User's Manual
Table Of Contents
- Table of Contents
- Introduction
- Quick Start
- Turning the power on/off
- Listening to the demo songs
- Selecting and playing a program
- Selecting and playing a combination
- Using controllers to modify the sound
- Using the arpeggiator while you play
- Playing with the RPPR (Realtime Pattern Play/Recording) function
- Simple program editing
- Simple combination editing
- Sampling (recording a sample)
- Basic functions
- Saving data
- Restoring the factory settings
- Program mode
- How a program is organized
- Basic program editing
- Oscillator settings 2.1: Ed–Basic
- Controller settings 2.2: Ed–Ctrl
- Pitch settings 3.1: Ed–Pitch
- Filter settings 4.1: Ed–Filter1, 4.2: Ed–Filter2
- Amplifier settings 5.1: Ed–Amp1, 5.2: Ed–Amp2
- LFO settings 5.3: Ed–LFOs
- Arpeggiator settings 6.1: Ed–Arp.
- BUS settings 7.1: Ed–InsertFX BUS
- Insert Effect settings 7.1: Ed–InsertFX Setup, IFX
- Master Effect settings 7.2: Ed–MasterFX
- More about Alternate Modulation
- Auto Song Setup function
- Combination mode
- How a combination is organized
- Basic combination editing
- Timbre 1–8 program, pan and volume 2.1: Ed–Prog/Mix
- Controller settings 2.2: Ed–Ctrl
- Settings for status, MIDI channel, and playing mode 3.1: Ed–Param1
- Note timing and scale settings 3.2: Ed–Param2
- Layer and split settings 3.3: Ed–Key Zone
- Velocity switch settings 3.4: Ed–Vel Zone
- MIDI filter settings 4.1: Ed–MIDI Filter1–4.4: Ed–MIDI Filter4
- Arpeggiator settings 6.1: Ed–Arp.
- Bus settings 7.1: Ed–InsertFX BUS
- Insert Effect settings 7.1: Ed–InsertFX Setup, IFX
- Master Effect settings 7.2: Ed–MasterFX
- Auto Song Setup function
- How a combination is organized
- Sequencer mode
- Sampling mode
- Global mode
- Media mode
- Arpeggiator settings
- Effects settings
- Other functions
- Tuning to another instrument/ Transposing
- Bypassing the effects
- Specifying the function of the Assignable Switch and Assignable Pedal
- Selecting different Velocity and Aftertouch curves
- Creating original scales
- Changing the scale
- Setting the function of [SW1] and [SW2]
- Setting the B-mode functions of REALTIME CONTROLS [1]–[4]
- Adjusting the contrast (brightness) of the LCD screen
- Using this instrument as a data filer
- Tap tempo control
- Shortcuts
- Appendices
64
The structure of Sequencer mode
The following describes the structure of Sequencer
mode. (see diagram below)
Songs
A song consists of tracks 1–16, a master track, song
parameters such as the song name, effect, arpeggiator
and RPPR parameters, and 100 user patterns.
A maximum of 200 such songs can be created on this
instrument.
Tracks 1–16 and the master track each consist of setup
parameters located at the start location, and musical
data within the track.
Setup parameters
Tracks 1–16
Bank/Program No.*, PLAY/MUTE/REC, Pan*, Vol-
ume*, Track Play Loop, Loop Start Measure, Loop
End Measure, Status, MIDI Channel, Bank Select
(When Status=EX2), Force OSC Mode, OSC Select,
Portamento*, Transpose**, Detune**, Bend Range**,
OSC On/Off Ctrl, Delay, Use Program's Scale, MIDI
Filter, Key Zone, Velocity Zone, Track Name, IFX/
Indiv.Out BUS Select, Send1(MFX1)*, Send2(MFX2)*
Master track
Time signature*, Tempo*
Musical data
Tracks 1–16
Note On/Off, Program Change (including Bank
Select), Pitch Bend, After Touch (Poly After), Con-
trol Change, Pattern No.
* When you change the setting during realtime-
recording, this will be recorded as musical data.
This allows the starting settings to be modified
during the playback.
** Musical data (MIDI RPN data) can be used to
change the starting settings during playback.
For details on control changes and RPN, refer to
PG p.236, 239.
Patterns
There are two types of patterns: preset patterns and
user patterns.
• Preset patterns: Patterns suitable for drum tracks
are preset in internal memory, and can be selected
for any song.
• User patterns: Each song can have up to 100
patterns. When using a pattern in a different song,
use the Utility menu commands “Copy Pattern” or
“Copy From Song” etc. to copy the pattern. The
pattern length can be specified in units of a
measure.
Each pattern consists of musical data for one track. It is
not possible to create patterns that contain multiple
tracks.
These patterns can be used as track musical data by
being placed in a track (Utility menu command “Put
to Track”) or copied to a track (Utility menu command
“Copy to Track”). Alternatively, you can use a pattern
with the RPPR function of a song.
Cue List
A cue list allows you to playback multiple songs in
succession. The TR allows you to create 20 cue lists.
Each cue list allows you to connect a maximum of 99
songs in any order, and to specify the number of times
that each song will repeat.
The page menu command “Convert to Song” lets you
convert the two or more songs in a cue list into a single
song. This allows you to use a cue list to create the
backing, then convert the cue list into a song and add
solo phrases on unused tracks.
Insert Effect :
7.1–3, 4
AUDIO OUTPUT
L/MONO, R
Master Effect 1, 2 :
7.2–1...3
AUDIO OUTPUT
INDIVIDUAL 1,2
MasterEQ : 7.2–4
Controller Setup : 2.2
Arpeggiator: 6.1–1…5
(A, B)
BUS : 7.1–1, 2
Track
Insert Effect
Master Effect
Individual Outputs
Track 1
Setup parameters Musical data
Track 2
Setup parameters Musical data
Track 3
Setup parameters Musical data
Track 4
Setup parameters Musical data
Track 5
Setup parameters Musical data
Track 6
Setup parameters Musical data
Track 7
Setup parameters Musical data
Track 8
Setup parameters Musical data
Track 16
Setup parameters
Musical data
Master Track
Tempo, time signature data
Pattern U00 ... U99
RPPR Setup
: 5.1
7.1-1 or 7.2-1 etc. indicate pages or tab screens used on this instrument for editing.