User Manual

Reverb (Green) 214
 Mid Frequency
Offsets the filter frequencies of Low Decay, High Decay and High Cut. Consequently, it also controls the pitch of the
resonance frequency created by large settings of Low Decay and High Decay.
 Low Boost
When the Low Boost switch is activated, the Low Damp control below it will change its name to “Low Multiplier”, and
invert its behavior, so that instead of damping the low frequencies over time, it will maintain the low frequencies
longer than the rest of the reverb tail. This is a property of natural rooms, especially large rooms and concert halls.
The value of the Low Multiplier determines the amount of elongation.
The Low Boost and Multiplier will create immersive reverb tails for solo instruments such as acoustic guitar.
However, for dense mixes of multiple band instruments, we recommend dampening the low frequencies rather than
boosting them — this will keep the mix transparent, as well as helping the reverb to cut through the mix more easily.
 Modulation
Every digital reverberator consists of multiple delays that are fed back. The delays can be randomly modulated by
turning up Modulation, creating a more lush (and more artificial) reverb tail. Turn Modulation down to zero for a
natural reverberation, although a sparse modulation is still maintained, so as to simulate the natural fluctuation of the
air.
 Input Swell
The Input Swell parameter engages an auto-swell effect at the input of the reverb that lets the volume of your
instrument rise slowly with every new strike of the strings. At low values, only the pick attack is dampened, creating a
smoother reverb signal. With larger values, the onset of the notes is blurred, creating a pad-like reverb.