User's Manual
Table Of Contents
- Table of Contents
- Introduction
- Quick Start
- Turning the power on/off
- Listening to the demo songs
- Selecting and playing a program
- Selecting and playing a combination
- Using controllers to modify the sound
- Using the arpeggiator while you play
- Playing with the RPPR (Realtime Pattern Play/Recording) function
- Simple program editing
- Simple combination editing
- Sampling (recording a sample)
- Basic functions
- Saving data
- Restoring the factory settings
- Program mode
- How a program is organized
- Basic program editing
- Oscillator settings 2.1: Ed–Basic
- Controller settings 2.2: Ed–Ctrl
- Pitch settings 3.1: Ed–Pitch
- Filter settings 4.1: Ed–Filter1, 4.2: Ed–Filter2
- Amplifier settings 5.1: Ed–Amp1, 5.2: Ed–Amp2
- LFO settings 5.3: Ed–LFOs
- Arpeggiator settings 6.1: Ed–Arp.
- BUS settings 7.1: Ed–InsertFX BUS
- Insert Effect settings 7.1: Ed–InsertFX Setup, IFX
- Master Effect settings 7.2: Ed–MasterFX
- More about Alternate Modulation
- Auto Song Setup function
- Combination mode
- How a combination is organized
- Basic combination editing
- Timbre 1–8 program, pan and volume 2.1: Ed–Prog/Mix
- Controller settings 2.2: Ed–Ctrl
- Settings for status, MIDI channel, and playing mode 3.1: Ed–Param1
- Note timing and scale settings 3.2: Ed–Param2
- Layer and split settings 3.3: Ed–Key Zone
- Velocity switch settings 3.4: Ed–Vel Zone
- MIDI filter settings 4.1: Ed–MIDI Filter1–4.4: Ed–MIDI Filter4
- Arpeggiator settings 6.1: Ed–Arp.
- Bus settings 7.1: Ed–InsertFX BUS
- Insert Effect settings 7.1: Ed–InsertFX Setup, IFX
- Master Effect settings 7.2: Ed–MasterFX
- Auto Song Setup function
- How a combination is organized
- Sequencer mode
- Sampling mode
- Global mode
- Media mode
- Arpeggiator settings
- Effects settings
- Other functions
- Tuning to another instrument/ Transposing
- Bypassing the effects
- Specifying the function of the Assignable Switch and Assignable Pedal
- Selecting different Velocity and Aftertouch curves
- Creating original scales
- Changing the scale
- Setting the function of [SW1] and [SW2]
- Setting the B-mode functions of REALTIME CONTROLS [1]–[4]
- Adjusting the contrast (brightness) of the LCD screen
- Using this instrument as a data filer
- Tap tempo control
- Shortcuts
- Appendices
49
Basic functions
Program mode
Program mode
In Program mode you can select, play and edit pro-
grams.
Program mode consists of pages 1.1: Play–7.2: Ed–Mas-
terFX.
In 1.1: Play; you can select and play programs. You can
also edit the sound in simple ways, and make arpeg-
giator settings. (
☞p.32)
In 2.1: Ed–Basic–7.2: Ed–MasterFX, you can edit the
parameters of the program that was selected in 1.1:
Play.
When shipped from the factory, the TR contains
numerous preloaded programs. You can edit these pre-
loaded programs to create your own original pro-
grams. You can also create original programs using
your own sampled waveforms or multisamples that
you sampled in Sampling mode (using the EXB-SMPL
option) or loaded into internal memory in Media
mode.
If the separately sold EXB-SMPL option is
installed, the TR will have AUDIO INPUT jacks
that allow external audio to be input. In Sampling
mode you can sample these external audio input
sources. In modes other than Sampling mode, the
TR’s internal effects can be applied to the external
audio input sources, allowing a wide range of
applications (
☞p.115, PG p.128).
All transmission and reception of MIDI data in
Program mode is performed on the Global MIDI
channel. The global MIDI channel is set in GLO-
BAL 2.1: MIDI “MIDI Channel.”
How a program is organized
A program consists of the many parameters of 2.1: Ed–
Basic–7.2: Ed–MasterFX. The diagram below shows the
structure of a program.
Basic program editing
With the factory settings, this instrument’s program
bunks A, B, C and D contain preloaded programs. You
can edit these programs to create your own original
programs.
For parameters in 2.1: Ed–Basic–5.3: Ed–LFOs that
are set independently for each oscillator 1 and 2,
you can use the Utility “Copy Oscillator” to copy
settings from one oscillator to the other. This is a
convenient way to make the same settings for two
oscillators, or to copy settings from one oscillator
to the other.
If you wish to save an edited program into internal
memory, be sure to Write the program. (
☞p.43)
In this section we will give examples of how to modify
representative parameters in each page. For details on
all parameters, refer to in the PG p.1–.
Programs you edit or create can be written into the 512
program memory areas of banks A–D. They can also be
saved and managed on SD card in Media mode
(
☞p.43).
OSC1 Basic : 2.1-2, 4
Filter1(A/B) : 4.1-1
Amp1 Level/Pan : 5.1-1
Pitch EG : 3.1-5
Filter1 EG :
4.1-5
Amp1 EG : 5
.1-3
OSC1 LFO1 : 5
.3-1
OSC 1
OSC 2
Filter1 Mod. : 4.1-2,3
Filter1 LFO Mod. : 4.1-4
OSC1 Pitch Mod. : 3.1-1, 2
OSC1 LFO2 : 5
.3-2
Amp1 Mod. : 5
.1-2
Program Basic : 2.1-1
Insert Effect:
7.1-2, 3
AUDIO OUTPUT
L/MONO, R
Master Effect 1, 2:
7.2-1...3
AUDIO OUTPUT
INDIVIDUAL 1,2
MasterEQ : 7.2-4
Oscillator / Pitch
Filter
Amplifier
Effect
Controller Setup:
2.2
Arpeggiator :
6.1
OSC1, 2
Insert Effect
Master Effect
Individual-
Output
Insert Effect :
7.1-1
1.1-1 and 2.1-2 etc. indicate the page tab screens used when editing on this instrument.