User Manual
Table Of Contents
- Legal Notice
- Table of Contents
- About this Main Manual
- Rigs and Signal Chain
- Front Panel Controls Head, PowerHead, Rack, and PowerRack
- Chicken Head Knob (1)
- INPUT Button (2)
- INPUT LED (2)
- Module and Section Buttons (3)
- OUTPUT/MASTER Button (4)
- OUTPUT LED (4)
- NOISE GATE Knob (5)
- Direct Control Knobs (6)
- MASTER VOLUME Knob (7)
- TAP Button (8)
- SYSTEM Button (9)
- RIG Button (10)
- QUICK Button (11)
- TYPE Knob (12)
- BROWSE Knob (13)
- Soft Buttons and Soft Knobs (14)
- ON/OFF Button (15)
- LOCK Button (16)
- COPY and PASTE Buttons (17)
- STORE Button (18)
- UNDO and REDO Buttons (19)
- EXIT Button (20)
Buttons (21) - RIG Navigation Cross (22)
- HEADPHONE Output (23)
- GAIN Knob (24)
- RIG VOLUME Knob (25)
- Front INPUT (26)
- USB (27)
- Back Panel Overview Head, PowerHead, Rack, and PowerRack
- Front Panel Controls Stage
- On/Off Button (1)
- Mode Select Buttons (2)
- INPUT Button (3)
- INPUT LED (3)
- Module and Section Buttons (4)
- OUTPUT/MASTER Button (5)
- OUTPUT LED (5)
- MASTER VOLUME Knob (6)
- SYSTEM Button (7)
- PEDALS Button (8)
- RIG Button (9)
- TYPE Knob (10)
- BROWSE Knob (11)
- Soft Buttons and Soft Knobs (12)
- MORPH Button (13)
- LOCK Button (14)
- EDIT Button (15)
- COPY and PASTE Buttons (N/A)
- STORE Button (16)
- Button (17)
Buttons (18) - GAIN Knob (19)
- Up/Down Buttons (20)
- Rig Buttons 1-5 (21)
- TAP Button (22)
- TUNER Button (23)
- Effect Buttons I-IIII (24)
- Looper (25)
- Back Panel Overview Stage
- Basic Setups
- Using the Tuner
- Rig Settings
- Working with Amplifier PROFILEs, Cabinet PROFILEs, Power Amps and Guitar Cabinets
- Separating Amps and Cabinets: CabDriver
- Browsing Amps or Cabinets
- Direct PROFILEs
- Direct Amp PROFILEs
- Cabinet Impulse Responses
- Merging Studio PROFILEs and Direct Amp PROFILEs
- Running a Guitar Speaker Cabinet from a Power Amplifier, “Monitor Cab Off”
- The Built-in Power Amplifier
- The Sound of Guitar Cabinets versus Mic'ed Speakers
- PURE CABINET
- Output Section
- Instrument Input and Reamping
- Expression Pedals and Foot Switches
- Stack Section
- Effects
- Wah Effects (Orange)
- Distortion (Red)
- Booster (Red)
- Shaper (Red)
- Equalizer (Yellow)
- Compressor (Cyan)
- Noise Gate (Cyan)
- Chorus (Blue)
- Phaser and Flanger (Purple)
- Pitch Shifter (White)
- Delay (Green)
- Delay Mix
- Mix Location Pre/Post
- Low Cut & High Cut
- Cut More
- To Tempo
- Delay Time & Delay Ratio
- Note Value
- Feedback
- Freeze
- Infinity
- Cross Feedback
- Reverse Mix
- Input Swell
- Smear
- Stereo
- Grit
- Stereo Modulation
- Flutter Intensity & Flutter Rate
- Single Delay
- Dual Delay
- Two Tap Delay
- Serial Two Tap Delay
- Rhythm Delay
- Quad Delay
- Legacy Delay
- Pitch Shifter Delay (Light Green)
- Reverb (Green)
- Effect Loop (Pink)
- System Settings
- Bass Players: Special Hints and Features
- Performance Mode
- PROFILER Remote
- MIDI
- Continuous Controllers
- Effect Switches
- Rig Change in Performance Mode
- Rig Change in Browser Mode
- MIDI Global Channel
- MIDI Clock
- Transmitting MIDI Commands to Two External Devices in Performance Mode
- Transmitting Pedal Controllers for Morphing, Wah, Volume, and Pitch to Two External Devices
- Transmitting User Interface to MIDI Global Channel
- NRPN
- Getting Organized
- Updates, Backups and Sharing Sounds
- PROFILING an Amp
- Trouble Shooting
- KEMPER PROFILER Specifications
- Dimensions
- Weight
- Analog Inputs PROFILER Head, PowerHead, Rack, and PowerRack
- Analog Inputs PROFILER Stage
- Analog Outputs PROFILER Head, PowerHead, Rack, and PowerRack
- Analog Outputs PROFILER Stage
- Power Amp PROFILER PowerHead and PROFILER PowerRack
- Control and Data Interfaces
- Digital Inputs and Outputs PROFILER Head, PowerHead, Rack, and PowerRack
- Digital Inputs and Outputs PROFILER Stage
- Electrical Requirements
- Environmental Requirements
- Electrical Approvals
PROFILING an Amp 289
The recommended refining procedure, which comes after the automated part of the process, is a bit of a shot-in-the-
dark, as you will continue to hear your reference amp through the physical guitar cabinet only. Still, it's a good idea
to go through with it by playing chords on your guitar, as explained in the chapter “Refining the PROFILE”.
When the PROFILING is done, it's time to listen to the result!
• Turn down “Monitor Volume” for the power amp of the PROFILER.
• Put your reference tube amp into standby mode, as it should not run without a speaker connected.
• Unplug the speaker cable (the one going to the speaker) and plug it into the SPEAKER OUTPUT of the PROFILER
PowerHead or PowerRack.
• Play, and turn up “Monitor Volume” carefully.
• Done! When played through your guitar speaker, the PROFILER and your tube amp will sound identical.
• Save your Direct Amp PROFILE.
How to Create Merged PROFILEs
If you are planning to take both a Direct Amp PROFILE and a Studio PROFILE of the same tube amplifier, for
merging them later, we recommend the following sequence:
✓ If you like, do the setup and cabling for both PROFILEs. Position the microphones by the guitar cabinet as required.
However, you will not be able to take both PROFILEs in one go, since the PROFILER only supports one return
signal for PROFILING.
Make all required adjustments to the amp while listening to it right in front of the guitar cabinet. Don't worry about the
mic'ed sound at this stage, as the direct sound cannot be adjusted by anything other than the amplifier controls.
• Capture the Direct Amp PROFILE first, as described above, and save it.