User Manual
Introduction to KRONOS
22
2. Analog audio input connections
You can bring external analog audio sources into the
KRONOS for sampling, recording, or processing through
the internal effects.
AUDIO INPUT 1, 2
These two inputs use 1/4” TRS balanced jacks, and include
preamps with adjustable gain. To set up the audio inputs:
1. Connect your mics or the output jacks of your
external audio sources to the INPUT 1 and 2 jacks.
2. Set the MIC/LINE switch as appropriate for the
device you’ve connected, and use the LEVEL knob to
adjust the gain.
Choose the LINE setting (switch pressed inward) if you’ve
connected a mixer, computer, audio system, signal processor,
or another synthesizer. For best results, use balanced line
connections.
Note: Guitars with active pickups can be connected directly.
Guitars with passive pickups (i.e., guitars that do not have an
internal preamp) can be used, but the impedance mismatch
will cause both a change in tone and a reduction in volume.
For best results, route such guitars through a pre-amp or
effects unit before connecting them.
Choose the MIC setting (switch in the outward position)
only when connecting a mic. Note that some microphones,
such as condensers, may require external phantom power,
which is not supplied by the KRONOS.
3. Adjust the output level on any connected external
equipment.
4. After turning on the power, use the Audio Input page
to set up the volume, pan, bus routing, and send levels
for the inputs, as desired.
For more information, see “0–8: Audio Input/Sampling” on
page 19 of the Parameter Guide.
3. Digital audio input/output
connections
Digital audio output
The KRONOS main stereo output can be digitally
transmitted to an audio system, digital mixer, or other device
that can accept a sampling rate of 48 kHz.
• Use an optical cable to connect the S/P DIF OUT
(MAIN) jack to the optical digital input jack of your
device.
This will carry the same audio signal as the AUDIO
OUTPUT (MAIN) L/MONO and R jacks.
Note: The MAIN VOLUME knob doesn’t affect the volume
of the digital output.
AC power supply
to an AC outlet
Power cable (Included)
Power switch
PHONES
MIC
1
BAL
OR
UNBAL
LINE IN 1
LOW CUT
75Hz
18dB/OCT
TRIM
+
10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
LINE IN 7-8
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 9-10
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 11-12
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 13-14
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
STEREO AUX RETURNS
1
2
1
2
AUX SEND
LEFT
(1/MONO)
RIGHT
ALL BAL/UNBAL
L
R
TAPE
INPUT
TAPE
OUTPUT
MAIN OUTS
L
R
BAL/UNBAL
PHONES
MIC
2
BAL
OR
UNBAL
LINE IN 2
LOW CUT
75Hz
18dB/OCT
TRIM
+
10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
MIC
3
BAL
OR
UNBAL
LINE IN 3
LOW CUT
75Hz
18dB/OCT
TRIM
+
10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
MIC
4
BAL
OR
UNBAL
LINE IN 4
LOW CUT
75Hz
18dB/OCT
TRIM
+
10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
MIC
5
BAL
OR
UNBAL
LINE IN 5
LOW CUT
75Hz
18dB/OCT
TRIM
+
10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
MIC
6
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+
10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
1
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
2
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
3
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
4
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
5
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
6
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
7–8
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
9–10
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
11–12
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
13–14
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
dB
10
5
U
5
10
20
30
40
50
60
dB
10
5
U
5
10
20
30
40
50
U
+10
U
+20
U
+20
1
2
AUX 1 MASTER
PRE
POST
NORMALLED
AUX 1
SELECT
EFX TO
MONITOR
AUX
RETURNS
SOURCE
MAIN
MIX
LEFT RIGHT
CLIP+28
+10
+7
+4
+2
0
-2
-4
-7
-10
-20
-30
0dB
=
0dBu
RUDE SOLO LIGHT
ALT
3-4
TAPE
ASSIGN
TO MAIN MIX
NORMAL(AFL)
LEVEL SET(PFL)
SOLO
MODE
PHANTOM
POWER
CONTROL
ROOM
/ PHONES
MAIN MIX
2. Analog audio input
connections
Mixer
Powered
monitors,
etc.
AUDIO INPUT
INPUT
Monitor
OUTPUT
AUDIO OUTPUT
3. Digital audio
input/output connections
Digital Recorder, etc.
DIGITAL OUT
S/P DIF
OUT IN
5. Connecting USB devices
CD-R/RW, hard disks,
ash memory, USB ethernet,
QWERTY keyboards etc.
USB cable
USB A USB B
USB
Computer
7. Connecting to computers via USB
USB MIDI Controller
Mic
Guitar
Eect unit
1. Analog audio output connections
4. Pedal connections etc.
DAMPER
PEDAL
SWITCH
ASSIGNABLE
ASSIGNABLE
Synthesizer
6. MIDI Connections to equipment
& Computers