User Manual

Creating songs (Sequencer mode)
106
REC Source
This selects the source that will be recorded on the track. The
signal of the bus line you specify here will be recorded. See
below for a diagram of buses when recording from the audio
inputs; for more detailed diagrams, see under “0–2: Audio
Track Mixer” on page 533 of the Parameter Guide.
If you set the Track Select field to Audio Track, you will be
able to monitor the REC Source of that track.
The options will differ slightly depending on whether or not
Stereo Pair is enabled.
Audio Input 1, 2, 1/2, USB 1, 2, 1/2, or S/P DIF L, R, L/R:
Choose these to directly record the audio input from the
analog, S/P DIF, or USB inputs. The inputs will be recorded
directly without passing through the L/R bus, REC buses, or
Individual buses. None of the Audio Input settings will
affect the recorded signal; this includes Bus (IFX/Indiv),
Pan, Level, Solo, and Play/Mute. See the diagram “REC
Source = Audio Input 1, 2, 1/2.”
If Stereo Pair is on and Audio Input 1/2 is selected, AUDIO
INPUT 1 will be input to the odd-numbered track, and
AUDIO INPUT 2 will be input to the even-numbered track.
Similarly, USB 1/2. and S/P DIF L/R will be input to the
odd-numbered and even-numbered tracks respectively.
L, R, L/R: The L/R bus after passing through TFX 1 and 2
will be recorded. Choose this if you want to record an
external audio signal being sent to the L/R bus, or the sound
being produced by the KRONOS (and sent to the L/R bus) in
response to sequencer playback, keyboard playing, or MIDI
input.
If Stereo Pair is on, L is sent to odd-numbered tracks, and R
is sent to even-numbered tracks.
REC 1, 2, 1/2, REC 3, 4, 3/4: The REC 1/2 or REC 3/4
buses will be recorded. Choose this if you want to record
only the audio input while hearing the sequencer playback
and your keyboard playing from the L/R outputs. You can
also mix several audio inputs to the REC buses, or use the
REC buses to mix the direct sound from the audio inputs
with the sound processed by insert effects, and record the
result.
If Stereo Pair is on, REC bus 1 (3) is sent to odd-numbered
tracks, and REC bus 2 (4) is sent to even-numbered tracks.
Indiv.1…4, Indiv.1/2 and 3/4: This allows you to record the
signal at the individual outputs directly, without the need for
an external cable. Similarly to using
the
REC buses, you can
choose this when you want to monitor the L/R output while
recording a different signal.
If Stereo Pair is on and you’ve selected Indiv.1/2, the Indiv.
bus 1 will be sent to odd-numbered tracks, and Indiv. bus 2
will be sent to even-numbered tracks.
Play/Rec/Mute
Use this to mute an audio track, or to select the recording
tracks for multi-track recording. During playback, or for
single-track recording (normal recording), it is possible only
to select Play or Mute for tracks (playback tracks) other than
the recording track. For multi-track recording, tracks can be
set to Play, Mute, or Rec. The setting will alternate each time
you press the Play/Rec/Mute button.
Solo On/Off
This turns the Solo function on/off.
Pan
This specifies the pan of audio track.
Volume
Sets the volume of audio tracks 1–16.
Track: REC (Mono)
Track: REC (Mono)
Stereo
Level Pan
Insert
Eects
CLIP !
L/MONO
R
AUDIO OUTPUT
HEADPHONES
Insert
Eects
L/R
BUS
REC
1/2
REC
3/4
Indiv.
1/2
Sequencer Playback
Keyboard
Level Pan
Insert
Eects
Audio Input 1
Audio Input 2
REC Source =
Audio Input 1, 2, 1/2
[x] Source Direct Solo
Total
Eects
Master
Eects
Recording
Monitor
BUS = L/R or IFX1-12
3/4