User Manual

STOMP SECTION 31
 Tone
Some of the original distortion pedals that inspired this collection are equipped with tone controls.
Green Scream The sound of this one just screams
‘tubes’ - a very special kind of overdrive
which results in a wonderful, smoky tone.
Good for achieving a subtle distortion
eect whilst still retaining headroom for
dynamics.
Use the Tone control to soften the sound
with a lowpass filter.
Plus DS A more extreme distortion. Like in the original, this does not feature
a Tone control.
One DS The ‘orange’ one. A very harsh distortion,
popular with the grunge movement.
The bipolar Tone control allows for great
versatility by combining both a low pass
and a high pass filter - turn it down for
a warm, dark tone, and up for a harsh,
brittle sound.
Mun A big distortion eect famous for its fuzzy
character.
This eect uses a dual filter array, similar
to One DS. Use lower values to soften
the sound with a low pass filter, and
higher values for a brighter, thinner
sound.
Mouse DS A clear, powerful distortion that’s perfect
for making leads cut right through the mix.
Use the Tone control to soften the sound
with a lowpass filter.
Fuzz DS A classic “fuzzbox” overdrive. No tone control, just in-your-face fuzz.
Metal DS A sharp-sounding, high-gain distortion,
optimized for metal music.
Use the 3-band EQ to shape the tone.
Type Diagram
Linear