User's Manual
Table Of Contents
- Table of Contents
- Introduction
- Quick Start
- Turning the power on/off
- Listening to the demo songs
- Selecting and playing a program
- Selecting and playing a combination
- Using controllers to modify the sound
- Using the arpeggiator while you play
- Playing with the RPPR (Realtime Pattern Play/Recording) function
- Simple program editing
- Simple combination editing
- Sampling (recording a sample)
- Basic functions
- Saving data
- Restoring the factory settings
- Program mode
- How a program is organized
- Basic program editing
- Oscillator settings 2.1: Ed–Basic
- Controller settings 2.2: Ed–Ctrl
- Pitch settings 3.1: Ed–Pitch
- Filter settings 4.1: Ed–Filter1, 4.2: Ed–Filter2
- Amplifier settings 5.1: Ed–Amp1, 5.2: Ed–Amp2
- LFO settings 5.3: Ed–LFOs
- Arpeggiator settings 6.1: Ed–Arp.
- BUS settings 7.1: Ed–InsertFX BUS
- Insert Effect settings 7.1: Ed–InsertFX Setup, IFX
- Master Effect settings 7.2: Ed–MasterFX
- More about Alternate Modulation
- Auto Song Setup function
- Combination mode
- How a combination is organized
- Basic combination editing
- Timbre 1–8 program, pan and volume 2.1: Ed–Prog/Mix
- Controller settings 2.2: Ed–Ctrl
- Settings for status, MIDI channel, and playing mode 3.1: Ed–Param1
- Note timing and scale settings 3.2: Ed–Param2
- Layer and split settings 3.3: Ed–Key Zone
- Velocity switch settings 3.4: Ed–Vel Zone
- MIDI filter settings 4.1: Ed–MIDI Filter1–4.4: Ed–MIDI Filter4
- Arpeggiator settings 6.1: Ed–Arp.
- Bus settings 7.1: Ed–InsertFX BUS
- Insert Effect settings 7.1: Ed–InsertFX Setup, IFX
- Master Effect settings 7.2: Ed–MasterFX
- Auto Song Setup function
- How a combination is organized
- Sequencer mode
- Sampling mode
- Global mode
- Media mode
- Arpeggiator settings
- Effects settings
- Other functions
- Tuning to another instrument/ Transposing
- Bypassing the effects
- Specifying the function of the Assignable Switch and Assignable Pedal
- Selecting different Velocity and Aftertouch curves
- Creating original scales
- Changing the scale
- Setting the function of [SW1] and [SW2]
- Setting the B-mode functions of REALTIME CONTROLS [1]–[4]
- Adjusting the contrast (brightness) of the LCD screen
- Using this instrument as a data filer
- Tap tempo control
- Shortcuts
- Appendices

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4. Record the sample
1 Press the [F1] (“Sample”) key to access the SMPL
1.1: Recording, Sample page.
2 Press the [REC/WRITE] key.
3 At the moment that you wish to start sampling,
press the [START/STOP] key.
Sampling will start.
It is a good idea to allow a bit of extra time before
you start and after you stop sampling.
4 At the moment that you wish to stop sampling,
press the [START/STOP] key.
Sampling will stop.
A 140 BPM drum phrase has now been sampled.
The sample will automatically be assigned to
“SMPL.”
Sampling will stop automatically if the remaining
amount of memory reaches zero.
5 Listen to the sampled sound, and assign a name to
the sample.
Press the C2 note or the [AUDITION] key, and the
sampled sound will play. After you have verified
the sound, assign a name to the sample (
☞p.37)
(e.g., LOOP1-140 BPM). Up to 14 characters can be
input as the name of a stereo sample (the two char-
acters -L and -R at the end are fixed). When you
assign a name to either the L or R channel, the other
sample will be named automatically.
5. Make loop settings
Next we will delete unwanted portions from the sam-
ple, and make settings so that the sample will be
looped smoothly.
By default when the power is turned on, sampled
sounds will be looped automatically. (1.1: Record-
ing, Input/Pref page “Auto Loop On” On)
1 Press the [MENU] key to access the page menu.
Press the [F3] key, and then press the [F8] (“Open”)
key to select 3.1: Loop Edit.
2 Notice that 0000: LOOP1-140BPM -L is selected for
“SMPL.”
3 Press the [F2] (“Edit2”) key to access the Edit2
page.
The waveform data of the currently selected sample
will be displayed.
The selected sample is a stereo sample. The L and
R waveforms will be displayed alternately when
you press the [F3] (“L/R”) key.
4 Use “S (Start)” to set the start address, “LpS (Loop
Start)” to set the loop start address, and “E (End)”
to set the end address.
The sample will sound as follows.
When looping is on: S → E → LpS → E → (continue
repeating LpS → E)
When looping is off: S → E
Use the [ ], [ ] to select “S (Start)” (highlighted),
and use the [VALUE] dial etc. to specify the location
at which the sample will begin sounding. The verti-
cal line in the display will move accordingly.
As necessary, you can press the [F4]–[F7] keys to
expand or shrink the waveform display. Zoom will
expand/shrink the display starting at the selected
“S (Start),” “LpS (Loop Start),” or “E (End)”
points.
If you check “Zero (Use Zero),” locations where
the waveform is at zero will automatically be
found and selected when you use the [VALUE]
dial etc. to set “S (Start),” “LpS (Loop Start),” or
“E (End)” points. This makes it easy to set these
points to addresses that will not produce clicks or
noise.
For this example, set “LpS (Loop Start)” and “S
(Start)” to the same value.
If desired, you can make a dotted vertical line
appear in the sample waveform display to indicate
the BPM. If you use this function with waveforms
that have a specific BPM, it will be easier to make
accurate settings for “E (End).”
Press the [F8] (“UTILITY”) key to access the utility
menu, and press the [F7] key to select “Grid.”
Press the [F8] (“OK”) key. The following dialog
box will appear.