for the high-frequency range Hi.OutGain (High Band Output Gain) –24.0...+24.0dB Adjusts the output gain for the high-frequency range Md.
Monaural-type Modulation&Pitch Dynamics&Filter : Oscillator Frequency [Hz] This parameter sets the oscillator frequency. This effect simulates a rotary speaker, and obtains a more realistic sound by simulating the rotor in the low range and the horn in the high range separately. The effect also simulates the stereo microphone settings. Speed Sw (Speed Switch) Slow, Fast Switches the speaker rotation speed between slow and fast HornRatio (Horn Ratio) Stop, 0.50...2.
34: Mono ER Type Sharp, Loose, Modulated, Reverse Selects the decay curve for the early reflection ER Time 10...800msec Sets the time length of early reflection Predly (Pre Delay) 0...200msec Sets the time taken from the original sound to the first early reflection Dry:Wet Dry, 1:99...99:1, Wet Sets the balance between the effect and dry sounds LoDamp (Low Damp) THRU, 21Hz...8.00kHz Sets the damping amount in the low range HiDamp (High Damp) 53Hz...20.
41: Mn.Pitch Shifter (Mono Pitch Shifter) PitchShift –24...+24/2tone Sets the pitch shift amount in steps of a semitone Fine –100...+100cent Sets the pitch shift amount in steps of one cent Lo/Hi Cut (Low/High Cut) Lo:-50%..., Flat, ...Hi:-50% Sets the damping amount in the low/high range Dry:Wet Dry, 1:99...99:1, Wet Sets the balance between the effect and dry sounds Feedback –100...+100% Sets the feedback amount In Level (Input Level) 0...
Dry:Wet Dry, 1:99...99:1, Wet Sets the balance between the effect and dry sounds Waveform (LFO Waveform) Triangle, Sine, Saw Selects LFO Waveform LFO Speed 0.02...20.00Hz Sets the LFO speed LFO Step 0...256 Selects the LFO step Env.Resp (Envelope Response) Slow, Medium, Fast Selects the response speed of envelope control Env.Sens (Envelope Sensitivity) 0...100% Sets the sensitivity of envelope control 47: Mono Wah Control (Control Source) Envelope, LFO, Manual Switches the control source Wah.
52: GuitarMulti This is a multi-chain effect for guitar. Chain: [Wah]-[Comp]-[Mod]-[Amp]-[Dly] Parameters for the effects in the chain Wah (Wah Wah) Control (Control Source) Envelope, Manual Switches the control source Wah.Type Y-CRY, RM-A, RM-B, J-CRY, VOX, M-VOX Selects the wah type Env.Resp (Envelope Response) Slow, Medium, Fast Selects the response speed of envelope control Env.Sens (Envelope Sensitivity) 0...100% Sets the sensitivity of envelope control *Manual (Manual Control) 0...
Appendices Troubleshooting Power does not turn on Is the power cable connected to an outlet? (→p.1) Is the rear panel POWER ON (power supply) switch turned on? (→p.1) Nothing appears in the display Is the top panel power on key lit? (→p.1) Is the contrast adjusted correctly? (→p.8) Vertical lines are visible in the display Depending on the content of the display, vertical lines may be visible in the display, but this is not a malfunction. → If the screen is difficult to read, adjust the contrast (→p.8).
If you lowered the attenuator during recording while using the input EQ, could you have forgotten to reset the attenuator for playback? Have you set the recording level to PST (post-fader) during recording, recorded at a level below unity gain, and then played back with these same settings? → If you want to play back at the recorded level, set the channel fader to unity gain.
Can’t use the expression pedal or MIDI to control an effect In the SYSTEM/MIDI, “Control” tab page, is the effect selected by “Control Change Assign” enabled? → Go to the EFFECT, “EFFRouting” tab page and verify that the effect is enabled. Are you using the correct device to control the effect? → Control the effect using the device specified by the “Control Change Device” setting in the SYSTEM/ MIDI, “Control” tab page. (→p.
CD-R/RW Startup Can’t write The display hangs at “Start up from CD. Wait CD Mount.” and startup does not occur Audio files Can’t preview Is the audio file format supported? → Preview a WAV file of a supported format. (→p.86, 135) USB Troubleshooting Various messages More about drives and files Specifications Did you finalize the disc? → In the CD, Track at once page, click the Finalize button to finalize the disc. (→p.140) Did you use CD-R disc? → Some CD players are unable to play back CD-RW discs.
Various messages The message dialog box will disappear when you click the OK button (or press the panel YES key). Auto-Punch is not available in MTC Slave/Master mode. Auto-punch recording cannot be performed if the MIDI Sync setting is set to MTC Slave or MTC Master. Cannot have more than 100 Songs. You cannot exceed maximum of 100 songs on one song drive. → Delete unneeded songs. Be sure to back up any data you wish to save before deleting it from the hard drive. Check Sum Error occurred.
There is not enough of an editing region for track editing to occur. Insert next disc and press OK. Insert the next disc. Insufficient space available on the CD. This CD-R/RW disc does not contain enough free space to write the selected data. Maximum number of tracks is 99. A maximum of 99 tracks can be written to one CD. No audio events on the master track. The master track does not contain any audio events. No REC-READY tracks. None of the tracks have been set to the record ready mode.
This file name is already in use. Confirmation messages An identically-named file already exists. → Change the file name. This format is not supported. The inserted disc is in a format that the D3200 is unable to read. This is a blank CD. You have inserted a blank disc. This operation is not available. It is currently not possible to perform this operation. To ~ End is out of range. The track editing operation cannot be executed because there is a problem with the TO and END locations you specified.
read only CD-ROM (data CD) read only CD-R read/write CD-RW read/write/erase Supported file Supported format Edit PC File Supported format FAT16 file system; long file names are not supported, and double-byte characters (such as Japanese) are not supported. The PC (USB) drive has the following structure.
Audio CDs and files Files Writing Audio CDs Playing an audio CD Use CD, CD PLAYER to play back an audio CD. You cannot play back a CD-R/RW that has not been finalized. You cannot play back discs that do not conform to the Compact Disc (CD) specification, such as music discs utilizing copy-protection technology. You can write the following files from the D3200 to the internal drive. • Backup files (data specific to the D3200) • WAV files (16-bit/44.1 kHz, 16-bit/48 kHz, 24-bit/44.
6 characters + ST NONAMEST Other than 2 tracks monaural WAV 6 characters + [01–16] NONAME+ [01–16] Master track L monaural WAV 6 characters + ML NONAMEML Master track R monaural WAV 6 characters + MR NONAMEMR Master track L/R WAV 6 characters + MT NONAMEMT stereo For example if you export an audio file whose original track number is 04, the file name will be “NONAME04.WAV”. Loading You can load the following files into the D3200.
Specifications Operating temperature: +5 – +35 °C (do not allow condensation) Internal processing: 69-bit Inputs: 44 channels (32 recorder channels, 12 sub-in) Buses: 12 buses 2 Eff Send buses, 2 AUX buses, 2 SOLO buses (stereo), 2 CUE buses (stereo), 2 MASTER buses (stereo), 2 MONITOR buses (stereo) Equalizer: Recorder channels 1–24 4-band full parametric EQ ■ Main sections Number of tracks: 272 tracks (including virtual tracks) Recorder channels 25–32 2-band shel
Output impedance: 150 Ω –48 dBu to –10 dBu @ TRIM=max. – min. PAD OFF Maximum level: +2 dBu Load impedance: 10 kΩ or higher Source impedance: 600 Ω Nominal level: Connectors: 1/4" TRS phone jack (balanced) Input impedance: 10 kΩ Nominal level: –60 dBu to –22 dBu @ TRIM=max. – min. PAD OFF –34 dBu to +4 dBu @ TRIM=max. – min. PAD ON –48 dBu to –10 dBu @ TRIM=max. – min. PAD OFF –22 dBu to +16 dBu @ TRIM=max. – min.
Various lists Drum Pattern List The 1 Standard 1–8 etc variations consist of Variation 1–10, Fill In, and Ending.
No. Name No. Name 1 Bass Drum1 11 Syn.Bass1 21 A.G.Strum2 31 Total EQ2 41 FM Radio 2 Bass Drum2 12 Syn.Bass2 22 A.G.Arpegio1 32 Total EQ3 42 Old Record 3 Snare Drum1 13 Piano1 23 A.G.Arpegio2 33 Bass Drum3 43 Telephone 4 Snare Drum2 14 Piano2 24 Brass Section 34 Snare Drum3 44 Bright 5 Tom-Tom 15 E.G.Clean 25 Male Vocal1 35 Tom-Tom2 45 Dark 6 Cymbal 16 E.G.Crunch1 26 Male Vocal2 36 Piano3 46 Heavey Low 7 High Hat 17 E.G.
Shortcut keys While holding down the STOP key While holding down the MIXER key LOC 1/2/3/4 keys Recall page memories 1/2/3/4 π/† keys Move between MIXER pages in the +/– direction √/® keys Move between MIXER pages in the +/– direction REW key Move to the beginning of the song FF key Move to the end of the song LOC 1 key Move to the location at which recording last began CH VIEW key Access the DrmsMixer tab page EFFECT key Access the CueLevel tab page LOC 2 key Move to the location at which r
Audio CD CD-DA (Compact Disc Digital Audio). Commonly called “music CDs.” A CD that contains only music data. Auto punch in-out A function that automatically punches-in (begins recording) when playback reaches a pre-specified location, and punches-out (resumes playback) when recording has continued to a different pre-specified location.
Equalizer, EQ A device that modifies the frequency response to change the tonal character. There are various types, including parametric equalizers, graphic equalizers, and shelving equalizers. Export To output or write data for use by another system or program. Expression pedal A pedal used to control the volume or parameters of an instrument or effect. Fade-in/fade-out “Fade-in” means to gradually raise the volume to a desired level, and “fade-out” means to gradually lower the volume to silence.
Phantom power +48V power supply provided via a mic cable in order to power condenser microphones. MTC MTC (MIDI Time Code) is a specification that allows time location data to be transmitted via MIDI to allow synchronization between MIDI devices, MTRs, VTRs, and sequencers. Post gap A blank space left after a song when creating a music CD. Pre gap A blank space left before a song when creating a music CD. Pre-fader The state of a signal before it passes through the fader. Mute To silence a sound.
Sampling rate Also called sampling frequency. The frequency at which an analog input sound is converted into digital data. A sampling rate of 48 kHz means that the analog level is converted into digital form 48,000 times each second. The higher the sampling rate, the broader the frequency range that can be converted into digital data. Sampling rate converter A device that converts the sampling rate of a digital audio signal.
Virtual track Each channel track and the master track of the D3200 actually consists of eight separate areas called “virtual tracks” that can each hold a separate performance. For each track, you can select one of its virtual tracks for playback and recording. WAV Various messages More about drives and files Specifications A location at which the waveform level crosses ±0. Various lists Zero cross point Shortcut keys The three-pin balanced connector used for most mic connections.
Index A Album CD 69, 80, 138 Analog input Attenuator 6, 42 45, 107 Channel Fader Key Routing Switch View Channel Assign Channel EQ Input Track Audio Input Output 42 44 Audio CD 172 Channel Routing View Audio file Export Import 173 87 86 Check box Auditioning the pattern map 59 AUTO PUNCH 10 Auto punch recording AUTOMATION Automation AUX 66, 148 9 52, 103 7 Aux1 Send 109 Aux2 Send 109 B Backup Backup files Block diagram Bounce 83, 123 Displays the settings channel 96 Drive Capacity
Erase CD-RW Undo data 137, 139 92 Erase Punch Noise 78, 134 Erase Silence 79, 135 Erase Track 72, 129 EraseTrk 72, 129 Glossary 7 Manual punch recording H Hard disk drive Check Format 7 Headphones level 7 52 Import File 74, 131 Export 87, 136 Export File 136 EXPRESSION PEDAL 11, 57 External effect 57 F Fade Track 76, 133 Fader Channel DRUMS MASTER 8 8 8 Fader Group 47, 102 Fader Pan 103 FADER/PAN/AUTOMATION 103 FadeTrk 76, 133 Features 4 FF key Image file Import Indi
Move Counter FF, REW keys Locate key Mark Point Song MTC Multi Effect Mute 38 38 38 38 38 117 94, 125 163 8, 48 N Name Mark Scene Song Song drive Track Name Library Name Library List 39 50 36 90 79 36, 99 177 Power Off On PreGap Program change Punch-in/out 81 94, 124 66 R Radio button REC key 14, 15 10, 149 147 Rec Send 110 REC/PLAY MODE Scene Filter Scroll bar button SCRUB Rec Mode REC/PLAY Scene Automation Edit 8 10, 147 Recalling EQ Mixer setup Scene 46 49 50 Recorder 64 Select Page mo
Tap tempo TEMPO Tempo Track Time Toggle button TRACK 63 62 63, 145 37, 98, 120 Track editing 69, 126 Transport key 10, 149 TRIGGER Trigger recording TRIM 10 65, 147 7 Trouble 164 TUNER 10, 43, 141 Troubleshooting Various messages More about drives and files 79, 139, 172 Specifications Track At Once Unity gain Upgrading the system USB USB drive 10, 92, 141 45 96 12, 93 171 V Value dial Virtual Track Volume Adjust 11 65, 126 31 45 W WAV 173 Wave dialog box 128 Windows Word Clock Short
Block diagram 188
[Digital Recording Studio] Model D3200 MIDI Implementation MIDI implementation chart Chart Recognized Transmitted Date: 2005.4.
IMPORTANT NOTICE TO CONSUMERS This product has been manufactured according to strict specifications and voltage requirements that are applicable in the country in which it is intended that this product should be used. If you have purchased this product via the internet, through mail order, and/or via a telephone sale, you must verify that this product is intended to be used in the country in which you reside.
