User Manual
Table Of Contents
- About this manual
- Table of Contents
- Introduction to the KROSS
- Setup
- Playing and editing Programs
- Playing Programs
- Quick Layer/Split function
- Easy program editing
- Detailed Editing with Programs
- Before you start editing
- An overview of the edit pages
- Basic oscillator settings
- Creating time-varying changes (LFO and EG)
- Diverse modulation settings (AMS and AMS mixer)
- Controlling Pitch
- Using Filters
- Using the Amp section
- Making controller assignments
- Arpeggiator settings
- Drum Track settings
- Using the step sequencer
- Effects
- Automatically importing a Program into Sequence mode
- Playing and editing Combinations
- Playing combinations
- Editing a combination
- Summary of the edit pages
- A suggested approach for editing
- Comparing with the sound before you started editing
- Changing the program of each timbre
- Adjusting the mix
- Using the Tone Adjust and EG Adjust functions
- Saving a Combination you’ve edited
- Using REALTIME CONTROLS to adjust the sound or effects
- Layers, Splits, and Velocity Switches
- Status settings
- MIDI settings
- Changing the program settings to match the combination
- Arpeggiator settings
- Drum Track settings
- Using the step sequencer
- Effects
- Automatically importing a combination into Sequence mode
- Favorites function
- Sequencer
- Using Effects
- Arpeggiator function
- Drum Track function
- Step sequencer
- Pad Sampler
- Audio recorder
- Pad audio play
- Using Drum Kits
- Overall settings for the KROSS, and saving/loading data
- Appendices
Playing and editing Combinations
48
A suggested approach for editing
First select the program that each timbre will use, and set
each timbre’s MIDI channel to Gch (global MIDI channel)
and its Status to INT so that it can be played from the
keyboard.
Next, create any desired keyboard or velocity switch, layers,
or crossfades between the different Timbres.
After this, adjust the volumes of the Timbres, and set up any
other Timbre parameters as desired.
To add finishing touches to the sound, set up the Insert, and
Master Effect as desired. These effects can be different from
those associated with the individual Programs in Program
mode, if desired.
In addition, you can make arpeggiator and drum track
settings and controller settings to create the finished
Combination.
Note: You can use a function to copy effect and arpeggiator
settings from a program. (see page 96 of the Parameter
Guide)
Soloing a timbre
You can use the COMBI> PROG page Solo Setting function
to hear the sound of an individual timbre. (see page 32)
Comparing with the sound before
you started editing
Using COMPARE
When you’re in the process of editing a sound, pressing the
COMPARE button will recall the saved version of the sound,
as it was before you started editing.
For details, please see “Compare/Undo function” on
page 13.
Changing the program of each
timbre
Changing the Programs that are assigned to timbres (1–16) is
a quick way to dramatically alter the sound of the
Combination.
1. Access the COMBI> PROG page.
Press the PAGE+ or PAGE- button to select the page.
2. Press the cursor button ▼ to choose category/timbre
program select (it will be highlighted).
3. Use the cursor buttons ◄► to select the timbre whose
program you want to switch.
4. Turn the CATEGORY dial to select a category.
5. Turn the VALUE dial.
6. Press the MENU (OK) button or the ENTER button
to confirm your choice.
You can also switch programs by receiving MIDI
program changes from a connected external MIDI
device. (see page 316 of the Parameter Guide)
To select the timbre program via MIDI program change
the timbre’s status must be set to “INT.”
Adjusting the mix
Adjusting the volume of each timbre
1. Access the COMBI> MIXER page.
Press the PAGE+ or PAGE– button to select the page.
In this page you can view and edit the pan and volume of
timbres 1–16.
2. Press the cursor button ▼ to choose Volume (it will be
highlighted).
3. Use the cursor buttons ◄► to select the timbre whose
volume you want to adjust
4. Use the VALUE dial etc. to adjust the setting.
Note: If you check Hold Balance function, moving any one
of the volume sliders (volume values) will cause the volume
of the other timbres to change as well, maintaining the
relative volume balance between timbres 1–16. This is a
convenient way to adjust the overall volume.
Adjusting the panning of each timbre
1. Access the COMBI> MIXER page.
2. Use the cursor buttons ▲▼ to choose Pan (it will be
highlighted).
3. Use the cursor buttons ◄► to select the timbre whose
pan you want to adjust
4. Use the VALUE dial etc. to adjust the setting.
Note: Timbre pan interacts with the pan stored in the
Program. A setting of C064 reproduces the Program’s
oscillator pan settings. Adjusting the Timbre Pan will move
the sound to left or right while preserving the pan
relationship between the oscillators. A setting of L001 is far
left, and R127 is far right.
Timbre number
Category/combination select
Category/timbre program select
Active timbre
STEP(Step sequencer on/o)
SMP(Pad sampler on/o)