User Manual
EFFECTS 47
Volume
For regular delay applications you should leave delay “Volume” at the center position, as the volume of
the delay is usually controlled by the “Mix” parameter. However, when “Feedback” is above 100%, the de-
lay’s volume increases with each repetition, until it’s caught and compressed by the tape saturation. In this
state, the delay has turned into a sound generator - the level of which cannot be controlled by the “Mix”
parameter any more. In this case, the delay “Volume” parameter will give you instant control of the overall
delay level.
Reverb
Our reverb oers studio-quality algorithms and works closely with the delay eect. It comes with 5 dier-
ent types that allow you to determine the room size, ranging from Matchbox to Large Hall.
Mix
Reverb “Mix” works exactly like the delay “Mix” parameter, and can be controlled with the dedicated knob
in the upper half of the panel.
Delay/Reverb Balance
“Delay/Reverb Balance” is a unique parameter that allows continuous control over the routing of the delay
and reverb. For this parameter to work as expected, you will need to have both delay and reverb “Mix” set
to a value other than zero.
At the center position, the delay and reverb are simply set in a serial configuration; this means the reverb
comes after the delay, and both the dry and delay signals are fed in equal amounts to the reverb. This is
pretty much what you would expect in the first place.
Now, when you turn “Delay/Reverb Balance” more to the left, you will notice that the delay reflections will
vanish from the reverb; at fully left position, only the dry portion of the delay gets reverberated. Now, the