User Manual
Table Of Contents
- About this manual
- Table of Contents
- Introduction to the KROSS
- Setup
- Playing and editing Programs
- Playing Programs
- Quick Layer/Split function
- Easy program editing
- Detailed Editing with Programs
- Before you start editing
- An overview of the edit pages
- Basic oscillator settings
- Creating time-varying changes (LFO and EG)
- Diverse modulation settings (AMS and AMS mixer)
- Controlling Pitch
- Using Filters
- Using the Amp section
- Making controller assignments
- Arpeggiator settings
- Drum Track settings
- Using the step sequencer
- Effects
- Automatically importing a Program into Sequence mode
- Playing and editing Combinations
- Playing combinations
- Editing a combination
- Summary of the edit pages
- A suggested approach for editing
- Comparing with the sound before you started editing
- Changing the program of each timbre
- Adjusting the mix
- Using the Tone Adjust and EG Adjust functions
- Saving a Combination you’ve edited
- Using REALTIME CONTROLS to adjust the sound or effects
- Layers, Splits, and Velocity Switches
- Status settings
- MIDI settings
- Changing the program settings to match the combination
- Arpeggiator settings
- Drum Track settings
- Using the step sequencer
- Effects
- Automatically importing a combination into Sequence mode
- Favorites function
- Sequencer
- Using Effects
- Arpeggiator function
- Drum Track function
- Step sequencer
- Pad Sampler
- Audio recorder
- Pad audio play
- Using Drum Kits
- Overall settings for the KROSS, and saving/loading data
- Appendices
Playing and editing Programs
40
Controlling Pitch
Pitch Bend
Pitch bend smoothly changes the pitch upward or downward,
similar to how a guitarist can “bend” strings. On the
KROSS, you can use the pitch bend wheel to control this in
real time.
The amount of pitch change applied when you move the
pitch bend wheel fully toward yourself or fully away from
yourself is specified in semitone steps by the Bend(+) and
Bend(–) settings. For example if Bend(+) is set to +12,
moving the pitch bend wheel fully away from yourself will
make the pitch rise one octave.
Note: This can also be controlled via MIDI or by using a
controller other than the pitch bend wheel.
Ribbon (#16) specifies the amount of pitch change (in
semitone units) that will occur when MIDI control
change message #16 is received. With a setting of +12,
a value of 127 will raise the pitch one octave, and a
value of 0 will lower the pitch one octave.
Creating Vibrato
You can use an LFO to create vibrato.
LFO1 and LFO2 Intensity specify how deeply the selected
LFO will affect the pitch. With a setting of +12.00, vibrato
will vary the pitch in a range of one octave upward and
downward.
M.Whl-Int specifies the amount of vibrato that will be
produced by the LFO when the modulation wheel is moved
fully away from you.
AMS Intensity specifies the depth of vibrato that will be
applied by the LFO when modulated by the selected AMS
(Alternate Modulation Source). For example, suppose that in
the P-INPUT/CTRL>CONTROLLERS page, you set SW1
to SW1 Mod.:#80, set LFO1 AMS to SW1:#80, and set
“Intensity” to an appropriate value; when you now turn on
SW1 or receive MIDI control change CC#80, vibrato will be
applied.
Pitch EG
When the Intensity value is set to +12.00, the pitch EG
specified in the Pitch EG page will produce a maximum of
±1 octave of pitch change.
To realistically simulate the slight change in pitch that
occurs when a string is plucked or at the attack of a brass or
vocal sound, you can use the EG to create a subtle change in
pitch at the attack.
Portamento
Portamento makes the pitch change smoothly when you play
the next note before releasing the previous note.
The Time parameter controls how long it will take the pitch
to change. As this value is increased, the pitch will change
over a longer time. With a value of 000, there will be no
portamento.
You can turn Portamento on and off via SW1 or SW2, by
assigning them to Porta. SW: #65.
LFO1 Intensity
AMS AMS Intensity
Modulation Wheel
IntensityPitch EG Intensity