Guide Book
C M Y CM MY CY CMY K INTRODUCTION 6 MILLION PIXEL RESOLUTION The Dynax 5D is a digital SLR equipped with stateof the-art technology. The camera combines high image quality with versatile advanced features and easy, intuitive operation. The ideal basis for excellent image quality is the large, high resolution 6.1 Megapixel CCD (23.5 x 15.7mm). The high resolution provides impressive large format prints up to a size of 30 x 50cm.
C D F ES I Y CM MY CY CMY K COMPACT DESIGN AND INTUITIVE OPERATION EXTENSIVE ACCESSORY RANGE The Dynax 5D combines sophisticated features and intuitive handling in a very compact camera body. Further functions are located on the camera back for intuitive control of the Dynax 5D. An extensive range of system accessories of the Dynax series, including Program and Macro flashes, remote cable, camera bags, angle finder and more, expand the creativity the photographer.
C PHOTO SUBJECTS – D Y CM MY CY CMY K PORTRAIT Portraiture is one of the classic genre of photography. An expressive portrait is not just beautiful to look at, knowing a few photographic techniques will turn a photo into a masterpiece. GB M The Dynax 5D is equipped with a special portrait subject program mode. By turning the function wheel to the portrait mode, the camera automatically chooses a large aperture to achieve a small depth of field. Aperture 2.
C TIP: With the Dynax 5D it is possible to choose individual AF sensors, so it is easy to place one of the AF sensors right on the person's eye. M Y CM MY CY CMY K Accessory softeners like the Konica Minolta Portrayer P filter set provide a smooth and harmonic reproduction of skin tones. WIRELESS FLASH The Program Flashes 3600HS (D) and 5600HS (D) can be controlled by wireless with the Dynax 5D. This enables the photographer to position the flash to the side to achieve a more natural illumination.
C PHOTO SUBJECTS – M Y CM MY CY CMY K SPORT/ACTION Taking images of fast moving subjects is a great challenge for both the photographer and the camera equipment. Releasing the shutter at the right moment is crucial for capturing an expressive image. GB D F ES I SPORTING EVENTS Filling the image area with the subject from a distance requires lenses with a longer focal length (over 100mm). Telephoto lenses or zoom lenses with a large aperture (e.g. AF 100-300mm f/4.55.
C M Y CM MY CY CMY K CONTINUOUS ADVANCE Thanks to the high speed Continuous Advance of the Dynax 5D the decisive moment of even a fast-moving subject can be captured easily. The photographer can capture a sequence of pictures of a moving subject , then select the best shot afterwards. Lens AF 70-200mm/2.
C M Y CM MY CY CMY K PHOTO SUBJECTS – MACRO GB The extensive accessory range of the Dynax 5D is perfectly suited capturing impressive images of tiny objects. Not only insects and flowers can be captured in extraordinary perspectives that are usually concealed to us in every day life. Full frame images can be taken of nearly everything you can think of, such as watches, jewellery, coins, stamps etc.
C M Y CM MY CY CMY K TIP: Due to the small depth of field in macro shots, it is recommended to use a small aperture (e.g. f/16). The Anti-Shake System of the camera can effectively reduce shake that results from the use of longer shutter speeds.
C M Y CM MY CY CMY K PHOTO SUBJECTS – ARCHITECTURE Documenting historical, famous or modern buildings has always been a popular subject for ambitious photographers . The landscape mode of the Dynax 5D is perfectly suitable for this job. A small aperture with low ISO setting delivers great depth of field combined with high image quality.
C PHOTO SUBJECTS – SUNSET Sunset mode provides special settings that meet the extraordinary light conditions of landscapes at dusk and dawn. The mode is optimised to reproduce the rich, warm colours of sunsets. A specific white balance is employed that accentuates several shades of red that are characteristic of the atmosphere of such scenes. M Y CM MY CY CMY NIGHT PORTRAIT / K SUNSET from the available light, because it is outside of the range of the flash light.
C M Y CM MY CY CMY K PHOTOKNOWLEDGE – ZONE MATCHING The atmosphere, character and message of an image are quintessentially influenced by the distribution of black and white areas in the tonal values. In classic photography the specific subject-related use of illumination is described as high-key and low-key photography. In highkey images bright, finely distinguished highlight tones dominate and soft illumination is provided.
C M Y CM MY CY CMY K PHOTOKNOWLEDGE – SIZE / QUALITY GB D F ES I In the camera menu you find the topics “Image Size” and “Quality”. The result of both is similar in one way, but the way they work differs a lot. Using those functions means, that choosing a higher “Quality” or a larger “Image Size” leads to fewer images on the memory card. But why are there two settings? IMAGE SIZE (RESOLUTION) The function of the topic „Image Size“ is pretty simple.
C RAW Choosing RAW „Quality“, the image is always recorded at the maximum resolution (full image size). The RAW format saves the image data before the actual calculations of colour, contrast, and sharpness of the camera software start. Those calculations have to be done afterwards on the computer, using imaging software like the DiMAGE Master Lite, or the optional DiMAGE Master. The RAW format enables best image quality, but needs some post-processing on the computer.
C M Y CM MY CY CMY K PHOTOKNOWLEDGE – ANTI-SHAKE GB D F ES Despite autofocus it is still possible that pictures may be blurred. Often it is not the fault of the autofocus system but rather the result of camera shake. Unfortunately camera shake happens frequently and it is a particular problem when using slower shutter speeds and longer focal lengths. However, Konica Minolta’s Anti-Shake puts things right. The high precision CCD-shift process applies a unique stabilizing mechanism.
C M Y CM MY CY CMY K KONICA MINOLTA - LENSES MIRROR TELE LENS Extreme telephoto capture are possible with the AF 500 mm f/8 Reflex, the world’s first AF telephoto mirror lens. Due to its compact and light weight design it is extremely popular among nature photographers. GB D F The high speed fixed focal length tele lens AF 300mm f/2.8 is due to its high image quality not just a dream lens for ambitioned nature or sports photographers.
C M Y CM MY CY CMY K TIP: Discover the night sky and try out some astrology photography. With the AF APO 600 mm f/4 G for example, full format capture of the moon are no problem with an effective focal length of 900 mm when mounted on the Dynax 5D! DT TECHNOLOGY The lenses of the DT series (abbr. for Digital Technology) are exclusively developed for the digital Dynax cameras. The image circle of the lenses is adjusted to the CCD´s size. GB Lens AF 16 mm f/2.
C M Y CM MY CY CMY K Product Code Minimal Focus Dimensions (dia. x length) AF 50mm f/1.4 2662-110 0.45m 65.5 x 38.5mm 235g AF 50mm f/1.7 2613-100 0.45m 65.5 x 39mm 170g Product Code Minimal Focus Dimensions (dia. x length) AF 85mm f/1.4 G (D) 2677-118 0.85m 81.5 x 72.5mm AF 100mm f/2.8 SOFT FOCUS 2648-118 0.80m 71.5 x 78mm 440 g STF 135mm f/2.8 [T4.5] *3) 2656-118 0.87m 80 x 99mm 730g AF 200mm f/2.8 Apo G 2612-110 1.50m 86 x 134mm 790g AF 300mm f/2.
C M Y CM MY CY CMY K KONICA MINOLTA - FLASH SYSTEM PROGRAM FLASH 5600HS (D) The most obvious difference between the three Konica Minolta Program Flashes is their guide number, which is indicated by the two first numbers (e.g. 36 for the 3600HS (D)). The built in flash of the Dynax 5D has a guide number of 12. GB D F ES I PROGRAM FLASH 2500 (D) This handy flash is useful for shooting subjects within a few meters.
C M Y CM MY CY CMY K WIRELESS MACRO TWIN FLASH 2400 The Program Flash 3600HS (D) and 5600HS (D) can be used off the camera. In this way you can generate a perfect illumination where the flash light illuminates the subject from the side for instance. Macro Twin Flash 2400 has two light tubes which are attached to the lens with flexible holders.
C M Y CM MY CY CMY K KONICA MINOLTA - SYSTEM ACCESSORIES GB REMOTE CORDS RC-1000S/L LITHIUM-ION ACCU NP-400 Enables remote control of the shutter release when on a tripod to avoid camera shake or in a self portrait. Autofocus is maintained. When travelling, where recharging would be impossible, you should consider taking second NP-400 with you, to always have one fully charged, ready for unexpected subjects.
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