User Manual

Bass Players: Special Hints and Features 236
going to mix the DIRECT OUTPUT/SEND 1 with the MAIN OUTPUT, select “Git+Processing” or “Git Studio” as the
Output Source for the DIRECT OUTPUT/SEND 1 in the Output Section to avoid different latencies between
processed and unprocessed signals. Do not use "Git Analog" in this case.
The PROFILER features many stomp and studio effects that are suitable for bass, with some having been
specifically tailored for bass players. Below is a brief description of selected features - please refer to the respective
chapters for a deeper view.
Analog Octaver
TM
is a classic effect originally intended for bass. It works by creating two additional signals: one at an
octave below the input pitch, and another at two octaves below. Rather than use pitch shifter technology, it uses an
analog detection circuit to manipulate and filter the input signal. The Analog Octaver will only work with single notes -
intervals or chords may yield unstable results.
Check the Pitch Shifter effects for different intervals and colors that allow for polyphonic playing, including chords.
You should also try the Formant Shift possibilities in some pitch shifter effects. Although restricted to monophonic
playing only, shifting the characteristic formants of your bass will give your instrument a whole new character, while
remaining very authentic.
If the passive equalizer in the stack section (EQ) fails to provide enough flexibility for your needs, please check out
the Equalizer effects. The 4-band parametric Studio Equalizer is extremely flexible and well suited to bass.
Every one of the chorus algorithms features the Crossover parameter, inspired by specialized bass chorus units. By
raising the value of “Crossover” you can shield the lower frequencies from the effect of the chorus modulation, thus
giving the sound a stable bottom-end.
Parallel Path is a feature designed for bass players in particular. When a bass is played through a distorting amplifier
or a distortion pedal, the bass can lose some of the fundamental frequencies as well as some dynamic range. To
compensate for this, a parallel feed of the undistorted bass signal can be created, and then mixed back to the
processed signal path. In his case, modules A and B are moved to the Parallel Path, e.g. for compressing or
equalizing the parallel signal.
We have created a specific thread PROFILER for Bass Players in the KEMPER forum. Don’t hesitate to raise your
questions, share best practices and discuss suggestions there. Here is the link:
www.kemper-amps.com/forum