User Manual

KEMPER PROFILING AMPLIFIER24
stereo eects as with positive values, but the left and right sides are reversed. With extreme settings of
the stereo parameter, you can exaggerate the stereo width.
Wah Stomps
(orange)
The Wah eects are a versatile collection of dierent eects, that can all be controlled by a Wah pedal.
Alternatively, you can switch from Pedal Mode to Touch Mode and control the eect using your picking
strength.
Wah Wah This is the classic Wah pedal eect. By modifying the “Peak” parameter you can
achieve dierent Wah characteristics.
Wah Low Pass An alternative Wah pedal eect derived from the Access Virus synthesizer.
It’s a 4-pole lowpass filter, with the “Peak” parameter emphasizing the filter
resonance.
Wah High Pass Similar to the Low Pass Wah, but it will cut the low end of your guitar sound
when you move the pedal up.
Wah Vowel A vowel filter, that simulates a talkbox eect. The vowels are extended to a
broader range compared to existing vowel filters, as it includes some european
vowels as well. The range is: U O Â A Ä E I IÜ Ü Ö OE O U - Choose the desired
range using the “Manual” and “Range” parameters.
Wah Phaser A huge phaser eect that you can control using the Wah pedal. The Wah
Phaser is derived from the regular phaser eect, that is described in detail
later. In addition to the common Wah parameter it has inherited two additional
parameters from the regular phaser: “Stages” and “Peak Spread”.
Wah Flanger The Flanger is a special version of the flanger, based on a delay with feedback,
that creates a pitched resonance or ringing eect. Use the “Manual” parameter,
or the pedal, to control the delay time, or pitch. Use the “Peak” parameter to
control the intensity of the resonance.
Rate Reducer This eect reduces the sampling rate of the audio signal passing through. The
sampling frequency is controlled with the ‘Manual’ parameter. Lowering the
sample rate results in a raspy, scratchy quality as well as aliasing. Use the ‘Peak’
parameter to continuously control the quality of the sample rate interpolation,
which will alter the harmonic content drastically.