User Manual
Table Of Contents
- Legal Notice
- Table of Contents
- About this Main Manual
- Rigs and Signal Chain
- Front Panel Controls Head, PowerHead, Rack, and PowerRack
- Chicken Head Knob (1)
- INPUT Button (2)
- INPUT LED (2)
- Module and Section Buttons (3)
- OUTPUT/MASTER Button (4)
- OUTPUT LED (4)
- NOISE GATE Knob (5)
- Direct Control Knobs (6)
- MASTER VOLUME Knob (7)
- TAP Button (8)
- SYSTEM Button (9)
- RIG Button (10)
- QUICK Button (11)
- TYPE Knob (12)
- BROWSE Knob (13)
- Soft Buttons and Soft Knobs (14)
- ON/OFF Button (15)
- LOCK Button (16)
- COPY and PASTE Buttons (17)
- STORE Button (18)
- UNDO and REDO Buttons (19)
- EXIT Button (20)
Buttons (21) - RIG Navigation Cross (22)
- HEADPHONE Output (23)
- GAIN Knob (24)
- RIG VOLUME Knob (25)
- Front INPUT (26)
- USB (27)
- Back Panel Overview Head, PowerHead, Rack, and PowerRack
- Front Panel Controls Stage
- On/Off Button (1)
- Mode Select Buttons (2)
- INPUT Button (3)
- INPUT LED (3)
- Module and Section Buttons (4)
- OUTPUT/MASTER Button (5)
- OUTPUT LED (5)
- MASTER VOLUME Knob (6)
- SYSTEM Button (7)
- PEDALS Button (8)
- RIG Button (9)
- TYPE Knob (10)
- BROWSE Knob (11)
- Soft Buttons and Soft Knobs (12)
- MORPH Button (13)
- LOCK Button (14)
- EDIT Button (15)
- COPY and PASTE Buttons (N/A)
- STORE Button (16)
- Button (17)
Buttons (18) - GAIN Knob (19)
- Up/Down Buttons (20)
- Rig Buttons 1-5 (21)
- TAP Button (22)
- TUNER Button (23)
- Effect Buttons I-IIII (24)
- Looper (25)
- Back Panel Overview Stage
- Basic Setups
- Using the Tuner
- Rig Settings
- Working with Amplifier PROFILEs, Cabinet PROFILEs, Power Amps and Guitar Cabinets
- Separating Amps and Cabinets: CabDriver
- Browsing Amps or Cabinets
- Direct PROFILEs
- Direct Amp PROFILEs
- Cabinet Impulse Responses
- Merging Studio PROFILEs and Direct Amp PROFILEs
- Running a Guitar Speaker Cabinet from a Power Amplifier, “Monitor Cab Off”
- The Built-in Power Amplifier
- The Sound of Guitar Cabinets versus Mic'ed Speakers
- PURE CABINET
- Output Section
- Instrument Input and Reamping
- Expression Pedals and Foot Switches
- Stack Section
- Effects
- Wah Effects (Orange)
- Distortion (Red)
- Booster (Red)
- Shaper (Red)
- Equalizer (Yellow)
- Compressor (Cyan)
- Noise Gate (Cyan)
- Chorus (Blue)
- Phaser and Flanger (Purple)
- Pitch Shifter (White)
- Delay (Green)
- Delay Mix
- Mix Location Pre/Post
- Low Cut & High Cut
- Cut More
- To Tempo
- Delay Time & Delay Ratio
- Note Value
- Feedback
- Freeze
- Infinity
- Cross Feedback
- Reverse Mix
- Input Swell
- Smear
- Stereo
- Grit
- Stereo Modulation
- Flutter Intensity & Flutter Rate
- Single Delay
- Dual Delay
- Two Tap Delay
- Serial Two Tap Delay
- Rhythm Delay
- Quad Delay
- Legacy Delay
- Pitch Shifter Delay (Light Green)
- Reverb (Green)
- Effect Loop (Pink)
- System Settings
- Bass Players: Special Hints and Features
- Performance Mode
- PROFILER Remote
- MIDI
- Continuous Controllers
- Effect Switches
- Rig Change in Performance Mode
- Rig Change in Browser Mode
- MIDI Global Channel
- MIDI Clock
- Transmitting MIDI Commands to Two External Devices in Performance Mode
- Transmitting Pedal Controllers for Morphing, Wah, Volume, and Pitch to Two External Devices
- Transmitting User Interface to MIDI Global Channel
- NRPN
- Getting Organized
- Updates, Backups and Sharing Sounds
- PROFILING an Amp
- Trouble Shooting
- KEMPER PROFILER Specifications
- Dimensions
- Weight
- Analog Inputs PROFILER Head, PowerHead, Rack, and PowerRack
- Analog Inputs PROFILER Stage
- Analog Outputs PROFILER Head, PowerHead, Rack, and PowerRack
- Analog Outputs PROFILER Stage
- Power Amp PROFILER PowerHead and PROFILER PowerRack
- Control and Data Interfaces
- Digital Inputs and Outputs PROFILER Head, PowerHead, Rack, and PowerRack
- Digital Inputs and Outputs PROFILER Stage
- Electrical Requirements
- Environmental Requirements
- Electrical Approvals
PROFILING an Amp 275
PROFILING with Effects in the Recording Chain
Many guitarists get their signature sound by combining their tube amp with distortion pedals, booster pedals, and
equalizers/filters. If you want to, you can keep these in the signal chain during the PROFILING process - they will all
be accurately included as a part of the reference amp sound. However, there are a few exceptions: some distortion
pedals use a special design that cannot be captured accurately, for instance the Tube Screamer™.
If you do include your effects chain with your Amp PROFILE, but are not happy with the result, try again without the
distortion pedal. Remember, you can always use one of the modeled distortion pedals in the PROFILER instead,
when building your Rig.
Other effects should be bypassed during the PROFILING process because they will adversely affect the result,
making it sound less natural, and different to the original amp tone. These include compressors, noise gates, and
time/modulation/reverb effects such as delay, reverb, chorus, and so on.
You might also run into trouble when PROFILING a sound in which both the pre- and power amps of the reference
amplifier are driven into distortion. If the resulting PROFILE sounds unsatisfying, try to reduce the volume of the
power amp. This will make the sound somewhat more transparent, without significantly reducing the amount of
distortion. The same is true for those modeling amps which offer a separate gain control for pre- and power amp.
The PROFILER only allows for mono PROFILING. Stereo PROFILING is not currently supported, but really, how
many classic guitar amps feature true stereo circuitry, anyway?
Since the PROFILER sends its own test-tones into the reference amp during PROFILING, it should be obvious that
the sound of your guitar isn’t part of the result. The PROFILER is designed to react to any guitar in an identical way
to the reference amp.
Monitoring While Taking PROFILEs
The output of the reference amp can be monitored through the outputs of the PROFILER. This way, you can switch
between listening to the original reference amp signal and its PROFILE, using the soft buttons in PROFILER Mode
or the foot buttons on the PROFILER Remote. In fact, to avoid confusion, we recommend that you only monitor the
reference amp using the PROFILER. It’s a good idea to place the guitar cabinet of the reference amp in a different
room (in other words, somewhere you won’t hear it) and away from the monitor system you are using for the