User's Manual
Table Of Contents
- Table of Contents
- Introduction
- Quick Start
- Turning the power on/off
- Listening to the demo songs
- Selecting and playing a program
- Selecting and playing a combination
- Using controllers to modify the sound
- Using the arpeggiator while you play
- Playing with the RPPR (Realtime Pattern Play/Recording) function
- Simple program editing
- Simple combination editing
- Sampling (recording a sample)
- Basic functions
- Saving data
- Restoring the factory settings
- Program mode
- How a program is organized
- Basic program editing
- Oscillator settings 2.1: Ed–Basic
- Controller settings 2.2: Ed–Ctrl
- Pitch settings 3.1: Ed–Pitch
- Filter settings 4.1: Ed–Filter1, 4.2: Ed–Filter2
- Amplifier settings 5.1: Ed–Amp1, 5.2: Ed–Amp2
- LFO settings 5.3: Ed–LFOs
- Arpeggiator settings 6.1: Ed–Arp.
- BUS settings 7.1: Ed–InsertFX BUS
- Insert Effect settings 7.1: Ed–InsertFX Setup, IFX
- Master Effect settings 7.2: Ed–MasterFX
- More about Alternate Modulation
- Auto Song Setup function
- Combination mode
- How a combination is organized
- Basic combination editing
- Timbre 1–8 program, pan and volume 2.1: Ed–Prog/Mix
- Controller settings 2.2: Ed–Ctrl
- Settings for status, MIDI channel, and playing mode 3.1: Ed–Param1
- Note timing and scale settings 3.2: Ed–Param2
- Layer and split settings 3.3: Ed–Key Zone
- Velocity switch settings 3.4: Ed–Vel Zone
- MIDI filter settings 4.1: Ed–MIDI Filter1–4.4: Ed–MIDI Filter4
- Arpeggiator settings 6.1: Ed–Arp.
- Bus settings 7.1: Ed–InsertFX BUS
- Insert Effect settings 7.1: Ed–InsertFX Setup, IFX
- Master Effect settings 7.2: Ed–MasterFX
- Auto Song Setup function
- How a combination is organized
- Sequencer mode
- Sampling mode
- Global mode
- Media mode
- Arpeggiator settings
- Effects settings
- Other functions
- Tuning to another instrument/ Transposing
- Bypassing the effects
- Specifying the function of the Assignable Switch and Assignable Pedal
- Selecting different Velocity and Aftertouch curves
- Creating original scales
- Changing the scale
- Setting the function of [SW1] and [SW2]
- Setting the B-mode functions of REALTIME CONTROLS [1]–[4]
- Adjusting the contrast (brightness) of the LCD screen
- Using this instrument as a data filer
- Tap tempo control
- Shortcuts
- Appendices
99
Basic functions
Global mode
A Set the “Excl Group (Exclusive Group).”
The “Excl Group (Exclusive Group)” setting is used
when you wish to group drumsamples of the same
type.
For example if the note number to which a open hi-
hat and a closed hi-hat drumsample are assigned
are set to the same exclusive group number, they
will be grouped so that the open hi-hat and closed
hi-hat can not be sounded simultaneously, ensuring
that the hi-hat performance will sound natural.
B Use “BUS” to specify the output routing.
Set this when you wish to send the output of the
drumsample assigned to each note number to its
own insert effect or AUDIO OUTPUT (INDIVID-
UAL) jack 1–2.
For example you can specify IFX for snare-type
sounds, and L/R for the other sounds. If you want to
send only a specific drum sample to AUDIO OUT-
PUT (INDIVIDUAL) 1 and/or 2, select 1, 2, or 1/2.
These settings are valid if “Use DKit Setting”
(PROG 7.1: Ed-InsertFX, BUS page) is checked for
the program that uses this drum kit (
☞PG p.26, 160).
C Use “Pan” to specify the stereo output position.
The setting you make here is valid if the “Use DKit
Setting” is checked (PROG 5.1: Ed-Amp1, Level/
Pan page) for the program that uses this drum kit.
D Use “S1 (Send1(MFX1))” and “S2 (Send2(MFX2))”
to set the send levels to the master effects.
The settings you make here are valid if the “Use
DKit Setting” is checked (PROG 7.1: Ed-InsertFX,
BUS page) for the program that uses this drum kit.
E Use the Utility “Write Drum Kits” to save the data.
If you wish to change the name of the drum kit
before you save it, use the Utility “Rename Drum
Kit” (
☞p.44).
If you turn off the power before writing the data
into memory, your edits will be lost (
☞p.45 “Mem-
ory in Global mode”).