User Manual
Table Of Contents
- About this manual
- Table of Contents
- Introduction to the KROSS
- Setup
- Playing and editing Programs
- Playing Programs
- Quick Layer/Split function
- Easy program editing
- Detailed Editing with Programs
- Before you start editing
- An overview of the edit pages
- Basic oscillator settings
- Creating time-varying changes (LFO and EG)
- Diverse modulation settings (AMS and AMS mixer)
- Controlling Pitch
- Using Filters
- Using the Amp section
- Making controller assignments
- Arpeggiator settings
- Drum Track settings
- Using the step sequencer
- Effects
- Automatically importing a Program into Sequence mode
- Playing and editing Combinations
- Playing combinations
- Editing a combination
- Summary of the edit pages
- A suggested approach for editing
- Comparing with the sound before you started editing
- Changing the program of each timbre
- Adjusting the mix
- Using the Tone Adjust and EG Adjust functions
- Saving a Combination you’ve edited
- Using REALTIME CONTROLS to adjust the sound or effects
- Layers, Splits, and Velocity Switches
- Status settings
- MIDI settings
- Changing the program settings to match the combination
- Arpeggiator settings
- Drum Track settings
- Using the step sequencer
- Effects
- Automatically importing a combination into Sequence mode
- Favorites function
- Sequencer
- Using Effects
- Arpeggiator function
- Drum Track function
- Step sequencer
- Pad Sampler
- Audio recorder
- Pad audio play
- Using Drum Kits
- Overall settings for the KROSS, and saving/loading data
- Appendices
Using Effects
72
7. The Level parameter specifies the level of the external
audio signal that’s being input. Normally you’ll leave
this at 127.
8. The FX Control Bus sends the audio input to the FX
Control bus. Use this when you want to use another
sound to control the effect input. You can use two
separate FX Control buses to control the effects with a
great deal of flexibility. (see “FX Control Bus” on
page 211 of the Parameter Guide)
If you want the edited settings to be saved in the
KROSS, be sure to execute the Write function. Do this
using the PAGE+ (WRITE G-SET) button in the
AUDIO IN -QUICK SETTING- dialog box.
The input gain (Gain) setting will be saved in Global/
Media mode. Although you can edit this in the AUDIO
IN page or the QUICK SETTING dialog box of each
mode, you can’t save it individually for a program, etc.
9. If you want the Input settings of Global/Media mode
to be used in the other modes, check G-SET in the
"AUDIO IN" page of each mode. If you want to use
individual input settings in Program, Combination,
and Song modes, clear this check mark.
Dynamic modulation (Dmod)
Dynamic modulation (Dmod) lets you use MIDI messages
or the KROSS’s controllers for realtime control of specific
effect parameters.
Another way to control effect parameters is to use MIDI/
Tempo Sync, which allows the LFO speed of a modulation
effect or the delay time of a delay effect to be synchronized
to the tempo of the arpeggiator or sequencer.
(see “Dynamic modulation (Dmod) and Tempo
Synchronization” on page 210 of the Parameter Guide)